The Yehudi kept on the other side
of the realm
of magic which the Seer and his friends entered at that time in an attempt to reach the Messianic
sphere by affecting
current events; he did not wish to hasten the end, but to prepare man for the end.
Incorporating objects such as couches, refrigerators, and carpets into many
of his works, as well as references to
current and historical political
events, McMillian makes connections between the domestic and the public
spheres as he manifests the maze
of legislative, linguistic, and visual strategies that construct race and class in America.