Sentences with phrase «spectacular than in the work»

Not exact matches

So, for example, a dull scientist in a spectacular lab probably would have a much higher index than a spectacular scientist working on someone else's projects in a dull lab.

That it works as well as it does is largely thanks to Gosling, who carries Blade Runner 2049 around on his shoulders (Ford himself is more of a glorified cameo than a co-star) and does spectacular work holding K's internal conflicts in right up until the seams to show.

Between the final two, I think the subtler work in «The Dark Knight» may stand a better chance with the British Academy than with the Americans, but ultimately, I think «Button»» s effects are too spectacular to ignore.

Still, this cast is spectacular, night and day better than the thespian work in Ridley's original.

We steward more than 80,400 acres across more than 30 spectacular park sites; foster environmental awareness in 18,000 school children every year; and protect 1,200 plant and animals species, while growing over 140,000 native plants each year for restoration work park wide.

Stella's pieces are more than conventional works on paper, as the methods, employed in collaboration with master printer Tyler, resulted in vast, spectacular, technically ambitious feats, that are at times three - dimensional.

The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.

It is the result of years of research, experience, work and cooperation of two people, with the common vision and starting point, that is why the results in less than a single year are spectacular.

In the recent ARTFORUM, Hans Ulrich Obrist calls her work «both critical and spectacular, using pop culture as a bridge rather than as a simple reference in the ubiquitous orgy of appropriation and revival»In the recent ARTFORUM, Hans Ulrich Obrist calls her work «both critical and spectacular, using pop culture as a bridge rather than as a simple reference in the ubiquitous orgy of appropriation and revival»in the ubiquitous orgy of appropriation and revival».

In the exhibition brochure, Phillips suggested his own preference for Braque's work over Picasso's: «Time may rank the mellowed craftsmanship and enchanting artistries of the reserved Frenchman higher than the restless virtuosities and eccentric innovations of the spectacular Spaniard.»

But likely more spectacular than any work of art you'll find in the museum is the building itself, with its main room lit by sunlight through enormous windows in the shape of a rising or setting sun.

Another strength of this book is that it focuses on areas that have been given short shrift in previous works on Canadian copyright: users» rights (an area of increasing importance, since most public discourse about copyright focuses on what we can't do rather than what we can); aboriginal approaches to intellectual property rights (which emphasize the protection of the honour of clans, cultures, and nations over the rights of individual creators); digital rights management (and its spectacular failure to actually protect content); and public licensing systems (such as the Creative Commons licenses).