Sentences with phrase «spray painted paper»

To the farthest left is a chalkboard spray painted paper deer with a piece of jute tied around its neck.

When I spray paint my paper sculptures the glue shows through as flat and shinny.

Not exact matches

The Design Your Own Street Art Headphones set comes with a pair white over-ear headphones that work with a standard headphone jack, bright «spray» paints, colorful adhesive paper to create stickers or stencil shapes, craft markers, and instructions.

I did find a pretty easy solution to make DIY die - cut stencils for painted wood signs using printer paper, spray adhesive, and contact paper.

An artist's spray - gun was used to coat glass and steel, dip - coating for cotton wool and a syringe to apply the paint onto paper.

Turn the IKEA Vittsjo into a gorgeous gold and marble side table using just spray paint and marble adhesive paper.

So I punched a hole in a piece of paper and used it to spray paint each stud one by one.

Supplies Mirror Valspar Satin Hubbell House Golden Maize spray paint Krylon Black Chalkboard spray paint Painter's tape Sand paper (I used fine grit)

Step 1: Lay your necklace flat on a surface of your choice (I used a paper bag) and lightly spray your white spray paint until it's evenly coated.

They were then coated with fresh black spray paint, wrapping paper was Mod - Podged on and sprayed with a protecting sealer.

These shelves are seen all over Pinterest, hacked with a gold spray paint finish, marble contact paper, etc. which looks amazing.

Leave a Comment Filed Under: art, Sherwin - Williams, sign, spray paint, Valspar Tagged With: contact paper, swan

I also spray painted the wooden button gold and added four simple white paper squares using Martha Stewart's decoupage.

Mandy Lyn Ford, Bad Boy, 2015, acrylic, spray paint, oil paint, foam paper, and super gel on ceramic, 9 x 7.5 x 4 inches

The show will feature spray paint on canvas, multi-layered wood and paper and his first - ever 3D sculptural pieces.

Haute Mess 2014 Textiles, fabric and antique quilt fragment, double sided adhesive, treated acrylic paint, treated interior paint and spray paint on archival paper 35 x 37 inches

«Wind (D)», 2009 wood, fabric, ceramics, colour prints on paper, tape, spray paint, CDs, metal clips approx. 315 x 190 x 110 cm detail

Mrs. Snookes or Tufmutton, 2011 Foam, molasses, plastic, spray paint, finger sponges, shelving, fondant, gourds, corn cobs, Joan of Arc statue, marzipan, lattice, storage bins, light gels, clip lamps, raffia, tree stake, crystal cat litter, crow wings, sun palms, back scratcher, sponge glove, paper towels, snake eggshells and garden planters, dimensions variable

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

«Wind (A)», 2009 wood, plastic foil, colour print on paper, plastic, tape, perspex, spray paint, CDs, metal clips 283 x 60 x 285 cm

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

«Wind II (Michael Jackson)», 2009 plastic foil, colour prints on paper, mirror foil, spray paint, perspex, tape, metal 174 x 230 cm

Static 2014 Assorted textile, oil stick, acrylic, spray paint, and silkscreen on archival paper 38 x 48 inches

IV,» 2017 Cel vinyl and spray paint on gessoed paper, 10 pages 4 1/16 x 27 1/8 x 24 7/8 inches (10.3 x 68.9 x 63.2 cm) closed © Lari Pittman Courtesy Regen Projects, Los Angeles

Untitled 2014 Assorted textile, oil stick, acrylic, spray paint, and silkscreen on archival paper 44 x 41 inches

VI,» 2017 Cel vinyl and spray paint on gessoed paper, 10 pages 4 x 27 1/8 x 24 3/4 inches (10.2 x 68.9 x 62.9 cm) closed © Lari Pittman Courtesy Regen Projects, Los Angeles

Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.

Thomas Hirschhorn, Substitution 2 (Moment of Truth), 2007, Wood, card, tape, fabric, carpet, plastic, mannequins, clothing, paper, photocopies, electrical wire, acrylic paint, spray paint, plastic laminate, rope, furniture, printed matter, fluorescent lighting, shoes, shoe laces, sofa, computer, telephone and prin, Overall: 325 x 662 x 973 cm, 128 x 260 1/2 x 363in

Porcelain dolls stand angrily among spray - painted walls, ripped drawings, and little objects, including foam alphabet letters and ripped pieces of paper.

Paula Wilson, «Tomorrow's Tomorrow,» 2008, 0il, spray paint, collaged / inlayed paper including woodblock prints mounted on paper, 50 x 50 ″

Her spray - painted and brushed paintings of plantains, palm branches, cigarettes, and cell phones are as big as minivans, loud, neon - colored channelings of Matisse and Helen Frankenthaler by way of the Simpsons and fast - food paper place mats.

Works on paper most often have the texture of spray paint and a horizon line, much as drawings collected by Dan Flavin connect his fluorescent tubes to Hudson River light.

Gouache, house paint, acrylic, spray paint, Dura - lar film, digitally printed vinyl, SolarFast ™ shadow prints, naturally - dyed and handmade paper, colored paper, and found images.

Acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects.

In his Quilt series, Biggers appropriates antebellum quilts from the American South and renders them with acrylic, spray paint, silkscreen, embroidery, and fine art paper.

Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil, synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken

Left: Andrew Bick, Mirror Variant Drawing # 1, 2011 -12, acrylic charcoal, digital print, spray paint and watercolour on cut paper, 135 x 135 cm.

Zheng uses sprayed paint and paper cutouts as stencils, working the images into colorful arrangements that visually pop - out and fade into dark paper grounds.

Pink Love 2011 Clothing, fabric and paper collage, acrylic, ink, and spray paint on canvas over wood panel 48 x 60 x 2 inches

It is, she says, not as simple as that: «When I am spraying fake tan on paper I am actually thinking of people making cave paintings.

Graphite and spray paint on paper mounted on colored plexi (orange), 36 x 44 inches.

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

Jason Tomme's hybrid of painting and monotype uses spray paint and a pressed sheet of paper to make process, physicality, and serendipity visible, while the marks in Zak Prekop's delicate painting emerge from a process both immediate and contemplative.

The title of the exhibition, Re-Reading refers to works on paper; reproduced found images on cardboard, reproductions of wallpaper that has been recycled and reenlisted serving as a palimpsest and ground for a stasis where anything can occur; two chairs, and spray painted Plexiglas works that cover found enlarged photos from a book on Ernest Hemingway's house in Cuba.

Using a variety of different materials such as spray paint, foil, ripped paper, and even hydrocal, Anthony Pearson crafts abstract artworks.

Painting on found poster board and discarded spiral notebook paper, working with tempera, acrylic, spray paint, and magic marker, Fahey's intuitive approach echoes the action painters and abstract expressionists.

A constellation of works on paper introduces small pops of neon color, a slight buzz of glitter, and — in contrast to Barnette's controlled application of graphite — wild, yet elegant, spray paint gestures.

The large abstractions mix lively brushwork with bold spray painted areas, while the works on paper (inspired by the body prints of David Hammons) capture the imprint of Ms. Ferris» clothed body with pigments and oils over a network of brushed, linear forms.

Molly Zuckerman - Hartung Adulterate 2013 acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects 95 x 167 x 12 inches (hanging)

Working in materials such as spray paint, paint marker, paper, and stenciling, Hutnick creates bursts of density and angular, ranging forms.