Sentences with phrase «square black ground»

Iota (all works 2003) is a square black ground invaded by a central white circle that radiates rings of dissolving intensity toward the edges.

Not exact matches

Cayenne - Infused Meat Marinade 1 teaspoon cumin seeds 1⁄3 cup olive oil 2 tablespoons lemon juice, fresh preferred 1 tablespoon soy sauce 2 tablespoons dry sherry 1 cup finely chopped onion 3 tablespoons finely chopped parsley 1 tablespoon finely chopped ginger 2 cloves garlic, minced 2 teaspoons ground cayenne chile 1 teaspoon ground paprika 2 teaspoons fresh oregano 1/2 teaspoon cinnamon Freshly ground black pepper The Brochettes 1 1/2 pounds boneless lamb, cut into 1 to1 1/2 - inch cubes, or substitute capybara 1 large bell pepper, stem and seeds removed, cut in1 1/2 - inch squares 1 small onion, cut in 1 1/2 - inch squares 12 cherry tomatoes 12 cremini mushrooms, stems removed Nutty Rice Pilaf 1⁄8 teaspoon saffron 2 tablespoons water 3 tablespoons blanched almonds 3 tablespoons pistachio nuts 2 tablespoons olive oil 1/2 cup vermicelli, broken into 1 - inch pieces 1 cup long - grain rice 1/2 teaspoon ground cayenne 2 1/2 cups chicken or beef broth 2 teaspoons Cayenne - Infused Meat Marinade, above

4 metal, bamboo or wooden skewers 1 lb fresh tuna fillet (1 inch thick)-- cut into 16 even - sized cubes 1 small zucchini — cut into diagonal slices Onion slices — cut into 16 even - sized squares 2 bell peppers — cut into 16 even - sized squares 2 tablespoons extra virgin olive oil 1 tablespoon lemon juice (plus lemon wedges for serving) 2 tablespoons finely chopped fresh flat - leaf parsley 1 tablespoon chopped fresh oregano 2 cloves garlic — grated 1/2 teaspoon sea salt 1/2 teaspoon fresh ground black pepper

5 ounces pancetta or bacon, diced into 1/3 inch squares 1 medium onion, finely chopped 2 cloves garlic, minced 1/4 cup dry white wine 1 pound spaghetti 3 large eggs 1 1/2 ounces Parmigiano - Reggiano, finely grated (3/4 cup) 3/4 ounces Pecorino Romano, finely grated (1/3 cup)(I used all Parmesan) 1 teaspoon fresh coarsely ground black pepper 1/4 teaspoon salt

1/4 cup olive oil 1 teaspoon dried thyme 1/4 teaspoon salt 1/4 teaspoon freshly ground black pepper 18 small boiling onions or bulb onion bottoms (the fresh green tops of bulb onions can be chopped and used to garnish the grilled meats and vegetables) 2 large green bell peppers, cut into 1-1/2 - inch squares 2 large red bell peppers, cut into 1-1/2 - inch squares

For the wontons: 4 scallions 1 inch piece fresh ginger, peeled and roughly chopped 4 garlic cloves 1 small shallot 1/2 cup fresh cilantro 1 pound shrimp, peeled and roughly chopped 1 pound ground pork 2 tablespoons Shaoxing wine or other preferred rice wine 2 tablespoons soy sauce, more to taste 2 tablespoons fish sauce, more to taste 1 tablespoon sesame oil 1/2 tablespoon sugar 1/2 teaspoon ground black pepper 80 - 100 square wonton wrappers

1 pound beef steak, minced or ground 1 pound lean pork, minced or ground 1/3 cup vegetable oil 1 small onion, minced 1 small bunch green onions, minced including the tops 1 clove garlic, minced 3 medium tomatoes, diced 1 tablespoon vinegar 1/4 cup raisins, minced (optional) 2 tablespoons capers (optional) 10 green olives, minced (optional) Minced hot chile pepper to taste (optional) Salt and black pepper to taste Vegetable oil 12 7 - inch square pieces of banana leaf for wrapping 3 cups grated fresh corn, excess juice squeezed out Cotton string for tying

(Serves 2) 100g dried black beans 1 onion 1 clove of garlic small red chilli 1 or a pinch of chilli flakes A shake of paprika A generous shake of ground cumin A splash of oil 1 carrot 30 ml red wine 400g chopped tomatoes 1 vegetable stock cube dark chocolate (3 squares, approx 20g) fresh parsley to garnish Put your beans in to soak the night before, or early in the morning if you're going to be cooking that evening.

Bob - omb Dispensers are small square - shaped black plates built in the ground.

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Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitablack square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitaBlack Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitSquare on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitablack square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare form as a historic reference to capitalism.

Compositionally, the painting shifts rather jarringly from the narrow bands to the black ground occupied by a large green square and a smaller blue rectangle.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

But it was Kazimir Malevich who today is often viewed as the forefather of geometric abstraction, beginning with his seminal 1915 paintings of black shapes — a circle, a square — on a white ground, and his legendary white - square - on - white - canvas 1919 monochrome.

Over this ground, a solid black rectangle intersects with a choreography of lines and squares in crimson, canary yellow and marine blue.

Look at Max Bill's spectacularly beautiful abstract of red squares and black vectors scintillating on a white ground: all flash and flare, it dazzles the eyes and the mind.

The «Black Square» on white ground, that «zero point of painting» for which he is so named, Ellen Gallagher takes this up in the wisest and most sophisticated way in the show with her suite of four black paintBlack Square» on white ground, that «zero point of painting» for which he is so named, Ellen Gallagher takes this up in the wisest and most sophisticated way in the show with her suite of four black paintblack paintings.

Freed from the obligations of representation, Malevich exhibited there his «Black Square on White Ground», while affirming that «Creating means living, eternally creating newer and newer forms».

• Black Square on White Ground (1913) State Russian Museum, St Petersburg.

The Berkeley gallery, on the ground floor of the building, features a selection of Sturtevant's Frank Stella works, encompassing the Black, Aluminium and Copper Paintings, as well as a number of Concentric Squares.

Hoxton Square The ground - floor gallery at Hoxton is anchored by The Playground, a large - scale landscape in black punctuated by two white dots in the upper corners and two magenta strips in each of the lower corners.

• Suprematism (Supremus No. 58)(1916) Krasnodar Museum of Art • The Knife Grinder (1912) Yale University Art Gallery • Head of a Peasant (1912) Stedelijk Museum, Amsterdam • Black Square on White Ground (1913, State Russian Museum, St Petersburg) • Black Circle (1913) State Russian Museum, St Petersburg • Yellow, Orange and Green (1914) Stedelijk Museum, Amsterdam • Suprematism Composition: Red Square and Black Square (1915) MoMA, NYC • Suprematism (1915) Stedelijk Museum, Amsterdam • White on White (1918) MoMA, New York

- Haymaking (1909, Tretyakov Gallery, Moscow)- The Knife Grinder (1912, Yale University Art Gallery, New Haven)- Head of a Peasant (1912, Stedelijk Museum, Amsterdam)- Black Square on White Ground (1913, State Russian Museum, St Petersburg)- Black Square (1915, Tretyakov Gallery, Moscow)- Black Circle (1913, State Russian Museum, St Petersburg)- Suprematist Composition: White on White (1918, MOMA, New York)- Red Cavalry Riding (1928 - 32, State Russian Museum, St Petersburg)

The exhibition included thirty - five abstract paintings by Kazimir Malevich, among them the famous black square on a white ground (Russian Museum, St Petersburg) which headed the list of his works in the catalogue.

His work /, \, \, / (the Final Cut) is a wall - mounted square whose straight edges have been oriented 45 degrees to the ground; as such it is similar to Ivan Kliun's untitled black square from 1917, except that Zucconi's piece, rather than absorb light, is made of mirror wrapped in a glossy poster for the science fiction movie Blade Runner.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.