Sentences with phrase «spreading field of paint»

Due to the rapid revolution of the plates, together with a systematical range of circles the prints contain an irregularly spreading field of paint, as though the artist's sharp sensitivity is being diffused from within the picture plane to the outside world.

Not exact matches

David Einstein was one of the seminal figures responsible for the spread of Color Field painting to California in the 1960s and later.

Often associated with Abstract Expressionism, color field painting is characterized by flat areas of color spread across the picture plane.

As you may already know, Helen Frankenthaler was a pioneer of another technique called Color Fielding — a form of non-objective painting, that allowed for thinned - out oil or acrylic pigment to be applied, often times poured and spread, directly onto the unprimed canvas.

Abstract and geometric principles which were applied in the pieces of Piet Mondrian and Max Bill had a particular impact on the way in which Morellet saw the picture field as infinite structure spreading beyond the boundaries of the painting itself.

Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

Studying the work of American abstract expressionists such as Helen Frankenthaler, an artist who poured thinned paint directly on larger than life - sized canvases on the floor in her Color Field works, Olivier similarly engaged in a process of coaxing acrylic paint to spread and drip in brilliantly hued pools, more characteristic in watercolor.

Thin sheets of pale pink and blue polythene were suspended from the ceiling in a series of hanging and knotted drapes, while beneath them a sea of powdered plaster and paint mixed with bath bombs was spread across the floor, with clean edges suggesting the hard boundaries of colour field painting and Minimalism.

After a few years I abandoned my waiting - list - ready architectural works, stopped doing figure paintings and still life, began spreading my field of vision out from the houses into the landscape.