Sentences with phrase «spoken in public without»

George Clooney has never knowingly spoken in public without making at least one glancing reference to his doomed stint as Batman.

Five years ago, Erin Lau, a writer and former event - planner, couldn't speak in public without a red face and trembling hands.

Not exact matches

I speak of bosses who express visible and public anger, yelling across hallways and conference rooms at the drop of a hat, or marching to other departments to «tell someone off» without realizing the fishbowl they work in (yes, people watch, take notes, and many are affected by it).

People realize they can now go public and speak without the repercussions that were not present when some of us went public in years past.

Back when I was terrified of public speaking, I'd approach the podium and, in my mind, drop a diaphanous curtain in front of the audience so I could look at them without seeing them, acknowledge their blur of faces without catching any doubt or disdain or incredulity that might lurk in their eyes.

And they protect my right to speak about Jesus Christ in public without fear of fines or prison, as in other nations.

In some cases, as was pointed out in Chapter 10, an absolute right to speak could actually subvert and defeat the democratic process, such as the «right» of an advertiser to misinform the public, or the «right» of a broadcaster to attack someone without allowing an opportunity for that person to replIn some cases, as was pointed out in Chapter 10, an absolute right to speak could actually subvert and defeat the democratic process, such as the «right» of an advertiser to misinform the public, or the «right» of a broadcaster to attack someone without allowing an opportunity for that person to replin Chapter 10, an absolute right to speak could actually subvert and defeat the democratic process, such as the «right» of an advertiser to misinform the public, or the «right» of a broadcaster to attack someone without allowing an opportunity for that person to reply.

The Chairman, Senate Committee on Media and Public Affairs, Senator Sabi Abdullahi, when asked if the lawmakers would suspend their current recess to consider Buhari's letter, said he was somewhere in his constituency (Niger North Senatorial District) and would not speak on the matter without having all the details.

The Second Deputy Speaker is an exceptionally patriotic public figure, highly respected by Ghanaians and non-Ghanaians alike.Hardly will one speak about Parliament, the legislative arm of government across Africa without the mention of Alban Bagbin by a participant in the discourse.

It's not as if the public employee unions in the tri-state area don't already speak loudly enough without compulsory subsidies.

Speaking at the YNN studios in Buffalo this morning, Paladino said the program would actually be available to anyone without a job, regardless of whether they receive public assistance.

From an eyewitness account of the Tuesday Town of Sanford Board meeting, we heard the following: «People speaking included those with land and with leases who had signed the petition asking for the resolution that was passed to be rescinded, for board members with conflicts of interest to recuse themselves from shale gas decisions, and for no resolutions on shale gas extraction to be passed without notifying the public a week in advance and allowing full participation.

Unfortunately freedom of speech is contingent to how much money you have given that the media is itself a business that has to make profits as well, so a «lobbyist» like this comes to this program without any ethics, without any remorse but with a lot of money as well to openly acknowledge that: yes, we put money in this governor's elections, we are expecting he pay us back and will stand on our side of the equation, and yes, we have collected (very fast) the private necessary money to run a public relations campaign (of lies if necessary) to guarantee that our privileges are well kept; and he finds a free stand to speak out freely and without appropriate response As far as Liz, I'm not sure if it is only a being naïve issue.

Even if all the scientists in Britain spoke out tomorrow agreeing on a particular issue, there's no way the government would act without first checking the editorial pages and polls to see which way the wind of public opinion was blowing.

He also spoke about the public education system, saying young people are graduating from high school without having the reading, writing or math skills needed to excel in a college environment.

Speaking on the candidacy of Chief Willie Obiano, Umeh said «he is the kind of candidate APGA needs, a candidate who is without blemish, and who has an outstanding record of achievement in public service».

Scientists working for the Canadian government have successfully negotiated a clause in their new contract that guarantees their right to speak to the public and the media about science and their research, without needing approval from their managers.

Typical of their attitude were the words of a well - heeled white woman who looks like she has never set foot in the «hood who, without a shred of shame, whines, «We're not going to have him go to a public school in Harlem» when speaking about her precious, 3 year - old.

Sharply dressed, deadly and one who speaks without using contractions; think Tom Cruise in Collateral, Robert DeNiro in Heat and Johnny Depp in Public Enemies.

Most students graduate from high school without any significant experience in public speaking.

Jasman: It was an election unlike any other in that Trump was the first candidate running for public office who has ever spoken so bluntly without regard for censoring his thoughts.

There is public consternation with the plan, and it's become a softer gentler plan and that did not happen without pubic speaking out in a lot of different areas.»

Hartford, CT — Without saying a word, our stories will speak for themselves as public charter school parents, students, educators and school leaders participate in a «Day of Silence» public...

Hartford, CT — Without saying a word, our stories will speak for themselves as public charter school parents, students, educators and school leaders participate in a «Day of Silence» public demonstration at the State Capitol inside the Legislative Office Building on Tuesday, February 21st from 1p.

To that end, we recommend that any reconsideration of ESEA include the following: A National Commitment to High Quality and Well Supported Teachers in Every Classroom: The words of our dear friend Ted Sizer, first stated over 25 years ago, are still the truest ever spoken about public education: «Without good teachers, strategically deployed, schooling is hardly worth the effort.»

And now, when he was sixty - five years of age, the very political class he'd so attacked and hounded and scorned from his redoubt, mocked without consideration or respect for the ties of family or friendship (and he'd lost quite a few friends as a result; even a few relatives no longer spoke to him), that very same political class had decided to put the gigantic Colombian machinery of sycophancy into action to create a public homage that, for the first time in history, and perhaps the last, would celebrate a cartoonist.

Speak about some public figure, this is going to be a very good subject for your essay writing, however, remember that all your ideas for a reflective essay should be presented in official way, without outraging someone, as at this point, you are going to blamed in non-observing the ethic of academic writing.

It would be like only discussing a famous self - help public speaker's days and nights spent working on his public speaking without acknowledging the countless hours spent reading books acquiring the knowledge to provide the right message that was delivered in an attractive fashion.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

«The Cinema Effect: Illusion, Reality and the Moving Image» is without a doubt an exhibition that will leave a lasting impression on the public because as Kerry Brougher notes, movies are indissolubly linked to contemporary man's daily reality: «Today, the cinema is everywhere, -LRB-...) The cinematic is in the way we perceive the world, in the way we speak, in the way we dream.

I think part of this comes from scientists, both those working in that specific area of climate science and particularly those from outside that area, speaking not as scientists with their inherent tendency not to claim something conclusive without a good deal of statistically tested certainty, but speaking as someone who has been imposed upon or volunteered to give a scientific best guess without bothering the public with the details of uncertainties.

In Wewaykum Indian Band v Canada, [2003] 2 SCR 259 Chief Justice Beverley McLachlin, speaking for a unanimous court, stated at para. 57: «Simply put, public confidence in our legal system is rooted in the fundamental belief that those who adjudicate in law must always do so without bias or prejudice and must be perceived to do so.&raquIn Wewaykum Indian Band v Canada, [2003] 2 SCR 259 Chief Justice Beverley McLachlin, speaking for a unanimous court, stated at para. 57: «Simply put, public confidence in our legal system is rooted in the fundamental belief that those who adjudicate in law must always do so without bias or prejudice and must be perceived to do so.&raquin our legal system is rooted in the fundamental belief that those who adjudicate in law must always do so without bias or prejudice and must be perceived to do so.&raquin the fundamental belief that those who adjudicate in law must always do so without bias or prejudice and must be perceived to do so.&raquin law must always do so without bias or prejudice and must be perceived to do so.»

«like Charles Evans Hughes, Sr., later Mr. Chief Justice Hughes, who stood up for the constitutional rights of socialists to be socialists and public officials despite the threats and clamorous protests of self - proclaimed super patriots — men like Charles Evans Hughes, Jr., and John W. Davis, who, while against everything for which the Communists stood, strongly advised the Congress in 1948 that it would be unconstitutional to pass the law then proposed to outlaw the Communist Party — men like Lord Erskine, James Otis, Clarence Darrow, and the multitude of others who have dared to speak in defense of causes and clients without regard to personal danger to themselves.