Sentences with phrase «square painting support»

This may be observed in Ohm Home, as two rectangles kiss on the square painting support, creating an offspring of isosceles triangles.

Since 1990, Levine has created groups of closed - system paintings that embrace the following elements: off - square painting supports of modest scale and varying depths, small borders to amplify the paintings» complex surfaces, a variety of media (oil, gouache, flashe), and a palette of primary colors.

Not exact matches

Looking to the other work done at and to support the Green Bank Observatory, the accomplishments of the past year include: hosting more than 2,000 visitors to view the solar eclipse, painting 84,000 square feet of the GBT, hosting 900 visitors at our annual open house (and launching 150 rockets in two hours that same day), releasing our new visitor reservations system, and hosting more than 30 film and news organizations.

One might expect that with a square support the components of the grid would be squares also, forming a Cartesian grid in which the two symbolic structures of Modernist formal rigor would reinforce each other, as they do in Reinhardt's black paintings.

The paintings were all made on a square support measuring 78.7 cm by 78.7 cm but some were painted round and octagonal.

The exhibition area has been divided by the insertion of a square plywood partition, with the straight grains of the wood redolent of pine stretcher frames — the framework support of a painting.

Teko (support around us), 2015 A square black painted canvas is worked on with a whole series of staples.

Untitled (Square 2) Artist: Sigmar Polke 1941 - 2010 Date: 2003 Classification: painting Medium: Gold paint, oil paint and acrylic paint on canvas Dimensions: support: 2003 x 1904 x 20 mm Purchased with assistance from Tate Members, Noam and Geraldine Gottesman and private donors courtesy of the American Patrons of Tate 2004 © The estate of Sigmar Polke / DACS 2018

He has worked with a wide variety of shaped painting supports, including squares, rectangles, crosses, circles, and ovals.

By 1957, when he was in his later 20s, Robert Ryman had established a distinctive signature mode for his paintings: he limited his format primarily to the square and his palette almost exclusively to white (though the natural color of the supports and, after 1976, of the supports» fasteners provided counterpoint to the white, and though the whites themselves varied).

The standard square support and architectonic form provide a heightened sense of rhythm in the paintings as a series.