Sure it's more about
spectacle than character, action over logic, but we go to the movies to be entertained, and they deliver on that, right?
There's more focus on relentless
spectacle than characters we've cared about for the past decade.
Not exact matches
It isn't often in the summer that you enjoy the intense pleasure of a certain kind of old - fashioned cinema experience, the sort that sweeps you up in sheer
spectacle with bigger -
than - life images and yet holds you close with intimately observed
characters and the details that keep your eyes and mind busy.
He's a visual effects
spectacle to behold (a CGI marvel, really)-- nasty, mean and a massive threat, but the
character doesn't add up to more
than an infuriated bad guy who chases people around and burns their bums with fire because they've woken him up.
It's not a particularly good movie, but it has far more
character than this CGI - dominated remake, a bland and flavorless
spectacle centered on muscle - bound Perseus (Sam Worthington), a stiffly stalwart demigod who takes on an odyssey to defy the gods with no more personality
than the slick but CGI creatures he battles along the way.
For all of his obvious skills and uncommon talent as a visual storyteller, Kosinski's first two films were short on
character depth and emotional engagement, but whether a function of Kosinski's innate preferences for
spectacle over substance or simply script - related issues, Kosinski's feature - film output made him an odd, left - of - field choice to direct a film about American firefighters and the Yarnell Hill Fire of 2013 that resulted in the greatest loss of firefighters since 9 - 11 more
than a decade earlier.
As each
character reaches some kind of emotional (and more often
than not, amusing) realisation, the mix of humour, music and
spectacle build into something really quite special.
Signs is more about the
characters than the
spectacle.
But Yager, the developers, have promised new highs in the use of
character and morality in the game, reaching for something more akin to the emotional horror of Apocalypse Now rather
than the meathead
spectacle of a Rambo movie.