Sentences with phrase «spray painted these lines»

Viewers familiar with Wackers» paintings will recognize the use of the spray painted line as a recurring trope that signifies a break with naturalistic depiction.

New York - based Eddie Martinez paints huge, brightly coloured canvases, often imbued with a sense of menace against black backdrops and harsh spray painted lines.

He spray painted these lines on canvas in 1967.

In the article «Flying tire kills man in freak accident in Augusta» by reporter Navideh Forghani, he desribes poignantly how the man was spray painting a line up until the second he was struck, leaving behind a timeline leading up to his death.

Not exact matches

STEP 1: Place a piece of painter's tape around the bare pumpkin to create a diagonal line, then apply the stone spray paint on the bottom half of the pumpkin.

Inside they find a clearly defined «ring» lined with tires and black walls tagged «STREETBEEFS» in gold spray paint.

1987 El Camino new windshield, tires, fresh paint, power locks and power windows, spray lining runs great.

Line - X full body spray and ADD bumpers will be part of the build, and the interior of the Tundra will include custom - painted trim pieces and an MB Quart sound system with a Pioneer head unit.

The Midnight version include additional features including a locking rear differential; off road suspension; hill descent control; a transfer case shield; Goodyear Wrangler Duratrac all - terrain tires; an all black front end; black grille, bumper, tow hooks, headlight bezels and fog lights; black painted alloy wheels; black side moldings; black belt line moldings; a black spray - in bedliner; black Chevrolet bowties for the front and rear; and special Z71 badges on the doors.

On most of the drawing apps that I have seen there are a number of limited types of «pen» to choose from such as: pencil, marker, brush, spray paint, crayon, ballpoint, watercolour brush... and you can then set thickness of the line for the pen type you select.

Unfortunately, that means that many of the rewards for playing are merely dull accessories, such as spray paints or alternative lines of dialogue.

Painted mostly in thin sweeping lines of sprayed primary color on neutral canvas colored grounds these paintings are a remarkable achievement.

He was doing wonderful spray paintings at the time — with narrow colored lines that looped and whirled about.

Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLSpray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLspray paint on canvas / 96» x 60» / PLS INQ

In 1967 Christensen began using spray guns to draw colorful stacks, loops and lines in paintings that were among the most original abstract paintings of the decade.

By the 1970s Poons created thick - skinned, cracked and heavy paintings referred to as Elephant Skin paintings; while Christensen sprayed loops, colored webs of lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band paintings are reflections of both Chinese landscape painting and the Color Field idiom, and John Seery's stained painting as exemplified by East, 1973, from the National Gallery of Australia.

In his more recent works, including those in this show, he uses enamel on linen, spray painting looping black lines, then erasing or blurring them with rags, engaging in a complex play of presence and absence, gesture and cancellation.

Works on paper most often have the texture of spray paint and a horizon line, much as drawings collected by Dan Flavin connect his fluorescent tubes to Hudson River light.

What's on view: A log cabin, spray painted gold, encrusted on the inside walls with keyboards, shotgun shells, arrowheads (I think), tent stakes, phone lines, lightbulbs.

The compositions feature large clumps of broad back - and - forth gray and white brushstrokes — think of whitewashed windows or rubbed - out chalk on blackboards — through which wander black spray - painted lines of varying thickness that suggest bent rebar or mangled wire coat hangers.

Always to be counted on for pushing the perimeters of her intensely optical abstract paintings, this show finds Ferris, now 41, experimenting, rethinking, slowing down, mixing marble dust into her oil paint, laying down stenciled polygonal shapes, wiping out areas of canvas, leaving severe spray - painted black lines as structure.

The lines at the edges of Olitski's paintings frame the airy voids of his sprays, while the welded metal of Caro's sculptures traces out shapes in space.

A similar optical play emerges between the rigid lines and the traces of spray paint in Ned Vena's painting.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

A formal tension in Ferris's work exists between types of mark - making: fields of spray call to mind a quasi-photographic, Richterian blur, while scraped - on graphite and textured lines of oil pastel bring the paintings back into a non-objective realm.

Bold and muscular brushstrokes contrast with the faint lines of a spray can and the rich texture of paint squeezed directly from the tube to the canvas.

Subsequent materials become active players: lacquer, ink, pigment and spray paint interact with concrete to determine relief, color and line.

Opaque lines of pencil, crayon, spray paint or latex paint form arrays of colors while emphasizing each individual line.

Using spray paint on top of paint brushed marks, you can draw a line of references from Pollocks dripped paint (similarly applied from a distance), to modern day graffiti.

In Worn Copy, the doodle - y lines, frenetically spray painted figure - eights, and hazy patches of color are rendered and manipulated digitally.

Each begins with a single text line in red paint stating «Gilbert and George say:» followed by a larger font in black spray can paint embracing a melange of subversive slogans such as «BAN RELIGION,» «DECRIMINALISE SEX,» and «FELLATIO FOR ALL».

Unable to put her work in box, her urban inspired techniques of spray paint layered over delicate hand - drawn charcoal lines create ethereal beauty and character.

The Barré paintings at Andrea Rosen belonged to a group of works developed between the years 1963 and 1967, whose most prominent features are black lines spray - painted across the white canvas background.

So, the mannequins from her Schauspieler series appear indistinguishable from those in department store windows, yet their beauty is disrupted by lines of spray paint on their bodies, tape wrapped around their mouths, and other interferences.

Grosse's works» varying lines, shading, and spray paint use allows them to unfold in different ways, with blurred and unfocused pieces leaving a strong, indirect effect on the viewer.

At the same time, Johnson's frenetic approach to mark - making — with energetic lines scratched into black wax, cracked tiles, and broad areas covered in graffiti - like spray - paint — roots the work squarely in a dystopian here and now.

He sprays, dabs, smudges and presses paint — his textures agitate, as do his rough, jagged lines.

I have moved on since then, but seeing one of Richard Smith's big multiple shaped canvases at Tate Britain recently, I found I still liked it, and liked it more than Noland's Another Line, on display in the same room, along with a vast, vapid Olitski spray painting, more than 20 feet long, not nearly as good as the ones I've illustrated above.

Drawing inspiration from Minimalism, Op and Pop Art, and Frank Stella's «Black Paintings,» he creates compositions out of an assortment of non-fine art materials — including vinyl, spray rubber, security glass, and commercial ink — which he covers with V - shaped, gridded lines, intentionally marred with a variety of surface imperfections.

What makes them even more compelling is the way Mr. Cruz sometimes gouges the surfaces with scissors and sprays them with bright colored lines while chipping away at the frame with a saw to make paintings that look as though they have barely survived a natural disaster or war.

Further major series of paintings include 64 «Beside the Sea» canvases (1962 — 1968), in which Motherwell mirrored the spray of the sea by splashing oil paint onto rag paper with great force; and «Open» (1967 — 1972), his response to the colour - field painters of the 1960s, described by him as «a painted plane beautifully divided by minimal means, the essence of line drawing».

She used strident, luminescent neon colors; her themes were frequently built on colored grids of dots in line with the Benday dots encountered in Pop Art; she applied the paint very evenly, using spray cans for example, and often relied on vinyl or other plastic foils.

He now works as an romantic minimalist, using spray guns and squeegees to create luminous canvases with abstract patterns floating on In 1967 Dan began using spray guns to draw colorful stacks, loops and lines on his paintings, that were among the most original abstract paintings of the decade.

Painted mostly in thin sweeping lines of sprayed primary color on neutral canvas - colored grounds, these paintings are a remarkable achievement.

In his gray paintings, begun in 2000, each layer of spray - painted lines is obfuscated and blurred to the point at which it becomes impossible to distinguish amongst various imbrications.

The earliest painting in the show, Albert Irvin «s Glow (1971) has decorative colours that echo the lines of the support whilst also looking virtually formless, the liquid paint poured, sprayed, splattered and at times approaching the condition of a gas.

Images: Craig Drennen, Painter D (detail), 2011, Graphite, spray paint, acrylic, oil, alkyd on paper, 50 × 50 inches, Courtesy the artist and SALTWORKS Jennifer West, A 70MM Film Wearing Thick Heavy Black Liquid Eyeliner That Gets Smeary (70MM film leader lined with liquid black eyeliner, doused with Jell - O vodka shots and rubbed with body glitter), 2008, film transferred to digital video, no sound, 30 seconds, Courtesy the artist and Marc Foxx, Los Angeles

Artist Tatiana Berg frequently throws down the wispy, spray - painted line in her work, but often to better effect, seen in her castered, hybrid painting / sculpture Black Swan Tent from 2011.

In addition to the Robo - Rainbow, Akay has also made another similar, but simpler apparatus that goes behind the bicycle and paints only straight lines, allowing the user to spray quickly while in motion, thus lessening the risk of capture:

• Dug trenches according to specifications provided for depth and width • Planted crops in designated manner, paying special attention to crop line fundamentals • Assisted in performing harvesting and cutting duties using machineries such as tractors and harvesters • Performed repair work on farm buildings and fences and ensured that all paint work is handled in a prompt manner • Spray pesticide and fertilizers on planted crops, paying special attention to grade and amounts