Not exact matches
At one end of the spectrum is a sparkling 141,000 -
square - foot office building, previously occupied by a
plastics company, set amid 90 acres dotted with
white - tailed deer.
A
white terry - cloth headband holds two
plastic squares against either side of her skull.
Revisiting manifestations of the black
square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capit
square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black
Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capit
Square on a
White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black
square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capit
square, which use
plastic tarp to reference the movement of land occupation and the
square form as a historic reference to capit
square form as a historic reference to capitalism.
She shows the photo series Portrait of an Image (with Isabelle Huppert),
White Dickinson (long square aluminium sculptures with words in white plastic cast within) and the glass sculpture Doubt B
White Dickinson (long
square aluminium sculptures with words in
white plastic cast within) and the glass sculpture Doubt B
white plastic cast within) and the glass sculpture Doubt Block.
Chubarov considered himself a heir of the Russian «archaic» culture, drawing a parallel between his technique and the ideas of Malevich's «Black
Square»: «In my
plastic I am intuitively looking for proportions of relationship between black and
white inherent to «Black
Square», ratios of curvature of the surfaces and the absolute
white, hanging of the structures, occlusions and sudden breakthroughs of
white through the thrill of
white and black matter.»
Since the 1950s, Ryman has used primarily
white paint on a
square surface — whether canvas, paper, metal,
plastic, or wood — while harnessing the nuanced effects of light and shadow to animate his work.
Since the 1950s, Ryman has used primarily
white paint on a
square surface, whether canvas, paper, metal,
plastic, or wood, while harnessing the nuanced effects of light and shadow to animate his work.
The show includes a wood panel covered with black cedar shingles by Aaron Aujla (b. 1986); a vertical monochrome whose surface is marked by circular holes, which turn out to be the insides of
plastic caps for cans of spray paint, by Dylan Bailey (1985); and a ghostly
square monochrome whose surface is made from horizontal rows of strapping tape, translucent but reinforced with
white string, by Chris Duncan (b. 1974).