Not exact matches
We treat racism as though it is the contained characteristic
of a
specific species
of human beings known as racists, that
lived in a prior
era of American history, but have now nearly become extinct.
In an earlier
era, freethinkers understood that the society in which they
lived depended in part on the basic view
of the world accepted by their fellow citizens — hence Robert Ingersoll and Elizabeth Cady Stanton not only defended a clear churchstate separation but commented onthe merits
of specific religious ideas held by their contemporaries.
The last Sunday night
of each month, Cabaret at The MERC features the most memorable songs and catchy tunes are performed
live; themed evenings include the best
of Broadway, classic films, beloved songwriters,
specific eras and genres.
The genomics
era has had a profound impact on
life science research, leading to significant developments such as the use
of expression quantitative trait loci (eQTLs), which link polymorphisms in single genes to quantifiable changes in gene expression associated with
specific diseases.
While Lanthimos doesn't make any
specific political allusions, Dogtooth carries a lot
of resonance in the Glenn Beck
era, when people are
living in paranoid bubbles
of their own making, bunkered down by ideology.
Much like Aaron Sorkins» Steve Jobs, the film is split but this time between two
specific eras in Wilson's
life with his younger years and build up to the recording
of Pet Sounds being portrayed by Paul Dano, and then John Cusack takes on Wilson's later
life during his turbulent relationship with Dr Eugene Landy (Paul Giamatti) and the meeting
of Melinda Ledbetter, played by Elizabeth Banks.
He draws on his
life experiences and stories, on his decades - long reading
of influential scholars and visionaries, on
era -
specific music, movies, and books, and on his university, media, civil society, and United Nations consulting background to write a rousing, engaging and compelling narrative about what humanity faces in the 21st century.
The panel will explore the timeliness
of this recent iteration
of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital
era truly produces an ahistorical condition in which images and marks have no
specific reference and no relevant point
of origin; how structures
of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity
of the screen in all aspects
of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.
Featuring more than 250 sessions spanning a wide range
of mediums,
eras, movements, and perspectives, distinguished artist interviews include Coco Fusco with UCLA's Steven Nelson and several panels consider
specific aspects
of African American art and Black
Lives Matter, as well as «Race and Representation,» «Race and Labor in the Art World,» and «Black Artists and the European Canon,» among other topics.