Sentences with phrase «spray painted technique»

The exhibit featured a new body of large scale work done in his traditional spray painted technique.

Some painters who effectively used spray painting techniques include Jules Olitski, who was a pioneer in his spray technique that covered his large paintings with layer after layer of different colors, often gradually changing hue and value in subtle progression.

His interest in car culture would inspire Judy Chicago, a student of Bengston's, to attend auto body school and eventually use spray paint techniques.

Through this temporary public art installation, Grosse turns Ft. Tilden's decaying aquatics building into a sublimely exhilarating exterior painting with her unique spray painting technique.

These works adopt the spray painting technique, staining both mounted and unmounted canvas in red, the colour of shale.

Not exact matches

Published: August 9, 2017Filed Under: Contributor, DIY, Furniture, Informative Tagged: chalk paint, paint techniques, painted furniture, Painting, spray paint, Tips and Tricks

And I love that there are different techniques you can use with spray paint to achieve different looks.

Like this DIY Faux Mercury Glass Technique I used with Krylon's Looking Glass spray paint to acheive the look of Mercury Glass!

So, by using the same techniques above, you can see how much spray painting your fixtures can change the look.

While in that project I painted the outside of the glass, this time I wanted to try painting the inside of the glass, which is what the intended technique for this spray paint is (if you want the reflective side to show on the outside).

I used white spray paint and then went over them with a Grain Sack milk paint using a dry brushing technique.

My techniques include a combination gel transfer, collage, acrylic, inks, and spray paint.

Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.

Another important innovation was Dan Christensen's use of a spray technique to great effect in loops and ribbons of bright color; sprayed in clear, calligraphic marks across his large - scale paintings.

Some were trying out unusual materials and techniques — cotton balls, fake jewels, pigmented wax, spray guns, squeegees — either to make painting more perversely objectlike or to reopen the spatial illusions shut down by the Judd - Stella - Greenberg juggernaut.

Two of the paintings here are from the later 80s, when Christensen revisited his spray technique of the 1960s, but this time using it to create circles or ovals hugging the perimeter of his canvases instead of snaking across their centers.

The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.

The latter is one of the most admirable examples of the way the artist combined hard - edged painting with her spray technique, layering veils of color on the suspended geometry that made Byzantium such gravity - free pleasure.

Robert Scott also explores visual textures by painting with thick acrylic gel and by using a spraying technique.

Created by spraying paint onto canvas through carefully positioned swathes of gauze, this select series of works develops the innovative technique deployed in Stingel's silver paintings of the early 1990s, and distinguishes itself through striking color, richly variegated tactile texture and intricately detailed surface pattern.

His unique style utilizes spray paint and hand - cut masking techniques to make his still - life compositions.

This new body of work by Gray utilizes spray paint and hand - cut masking techniques in the production of still lifes, with the compositions referencing historical painting tropes.

His «spray loop» paintings, produced by using a spray paint gun, were a fascinating embodiment of the reductive abstract tendencies in 1960s American art, and of the interest of the time in innovative applications of new techniques.

She shares an interesting perspective on the physically demanding nature of spray painting in relation to traditional oil painting, as well as other differences and advantages the technique offers including speed and a uniform surface.

«The technique I use is adapting to a subject matter — I like to work with charcoal, ink, coffee, spray paint, acrylic and gesso.

Unable to put her work in box, her urban inspired techniques of spray paint layered over delicate hand - drawn charcoal lines create ethereal beauty and character.

Ferris uses several main techniques in her work, including spray guns, chunky paint applied with palette knives, and most recently the application of oil and pigments to the canvas using her own body.

However, Wool possesses a wide range of style — using a combined array of painterly techniques, including spray paint, silkscreen, and hand painting.

Employing an array of techniques, Temesgen veers between delicate quasi-pointillist detail and rougher patches of spray paint.

Much of it entails transfer techniques, silkscreening, stenciling, assemblage, collage, a little spray painting or scraping and the like.

The Surrealist technique of automatic drawing meets the chutzpah of a hand that's been known to tag walls with spray paint.

Beginning each painting with a low - tech computer drawing, Bauer develops his work through a complicated process incorporating hands - off painting techniques such as stenciling, silk - screening and spraying that translate digitized graphics towards sublime fields of painterly abstraction.

She saw the spray - gun acrylic technique as a way to fuse color and surface and make works that were part painting and part object.

These multilayered paintings are built up with a variety of techniques including rolling, brushing, spraying, drawing, and more as Grant explores the potential for meaning in his work.

Grant combines a multi-layered process of applying a variety of media such as paint, pencil and ink with a multitude of techniques including brushing, scraping, rolling, spraying, and drawing.

He uses classical techniques, as the oil and acrylic paint, but he often incorporates some different and unusual media, like pencils, pen, paper, markers and spray paint, even gum wrappers, paper towels and baby wipes, reflecting the urban chaos of the world around.

Helen Frankenthaler was one of the first artists to use the stain painting technique, pouring the paint mixture directly onto the unprimed canvas and painting shapes as they stained, Morris Louis started soaking his canvases and eliminating brushes completely from his practice, and several other artist started experimenting with spray painting and the use of stripes.

Committed to the medium and technique that he refined while painting on the street, CRASH creates his works freehand, with brightly colored spray paint and tightly cropped compositions.

John Phillip Abbott develops the font for his text paintings in a loosely based grid format, using spray paint, stencil techniques and, for the paintings in this exhibition, strips of wood glued to the canvas surface.

At the combined ADAA booth of Van Doren Waxter and 11R, Sterne will be shown in a more contemporary context; works from her series of spray - painted abstractions will be exhibited alongside new paintings on Plexiglas by Mika Tajima, who uses a similar technique to very different effect.

By 1965 Olitski had evolved a radically innovative technique of laying down atmospheric blankets of colored spray on the canvas, marked at first by barely discernible straight - edged value changes near the edge of the picture and later by acrylic paint dragged along portions of the edge.

Emphasizing the elements of painting and removal, the artist questions the medium through repetition, elements of minimal and conceptual art, adaptation of photography and the use of different techniques, such as spray painting, silk screen, and digital reproduction.

Currently fusing fluid sketching and charcoal work styles from his past with spray paint and distress techniques that he has developed over the years, the viewer will notice major differences in genre between the 2009 and 2010 works: while the current pieces dive into a more figurative and abstract realm, the 2009 series of paintings «With Great Power Comes Great Responsibility» focuses more on a comic - themed visualization of the all - too - human defects of character, faulty perception, and skewed sense of humor.

The UK exhibitions will include examples of many of the techniques used by the artist such as the Song of Songs (which combines lithography and helio - relief) at The Black - E gallery in Liverpool; sprayed automotive lacquer, plastics, ceramics, china painting and glass at Riflemaker; and a variety of works on paper and needlework at Ben Uri.

In its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where traditional painting has been replaced by spray, which reminds us of the technique used in painting street graffiti, positioning the workpiece between the high and low culture.

This imagery is then rendered on canvas, often by hand, using various techniques with acrylic paint, tape, spray paint and UV ink.

With his groundbreaking subway whole - car «Break,» as well as on the canvasses he was painting at the time, he pushed an atmospheric geometric style to the forefront of his work and began to experiment with a wide array of experimental spray can techniques that had not been seen before.

We pass from room to room: first, Me, Jesus and the Children, a monumental trompe l'oeil spray painting of Dan's chest, a Jesus piece, and cartoon cherub psychopomps who crash the viewer into its solid plastic face; then, Whatever, a 5» x 6» scene extracted from Pinocchio, where an extinguished candle lights a room; two walls of Confetti, the Moments Like These Never Last series, as varied in aura as they are in approach and technique; four walls of indomitable Trash paintings; four more of his Miracle works, oil medium and raw pigment powder conjurations so boundless they literally escape their backings.

First sketched on the canvas in a stream of consciousness, the elements are then outlined with spray paint and filled - in with thinned acrylic in an all - in - one - shot technique.

Culture Shock (and Torpedo Factory artist) Michael Fischerkeller illustrates spray paint and stenciling techniques during this special demonstration sponsored by Target Gallery, contemporary exhibition space of the Torpedo Factory Art Center, as a part of October's Second Thursday Art Night.