Sentences with phrase «square canvas»

Flat geometric bars or grids, often drawn in pencil on 6 - foot square canvases, are washed in thin oil paint.

He applied the raw pigment to these 5 - feet - square canvases in a nine - part grid, wiping away brush marks as he worked to leave matte planes.

She made her abstract pictures with muted colors (blue, gray, dusty orange) across grids on perfectly square canvases.

«Mystery of Light» evolved into square canvases, which has been the main thrust behind his artistic pursuits since 2015.

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For 30 years before his death in 1995, John Stephan painted nothing but discs: perfect circles inscribed on square canvases in a variety of colors and intensities, from searing reds and yellows to calm browns and grays.

Within these years, Boyd worked rigorously on a series of square canvases that explored space and light through the use of hard edges and contrasting gradients.

Throughout the 1950s and «60s, she developed a signature grid - pattern method consisting of horizontal and vertical lines hand drawn in pencil on large square canvases that, at first glance, seem to appear blank.

The living room once was adorned with a Morris Louis «veil» painting; an early Sam Francis canvas of fluttering red lozenge shapes; a stately black - on - black square canvas by Ad Reinhardt; and a sculpture in silver, an abstracted clock face, by David Smith.

Afterwards, her paintings often had controlled shapes brushed in against a ferment of organic forms, and she increasingly used square canvases as an underpinning architectural statement before making a single brushstroke.

Two of the artist's four paintings in the sale — a black - and - white «Little Electric Chair» and a signature square canvas with four flowers — didn't find takers.

Some of his best works are on his smaller square canvases, including Burial at Sea, where a dark ship on fire is so expertly painted that you can almost feel the heat when you stand near it.

A series of intimate, 12 - inch square canvases entitled «Fragrances for Stephen» feature various small, deftly painted, designer bottles of eau de cologne (Caron Royal Bain de Champagne, Guerlain Jicky, Knize Sec, and the like) on washes of modulated color.

When you decided to make works on 194 - centimeter square canvases, you started producing paintings that mostly have window or ladder - like forms.

Kenneth Noland's circle paintings consist of centrally places concentric bands of intensely colored plastic - based paint that is stained into large, unprimed and roughly square canvases.

A series of small, identically sized square canvases marking Martin's move towards geometric compositions are also on display.

A large square canvas depicting a fluorescent, fragmented color wheel, New Rules, 2007 by Pamela Fraser relates to her latest exhibition at the gallery.

The quickly - read structure of a near square canvas called Breath of Fresh Air, 2016 (one of the show's larger canvases yet measuring no wider than a person's outstretched arms) is anchored by pale magenta washes emanating from the upper right and lower left corners of an otherwise scarlet field.

In this big square canvas composed of interwoven and monochrome protractor shapes, with its flatfooted reminiscence of Matisse's lyricism, we sense an artist thinking of himself - and being taught to think this way by his critics - as channeling the main historical current of his art through his own work.

Variable Mix - up (1967), for instance, consists of four square canvases fit together to form a jagged shape and mounted diagonally on the wall, yellow bands outlined in orange against a solid, deep blue ground running through them.

Likewise, the Miró is not the expected squared canvas, flashing surrealist shapes to the four corners, but a horizontally sectioned triptych.

Eric Firestone Gallery presents works from the late Michael Boyd in «That's How the Light Gets In: 1970 - 1972,» square canvases from the period that explored space and light through hard edges and contrasting gradients.

If any artist can give us aid and comfort,» he wrote, «Helen Frankenthaler can with her great splashes of soft colour on huge square canvases.

The Swing of Things, an aqueous square canvas by Seidl at the end of the entry hallway, invites a deep dive in.

The main gallery will feature the centerpiece of Hancock's show, a grid - like arrangement of eight five - foot - square canvases installed on a wall painting that references the underworld battleground.

The 8 - foot square canvases adhere to the artist's decades - old compositional approach of loosely gridding square - like shapes marked off into irregular proportions by quick horizontal ribbons.

By the mid-1950s, he was painting what remain his trademark pictures: large, square canvases whose surfaces — impeccably flat, as Greenberg demanded — bore concentric circles of thin, translucent pigment.

The almost square canvas, showing the same image four times (on white, blue and red backgrounds), had once belonged to artist Robert Mapplethorpe.

By this time, Martin's representational works, including surrealistic oils as well as landscape and figurative watercolours, had been superceded by her new and highly simplified abstract pictures marked by square canvas formats hosting all - over grids of pencil lines and monochromatic colour schemes.

Over a series of large, predominantly square canvases on view in the gallery, Morris runs the gamut of painterly techniques, interlocking jig - jag fields of diluted oils, in one work, with a Constructivist - byway - of - Memphis bravado; and in other paintings, dialing down the painterly excess to let her grids and swarms jitter about on spare grounds.

Grounded in pink, the mesmerizing square canvas is a rhythmic composition of pattern and color.

In no title (1973), six interleaving canvases appropriate the unfurling Fibonacci spiral mathematical diagram in a tiling, each white square canvas roughly doubling in size.

At first he employed blue or red, then from 1954 until his death he devoted himself to all - black canvases - typically five - foot square canvases containing nine virtually identical black squares (or other patterns of squares, oblongs or rectangles), none perceptibly differentiated in value.

The construction of these works is unique: small, square canvases placed on chairs and on shelves that have been covered with a patina of bronze powder.

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In a series of square canvases, Stingel examines painting's capacity to translate and transform a photographic image, dilating a split - second moment into a meditation upon time and memory.

The first gallery at Dia: Chelsea feels narrow, with a couple of large square canvases to the right (Untitled, 1962 and Untitled [Background Music], 1962), a triplet of works incrementing in size and respectively on canvas, paper, and plywood to the left (Untitled # 17, 1958; Classico 6, 1968; Counsel, 1983), and a small but powerful early work facing the viewer across the room, decentered (To Gertrud Mellon, 1958).

(Hung high in a narrow, unlit corridor, these thirty - three small square canvases are first visible over the back wall of the gallery in which the «Pavement Karaoke» paintings are installed.)

The first truly abstract paintings were eight foot square canvases painted unstretched on the floor or stapled to the wall and later put on stretchers, although in my second solo exhibition I simply stapled all of the paintings to the wall — they were not on stretchers.

In the centre of each eight inch square canvas was a five inch square painting, a unique pattern in many colours, and attached to the back of each was a handwritten luggage label (in Norwegian on one side and in English on the other).

Mondrian, when he did use a perfectly square canvas, often acknowledged this difficulty by turning it 90 degrees and orienting it as a lozenge.

Bacon: What I was trying to get at is that it seems like when you got to the 194 - centimeter square canvas, then you had this idea that you could explore very similar imagery in multiple works.

«Power Plant,» a nearly 6 - foot - square canvas by Barry Le Va, evokes Philip Guston and H.C. Westermann and filters both through Le Va's lifelong focus on the power of line and its capacity for drama.

In six identically - sized square canvases, Stingel examines painting's capacity to translate and transform a photographic image, dilating a split - second moment into a meditation upon time and memory.

The 40 - inch - square canvas depicts Elizabeth Taylor's face on an acid - yellow background.

And while it's tempting to raise the specter of formalism today, it's perhaps more apt to suggest that the nearly five - foot - square canvases call to mind a foreign language that's almost been forgotten.»