Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving as a suitable
spiritual sequel to the director's debut, «Afterschool,»
in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who
led the previous
film, as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.
But while the
film shows more promise than its
spiritual predecessor
in the early stages, its overdependence on the love story between its two
leads prevents «Beautiful Creatures» from distinguishing itself as anything other than an unfortunate «Twilight» wannabe.