Sentences with phrase «square grid structure»

That same year Erik began experimenting with monochromatic works — a series of acrylic drawings consisting of white and off - white squares arranged into groups of three to five panels — but tabled the idea a year later focusing his attention instead on paintings organized around a nine square grid structure (3 rows x 3 columns).

The same year he began exploring the idea of monochromatic canvases — a series of acrylic drawings consisting of white and off - white squares arranged into groups of three to five panels — but tabled the idea a year later to focus his attention on paintings organized around a nine square grid structure.

Not exact matches

You will discover, in each cortical layer that you inspect, a sheathlike structure that essentially resembles a two - dimensional square grid.

One might expect that with a square support the components of the grid would be squares also, forming a Cartesian grid in which the two symbolic structures of Modernist formal rigor would reinforce each other, as they do in Reinhardt's black paintings.

While teaching at Jepson Art School in Los Angeles, he found «a delicious stone» to create intimate lithographic prints (each 3 x 3 inches) based on a grid structure of 16 squares.

His fundamental concern with the relationship between «order» and «disorder» is manifest in his grid structures, derived from the «magical squares,» that feature sayings and aphorisms that stem from cultural, philosophical, mathematical and linguistic contexts.

Like his architecture Richard Meier's collages are clean and structured on the surface, the images constrained by a grid and formatted in a square, the ideal and basic architectural unit.

Gerhard Richter made lively abstractions of colored boxes; Carl André lay down squares of metal tiles in geometric patterns on the floor; Chuck Close used the grid as a structure to expand photographs into large paintings.

Narrow metalpoint lines form an even grid of 36 separated squares that form the basic structure and serve as a spatial context for irregular events on the surface.

Grids, stripes, circles and squares often taken from decorative structures gleaned from everyday usage (a hyper personal lexicon of graphic, architectural and popular culture motifs) are re-presented as, and within, frames, irises, misaligned systems and off - register imprints.

Without color, Whitney uses line and density to create variety among the squares that compose the grid structures in these drawings.

The range of eight colours and the cube structure were selected specifically to complement the bright green paintwork on the grid of square glass panes set into the entrance to the Clore.

Much of this knowledge was later transposed into complex, diagrammatic pictures such as Family Portrait (1958) and The Great Mystery II (1960; both Buffalo, NY, Albright — Knox A.G.), which are characterized by grid structures of tiny squares in bright opaque colours.

Rhythmic and lyrical, with a combination of pre-ordained structure and improvisation inspired in part by his love of jazz, the square - format paintings arrange rectangles of vivid, single colors in a deliberately irregular grid, with the close - fitting, many - hued «bricks» or «tiles» stacked vertically and arrayed in horizontal bands.