Starring Joe Mantegna as a slick Seattle con man and Lindsay Crouse as an anxious therapist eager to learn the rules of the trade, the film featured the writer's trademark
staccato dialogue delivered with deadpan aplomb by a slew of Mamet regulars such as Mike Nussbaum, J.T. Walsh, Ricky Jay and William H. Macy in a small role.
Their scenes together have little chemistry because neither of them is very funny, resorting to
staccato dialogue in a subplot of clichés.
Not exact matches
Refn co-wrote The Neon Demon with two playwrights, Mary Laws and Polly Stenham, which explains why so much of the
dialogue sounds so clipped, precise, almost
staccato.
Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long
dialogue scenes in diners, restaurants and motel rooms, with
staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.
His
staccato speech patterns only underscore his wry sense of humor, and Morgan's
dialogue is perfectly suited to Brühl's intense approach to the character.
The
dialogue between Don and Gal was a Mametian - like
staccato that will have you back on your heels.