Sentences with phrase «square paintings as»

According to Ann Edison Gibson's essay Norman Lewis: Black Paintings, 1946 - 1977, this series is one of the artist's major achievements: «the Seachanges deserve to be considered along with Mark Rothko's late dark paintings, Franz Kline's late black - and - color paintings, and Ad Reinhardt's deeply black square paintings as landmarks of late Abstract Expressionism.»

Not exact matches

Musée des beaux arts Located in the historic Place de Miremont square, the fine - arts and archeology museum houses a collection of artifacts from Vienne's Roman past, as well as paintings from the 16th to early 20th centuries.

The tabloids: The appearance of all - but - nude body - painted babes in sanitized Times Square — once home to strictly family friendly characters like anti-Semitic Elmos and cop - punching Spider - Men — gave editors of the city's scandal sheets the opportunity to plaster their pages with sexy pics and indignant headlines, engaging in what one Observer contributor described as the unbeatable paper - selling combo of «simultaneous shaming and titillating.»

In the Anthropocene we might one day cherish a square metre of untouched wilderness as much as a painting of the same size by Van Gogh or Cézanne.

In the Anthropocene we may one day cherish a square metre of wilderness as much as a painting of the same size by Van Gogh or Cézanne.

As part of a project known as Cool Roofs, volunteers in New York City have been painting black roofs white and have so far covered more than 500,000 square meters of roof, though that's less than one percent of the possible areAs part of a project known as Cool Roofs, volunteers in New York City have been painting black roofs white and have so far covered more than 500,000 square meters of roof, though that's less than one percent of the possible areas Cool Roofs, volunteers in New York City have been painting black roofs white and have so far covered more than 500,000 square meters of roof, though that's less than one percent of the possible area.

That's a shame, because watching Square Enix's first anime short inspired by the game paints it as a poignant experience.

Built by Platinum Games, the JRPG was painted as a rather niche title — A year later, the game has sold approximately 2.5 million copies, smashing publisher Square Enix's expectations.

With a square - shaped pastiche (Cronenberg never uses cinemascope) he paints with an almost silent film - like nerve, as if the great F.W. Murnau himself were guiding his hand.

Optima battery Gas Tank - new 17 gallon Rear Gear Ratio - 2.75 for easy freeway driving Entire floor pan lizard skinned and Dynamat for noise and temp control Sway Bar both Front and Rear for much improved handling Interior - Carpet - firewall to rear gate new Square Weave Seat - Custom made Front seat that teaches from door to door, all seat materials new, seat belts Dash - Beautiful custom hand painted wood grain, chrome gauge surround Steering Column - new Ididit with Budnick Banjo Steering Wheel All items listed as new was when Woodie was updated 2010 Mileage 8,162 since Restoration.

Small, square - frame illustrations, a gentle narrative, and a celebratory spirit provide a clear, sensitive portrait of Henri Matisse, story and soul alike, tracing his career as it evolved from paintings to paper cutouts.

Malls like 50 Penn Place and Casady Square are resident favorites, and the city also hosts numerous art galleries with art for sale, such as Painted Door and 50 Penn Place.

Alamo Square is also known as Postcard Square, because so many San Francisco postcards are made from pictures of the Painted Ladies.

As well as being home to John Virtue paintings and a sculpture by Tony Cragg, the hotel building was designed by architect John Nash, whose works include Buckingham Palace, Trafalgar Square, the adjoining Haymarket Theatre, and morAs well as being home to John Virtue paintings and a sculpture by Tony Cragg, the hotel building was designed by architect John Nash, whose works include Buckingham Palace, Trafalgar Square, the adjoining Haymarket Theatre, and moras being home to John Virtue paintings and a sculpture by Tony Cragg, the hotel building was designed by architect John Nash, whose works include Buckingham Palace, Trafalgar Square, the adjoining Haymarket Theatre, and more.

Take a stroll to Alamo Square to see the pastel - painted houses on a hill known as the «Painted Ladies.painted houses on a hill known as the «Painted Ladies.Painted Ladies.»

I am just as happy to set up my easel on a quiet beach as I am to paint outside the National Gallery overlooking Trafalgar Square.

If you think that Square Enix's upcoming Final Fantasy X / X -2 Remaster is nothing but a new coat of paint, then you'll be glad to know that a couple of new features are coming for both titles, as illustrated by this new trailer.

Without the delicious new coat of paint this game has received for the new console, the game also includes all the released DLC for the game which is mainly why Square Enix labelled it as the Definite Edition so for those you that haven't played through the DLC yet there's another carrot on a stick for you to go out and get this game right now.

Washy runs of paint are employed late in the game, as are triangles, trapezoids, and squares — solid forms that are, in the context of Martin's pictorial equanimity, gratifyingly rude.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

The photographs of Roy Lichtenstein span several decades and document the artist in his studio with his paintings and completing his iconic murals, such as: the fleeting 1963 «Greene Street Mural,» the permanent 1989 «Tel Aviv Museum of Art Mural,» and the collage for «Times Square Mural».

As I mentioned before, Humphries has often preferred the square, like Whitney, and looking at these new paintings, I thought at first they were square too.

Expectations of unbridled colour are met with rigorous restraint, as with a pastel Twombly painting, a dusty Yayoi Kusama chair, wispy drawings by Dieter Roth and Arthur Köpcke, and a grey iteration of Josef Albers's serial Homage to the Square.

At the far ends of the room, two mostly square paintings with a decided orange tendency are in dialogue, while the shorter axis is dominated by more vertical paintings with green as a unifying hue.

The exhibition — which New York Magazine hailed as «superb» — includes a suite of six inch square paintings that feature bravura depictions of tire stores, muddy roads and rutted asphalt.

If the artist is using geometry to construct a painting, like so many since the early 1960s, it feels more like doing math than if the artist shows a square as an image floating in a field, like a character in a graphic novel.

One might expect that with a square support the components of the grid would be squares also, forming a Cartesian grid in which the two symbolic structures of Modernist formal rigor would reinforce each other, as they do in Reinhardt's black paintings.

During the 1930s, Graham continued to push abstraction with still life paintings that employed a minimum of color and linear forms with titles that affirmed his commitment to the style, such as Red Square, 1934, and Abstract Composition, 1941.

These pieces include a pair of paintings by Nak - Beom Kho, depicting closely cropped, chiseled male faces of mannequins, and black - and - white photographs of Nakamura's sculptural works such as Car Cover (1991), which show two forms that each resemble the shape of a car — one rounded and the other square - edged.

This modest easel - size painting is set in the center of a wall that faces you as you enter the main gallery, not so much to greet you as seemingly to square off with you.

In paintings such as Knight Series # 5 (Q3 - 76 - # 6), 1976, and Knight Series # 3, 1975, compositions adopt a familiar grid system with construction lines and structural points that provide a delicate but firm framework layered with formulaic vertical strokes in rows filling out each square.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitSquare on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare form as a historic reference to capitalism.

The deer sculpture complements an Amish quilt, included in this context as a reminder that the square is not a shape unique to abstract painting.

Painting as Action, Moderna Museet, Stockholm, Sweden Mexico: Expected / Unexpected, Katzen Arts Centre, Washington D.C., USA Sammen / Together, Trondheim Kunstmuseum, Trondheim, Norway Marking Time, The Museum of Contemporary Art, Sydney, Australia (catalogue) Notations: The Cage Effect Today, The Hunter College Art, New York, USA The Spiral and the Square.

Discussing this series in the context of his «70s output more generally, Stella says, «The effect of doing [the Diderot paintings] «by the numbers,» so to say, gave me a kind of guide in my work as a whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

Albers's connection with Mexico, which he described to Kandinsky as «the land where abstract art existed for thousands of years», was long and inspiring: in 1935 he produced his first oil abstract painting after making his first trip there with his wife, Anni, and his first Homage to the Square while teaching in Mexico City in 1949.

The paintings are on canvas but as Prather notes, regarding Two Open Squares Within a Green Area, 2016, «the artist circumnavigates the openings with lines that clarify that his work is as much about drawing as it is about painting.»

The somber dark palette of his Chapel paintings recalls Malevich's The Black Suprematic Rectangle, 1915 (better known as «The Black Square») where the canvas serves as a screen upon which the viewer projects his own thoughts and images.

One can think of him as a sculptural equivalent of Josef Albers in the abstract painting of Homage to the Square.

With a rectilinear box placed within a larger rectilinear box, it's reminiscent of Josef Albers's square - within - square paintings — Rauschenberg studied with Albers at Black Mountain College — but the work comes across as self - consciously arty, or a one - liner.

The exhibition traces all the stages of Pape's career, beginning with her square paintings, reliefs, and blocks, all done between 1954 and 1956, when Pape was a member of Grupo Frente from Rio de Janeiro, which also included Clark and Oiticica, and which initially followed the tenets of concrete art as outlined by van Doesburg.

A huddle of squares manifests as rugs lining floors or paintings mounting walls, and mingle with the inhabitants, as if Hans Hoffman is communing with James Ensor.

Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.

As you square up to the best of the bigger pieces — # 79 and # 116 are the ones to look for — you're plunged into the final moments of a quest narrative with a happy ending, in which Diebenkorn discovers his version of the true grail in Ocean Park, Santa Monica, and American abstract painting takes another bow.

I myself once compared her paintings to those of Josef Albers, seeing them as «fundamentally abstract, the house [being] not so much a house as the form of a house, a given shape, a certain geometry,» like those endless squares painted by the ex-Bauhaus colorist.

Within the grids and lines on the canvas are not small squares of flat, immobile color, but drips and dimples of very active paint — as if each square could also be a composition unto itself.

If any paint remains on the knife, it may land as a daub on the most central square, just to see the results.

The exhibition begins with paintings based on the square, the grid and architectural details, such as The First Vent (1972).

Paintings starting in 2012 build on small squares of primary colors, with the brightness and opacity of acrylic, but they gain in intensity from orange and a paler blue as well.