Sentences with phrase «square canvases»

The first truly abstract paintings were eight foot square canvases painted unstretched on the floor or stapled to the wall and later put on stretchers, although in my second solo exhibition I simply stapled all of the paintings to the wall — they were not on stretchers.
The construction of these works is unique: small, square canvases placed on chairs and on shelves that have been covered with a patina of bronze powder.
This series of untitled paintings also introduced a new format into Martin's work: five — foot square canvases, a reduction from her signature six — foot square stretchers, which the artist could no longer handle easily.
(Hung high in a narrow, unlit corridor, these thirty - three small square canvases are first visible over the back wall of the gallery in which the «Pavement Karaoke» paintings are installed.)
In keeping with his lifelong belief in Bauhaus principles, his Homage to the Square canvases comprised exact, succinct forms, and were rooted in the analysis of space, form and colour - the universal principles of good design.
At first he employed blue or red, then from 1954 until his death he devoted himself to all - black canvases - typically five - foot square canvases containing nine virtually identical black squares (or other patterns of squares, oblongs or rectangles), none perceptibly differentiated in value.
Later, Martin reduced the scale of her square canvases and shifted her work to use bands of ethereal colour.
In a series of square canvases, Stingel examines painting's capacity to translate and transform a photographic image, dilating a split - second moment into a meditation upon time and memory.
Enter Amy Feldman who employs the inconspicuous grey in a play with figure and ground on a series of new large square canvases.
In her large square canvases, often named after instruments, she she uses collage to layer horizontal strips of paper that have been tinted along their edges, then adds additional squares of paint like regular punctuations.
In the Lozenge painting series, Mondrian tilted his square canvases at a 45 - degree angle so that they hung in a diamond shape.
, These square canvases proffer four quadrants of bilateral tantric flourishes, each made by folding bare onto painted canvas.
And yet these rules are so complicated that — rather than attempting to figure them out — it is better to enjoy the paintings just as they are: intricate and exact patterns made up of thousands of small squares on large circular or square canvases.
And while it's tempting to raise the specter of formalism today, it's perhaps more apt to suggest that the nearly five - foot - square canvases call to mind a foreign language that's almost been forgotten.»
She considered herself an abstract expressionist, favoring geometric structure of uniform bands of evanescent colour and hand drawing pencil lines on six foot square canvases.
A series of intimate, 12 - inch square canvases entitled «Fragrances for Stephen» feature various small, deftly painted, designer bottles of eau de cologne (Caron Royal Bain de Champagne, Guerlain Jicky, Knize Sec, and the like) on washes of modulated color.
Flat geometric bars or grids, often drawn in pencil on 6 - foot square canvases, are washed in thin oil paint.
Throughout the 1950s and «60s, she developed a signature grid - pattern method consisting of horizontal and vertical lines hand drawn in pencil on large square canvases that, at first glance, seem to appear blank.
Using Japanese brushes and a simple rotating device, Tadasky created targetlike compositions of concentric rings on square canvases.
The first gallery at Dia: Chelsea feels narrow, with a couple of large square canvases to the right (Untitled, 1962 and Untitled [Background Music], 1962), a triplet of works incrementing in size and respectively on canvas, paper, and plywood to the left (Untitled # 17, 1958; Classico 6, 1968; Counsel, 1983), and a small but powerful early work facing the viewer across the room, decentered (To Gertrud Mellon, 1958).
In her large square canvases, often named after instruments, she uses collage to layer horizontal strips of paper that have been tinted along their edges, then adds additional squares of paint like regular punctuations.
«A blazing sensuousness of color carried them, intensified by the circular format; since the circles were centered in square canvases, their form seemed gravity - free, not to be read as solid substance.
For 30 years before his death in 1995, John Stephan painted nothing but discs: perfect circles inscribed on square canvases in a variety of colors and intensities, from searing reds and yellows to calm browns and grays.
Some of his best works are on his smaller square canvases, including Burial at Sea, where a dark ship on fire is so expertly painted that you can almost feel the heat when you stand near it.
The main gallery will feature the centerpiece of Hancock's show, a grid - like arrangement of eight five - foot - square canvases installed on a wall painting that references the underworld battleground.
Each of the five foot square canvases are covered in a multitude of hand - cut mosaic glass squares that vary in tone from silver to grey to black.
Eric Firestone Gallery presents works from the late Michael Boyd in «That's How the Light Gets In: 1970 - 1972,» square canvases from the period that explored space and light through hard edges and contrasting gradients.
To Be or Not to Be (1994 — 5) is a checkerboard of 58 square canvases, some stacked, some overturned, others marked with perspectival or geometric drawings.
«Mystery of Light» evolved into square canvases, which has been the main thrust behind his artistic pursuits since 2015.
Variable Mix - up (1967), for instance, consists of four square canvases fit together to form a jagged shape and mounted diagonally on the wall, yellow bands outlined in orange against a solid, deep blue ground running through them.
In the 1970s, Rohrer began arranging his square canvases around a grid of mark - making.
Through the 1960s and»70s, Rohrer worked out of a converted barn in Christiana, Pennsylvania, using the landscape of his youth as his primary subject as he approached total abstraction in his work and began working exclusively with square canvases.
In the 1970s, the late artist Warren Rohrer began arranging his square canvases around a grid of mark - making.
Martin's breakthrough works comprised of 6x6 foot square canvases (a format that would sustain her through the mid-1980s) covered in monochromatic grounds and overlaid by soft graphite lines.
She made her abstract pictures with muted colors (blue, gray, dusty orange) across grids on perfectly square canvases.
Within these years, Boyd worked rigorously on a series of square canvases that explored space and light through the use of hard edges and contrasting gradients.
Titled «The 80's: Grey Paintings» — it unites more than twenty grey paintings, concentrating on horizontal divisions of six - foot square canvases, that haven't been exhibited together for more than two decades.
It present works in different media and formats that used found objects and geometric shapes, before she began making her visionary pencilled grids on large, square canvases.
When you decided to make works on 194 - centimeter square canvases, you started producing paintings that mostly have window or ladder - like forms.
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Mondrian, when he did use a perfectly square canvas, often acknowledged this difficulty by turning it 90 degrees and orienting it as a lozenge.
I think you ask yourself, «What can I do on a large square canvas, or on a small piece of paper that might be interesting?»
In each of the paintings, Bardot's carnal beauty fills the square canvas in the manner of a record cover, her voluptuous, leonine features framed by abundant, tousled hair.
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