Sentences with phrase «squares of primary colors»

Paintings starting in 2012 build on small squares of primary colors, with the brightness and opacity of acrylic, but they gain in intensity from orange and a paler blue as well.

Not exact matches

Their rarefied atmosphere is circumscribed by rigorously defined and scrupulously observed parameters: Levine paints only with primary colors and white, each monochrome is contained by a razor - sharp border of raw canvas, all of the pictures are minimally off - square.

These unique works apply a programmatic approach to exploring the archetypal building blocks of an image — the circle, square and cone; and the primary colors — blue, red and yellow.

Since 1990, Levine has created groups of closed - system paintings that embrace the following elements: off - square painting supports of modest scale and varying depths, small borders to amplify the paintings» complex surfaces, a variety of media (oil, gouache, flashe), and a palette of primary colors.

These abutted, black - bordered squares filled with even bands of primary and secondary colors show how far LeWitt's wall work evolved in 3 1/2 decades.

The autobiographical dimension of the artist's work is revealed in pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

Next, it was clusters of colored squares and rectangles, and finally it was stripped down to a black and white grid, supporting the three primary colors.

The autobiographical dimension of the artist's work is clear in her pieces related to friendships, memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based on architectural planes.

In her Tompkins Square paintings, she continued her interest in tonal effects of trees, foliage, and grey skies, sometimes streaked with sunlight breaking through the clouds, while at times introducing strong contrasts through primary colors of stoplights, traffic markings, and other features of urban life.