Sentences with phrase «squeegeed surfaces»

Between 1973 and 1974, he moved from sprayed to poured and squeegeed surfaces, working the paint back and forth, up and down, layer upon layer, always in search of the perfect non-color, it seemed.

Not exact matches

When a set is done, sensors determine the amount of spit that has appeared on the mirror then sends a squirt of cleaner and a squeegee down the surface.

In the early seventies he made paintings with squeegees that were solid blocks of perpendicular color of different surfaces.

Their surfaces are animated by lines where the squeegee has paused, by brushstrokes, other scrapings, and areas where the skin of oil paint has dried and rippled.

By then, Whitten had arrived at a signature method of building up layers of acrylic paint and drawing a tool across the surface — an afro pick, blade or rubber squeegee purchased on nearby Canal Street.

Richter's process is well known: he applies layer after layer of color, often wet into wet, using a squeegee to pull the paint across the surface in various directions.

In another contrast to Pollock, Frankenthaler actively interacted with the paint and manipulated its direction, by moving it across the surface using a wide squeegee, her hands and brushes.

Pulling and scrapping painting technique often includes the pulling of the paint across the two - dimensional surfaces, or the scrapping of the same with either a palette knife or a squeegee.

These vacant passages are then juxtaposed against areas overlooked by Richter's squeegee, resulting in the full spectrum of the artist's unique painterly style visible across the surface of the canvas for all to see.

The painting that Mr. Clapton is putting up for sale in November is similar stylistically to the one he sold last year — the surface has layer upon layer of paint applied with a squeegee until the surface has a watery depth to it — but it has more golden tones than the others.

In this work, gesture was removed from the making of the work; instead, paint and canvas were «processed», using large troughs to hold paint, and dragging canvas across, with squeegees, rakes, Afro combs to create surface texture, line, and voids.

In the 1970s, Whittenʼs experimentation turned to abstraction, when he developed new methods of painting, in which brushstroke was removed from the making of the work; instead, paint and canvas were processed, using large troughs to hold paint, and dragging canvas across, with squeegees, rakes, and Afro combs to create surface texture, line, and voids.

Painting with trowels, palette knives, and squeegees on sheets of polyvinyl chloride (PVC), Baker builds her bright glossy surfaces by outlining each mark and shape with torn tape and filling in the interior.

Richter attacks a huge green painting with one sweeping, decisive gesture after another, first squeegeeing paint across the surface, than selectively scraping it off to reveal the reds, yellows, blues and whites underneath.

The Soft Abstracts were a bridge towards his later «free» abstract paintings at which point the artist had ceased to use photographs as a starting point and began to employ a squeegee to drag the paint across the surface creating giant brushstrokes.

Employing devices such as blades, rubber squeegees, T - squares, and pieces of cardboard and wood, she presses and scrapes her surfaces, imbuing the edges of her colored bands with lush textures that act as a counterpoint to the painted ground.

The paint was squeegeed into a pure monochrome surface.

Whitten began his career making large - scale works for which he used a modified squeegee or rake to move paint around the surface of a canvas placed on the floor.

Biography Stanley Casselman (born 1963) Casselman has garnered fame and accolades for his progression paintings which he uses homemade squeegees to drag paint across the surface of -LSB-...]

Across the surface, paint has been scraped and squeegeed.

Casselman has garnered fame and accolades for his progression paintings which he uses homemade squeegees to drag paint across the surface of his canvases, adjusting the angles and pressure of his tools to both add and remove paint, revealing layers of color from previous squeegee applications.

Further, suggestions of vertical and horizontal ridged or straight «lines» of impasto, as if in relief against the planar surface, manifest the interrupted action by the squeegee.

Richter's surfaces also record the quickness or slowness of his gestures, gestures made with physical effort, but mediated through large unconventional tools, such as house paint brushes taped to long bamboo rods and variously sized squeegees edged with transparent Plexiglas.

Others may snooze through the long, nearly silent passages that Belz lavishes on Richter as he brushes color on canvas, mutely ponders the results, drags paint over surfaces with large squeegees or scrapes it off with palette knives.

Olitski used a combination of rollers, sprayers and squeegees to create the rough built - up surfaces in these muted monochromatic canvases that beg to be touched.

Oil paint has been textured methodically but creatively with large brushes and squeegees on the smooth metallic surface to create long, thin lines that make the shapes appear to shimmer and vibrate horizontally.