Memories are woven together with filaments and tendrils, the sway of a branch or the curve of a river's course; layers of improvised
painterly processes all spilling forth in expressive
spontaneous gestures — intricate layers of technique and images, the forms taking shape as though guided by an external impulse.
This
spontaneous activity was the «action» of the painter, through arm and wrist movement,
painterly gestures, brushstrokes, thrown paint, splashed, stained, scumbled and dripped.