Sentences with phrase «stage and screen takes»

Not exact matches

During the premiere screening of Cleveland Hustles at Capitol Theatre in Cleveland, OH, investors Kathy Futey, Kumar Arora, Jonathon Sawyer and Alan Glazen took the stage to discuss the show and the impact it's already made in their community.

Toronto International Film Festival (TIFF) 8 September: Oscar - winning director, Danis Tanovic, took to the stage to resounding applause following the screening of Tigers, his new 90 - minute fact - based drama, and revealed that the character played by Emraan Hashmi, called Ayan in the film, was actually in the theatre.

As part of drug discovery, one of the earlier stages is you take a huge library of chemical compounds and you screen them with an assay for malaria or TB and you see if that chemical compound kills the parasite or bacteria.

«It is unfortunate that GM seeds have been found in a batch of imported conventional oil seed rape but this confirms that UK screening procedures are robust and this was identified at an early stage of cultivation to allow effective remedial actions to be taken.

The head of Summer Screen events took central stage to introduce the film, and tell us about other similar events being run by the British Film Institute this summer.

Despite her recent onscreen success, Washington remains true to her stage roots by remaining active in theater and has also begun to branch out by attempting to make a name for herself as a writer and producer as well.Still, it was on the screen that Washington truly earned her keep, and following roles in Sexual Life, Mr. and Mrs. Smith, and Fantastic Four, Washington took a trip to the courtroom for a supporting role on David E. Kelley's Emmy - winning television comedy Boston Legal.

The personal drama between her lover (Andrea Riseborough) and her own husband Larry King (Austin Stowell) takes center stage for most of the film, without directly impacting the other events on screen.

By targeting the boss in their vulnerable spots when possible, between taking down regular enemies as well, you will eventually defeat them and get a stage complete screen with stats of your performance.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The payoff for his method comes in scenes like the film's two very long and unbroken takes, when he calls on his actors to use the disciplines of the stage as well as the screen.

«The Fires of Hell Will Purify You: Release» (8:41) takes us to the oft - overlooked next stages: a test screening for friends and families, going to Comic - Con and facing skepticism, and the release of the trailer, which the directors talk over.

Spoilers to follow: It's obviously going to deal with the remaining Avengers trying to reverse what Thanos has done with the Infinity Stones and the only other thing we can say with confidence is that writers Christopher Markus and Stephen McFeely told me that the characters that didn't get much screen time in Infinity War (mainly Cap and Black Widow) will take centre stage in Avengers 4.

Berlinale festival director Dieter Kosslick and US actress and jury president Meryl Streep take the stage prior to the screening of «Hail, Caesar!»

I am beyond excited that I will not only get to see the film on the big screen but also get to see Paul Reubens himself take to the stage afterwards to discuss the film and his legacy as Pee - Wee Herman.

However, the first of Five Acts «five SFF screenings is today at 2:15 PM MT.. That's just a few hours after long time activist Fonda takes the stage with Gloria Allred, Common, Maria Bello and Daveed Diggs in a now snowy Utah resort town.

Following opening remarks from TIFF director / CEO Piers Handling, executive director / COO Michele Maheux and artistic director Cameron Bailey, who coined the term «Jakequake» to describe Gyllenhaal's impressive run of late, an excitable Vallee took the stage to introduce his bearded star and the rest of the cast, including Naomi Watts, Chris Cooper, Heather Lind and gifted newcomer Judah Lewis, who makes a strong first impression on the big screen.

The need for non-white men, and women of all backgrounds, to go to the movies on a Friday night and see people who look like them taking center stage on the screen is a powerful one, and one that might finally be making some progress, at least according to a recent CNN Money report.

The»90s sitcom heads back to the small screen with the original cast in tow, while SpongeBob SquarePants and Telsey + Company gear up to take the New York stage.

«Q&A at the Museum of Modern Art with Hole» (10 minutes) takes place after a screening of the film where Director P. David Ebersole and Schemel, Love, and others appear on - stage.

Before Ready Player One screened to a packed audience in The Paramount last night, Steven Spielberg took the stage and talked...

Jeremy Renner «s Hawkeye takes center stage for many crucial scenes in the film and shines with the increased screen time.

«Anatomy of a Plane Crash» (7:46) takes us behind the scenes of the film's big action set piece, touching on the influential research, the maneuvers depicted, and the effects used on a gimbal stage with green screen.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

Before Ready Player One screened to a packed audience in The Paramount last night, Steven Spielberg took the stage and talked animatedly about how much he loves Ernie Cline's book, and how he knew this was the right movie for him to make because, «I've been a gamer since 1974, when I played Pong on Martha's Vineyard while filming Jaws.»

The long takes — seamlessly stitched together by editors Douglas Crise and Stephen Mirrione — also inform the film's dialogue between stage and screen acting: while the actors are clearly acting for a camera, the duration of shot gives the performances the sustained intensity of theatre, the best of both worlds.

Already a stage mainstay and an emerging talent on screens big and small when he directed and starred in Henry V, Kenneth Branagh propelled himself to stardom with his take on Shakespeare's famous play.

Bob Hope was the snappy urban wiseguy with an easy line of smart remarks and a comic cowardice behind the confident front, a one - liner comic whose timing, self - effacing demeanor and audience rapport took him from stage to radio to screen.

His quirky and abrasive take on the Arthur Conan Doyle character paved the way for Cumberbatch to take center screen on an even bigger stage.

Key Stage 1 (including Phonics Screening Check) • DfE should carefully evaluate all available evidence of the link between attainment in the Phonics Screening Check and future reading performance • Steps should be taken to strengthen further the instructions to schools to refrain from public discussion of the content of the Phonics Screening Check until the end of the administration period • Evidence from 2012 suggests that the Check does identify those pupils most in need of additional support.

With a simple click of the view button, the speedo and tach jump out of the way and the infotainment screen takes center stage.

A customisable TFT screen works as the instrument panel and taking centre stage on the dash is the latest Lamborghini infotainment system.

A touch screen infotainment system takes centre stage on the centre console and Maruti is also believed to be working on features that will be exclusive only on the Swift Deca limited edition.

The scene in Grace's kitchen where she is attempting to take the potassium cyanide has intense psychological and emotional richness for stage or screen.

Despite the low resolution and small screen size that may not be able to replace the big screen anytime soon, the appearance of flexible display can take the center stage once it is officially released for mass market.

For those in the UK we're now at that imminent arrival stage; those in the US have had the Motorola Xoom, but we're now on the cusp where we'll see the Google tablet OS arriving from more corners and that should not only drive prices down, but also kick start the Android Market into really taking advantage of the screen real estate that these tablets will offer.

If screening detects that a dog is predisposed to a genetic disease (or likely to produce affected offspring) and / or perhaps already in the early stages of the disease, then no breeding can take place under the scheme.

Further star power is offered by a quick snippet of Cara Delevingne (model and actress, who recently started as Margo in Paper Towns) sending Kevin hurtling off - screen, briefly taking centre - stage as resident gun - toter.

With Rhythm Heaven Fever marking the series» home console debut, Rhythm Heaven pours out of the comically tiny hardware it usually performs on and takes centre stage on the big screen.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

- during multiplayer battles, when two players cooperate to take down a single opponent, an «assist mark» is displayed - battle results screen now displays the number of times you used your special - you will also see the number of players you splatted or assisted in splatting - see the number of times you got splatted - new stage called the Inkblot Art Academy where many Inkling artists graduated from - many sculptures can be found in there, and climbing up on them can actually give you the advantage in battle

The stage doesn't take up the full screen and instead is centered on the television.

Sure, the on - screen action might get a bit frentic and competitive with four players, but it's fun taking on enemies and working together to get all of those green stars and clear those stages that are the trickiest.

Players then take on the tactical approach and observe each stage in an isometric view, using the touch screen to to navigate and issue commands.

And this isn't even taking into account the Captain Toad stages, in which you guide a Toad through a single - screen obstacle course without the ability to jump, or the Mystery Houses, which see Mario and friends face a barrage of quick, singular challengAnd this isn't even taking into account the Captain Toad stages, in which you guide a Toad through a single - screen obstacle course without the ability to jump, or the Mystery Houses, which see Mario and friends face a barrage of quick, singular challengand friends face a barrage of quick, singular challenges.

One thing I truly enjoy about the avatar and Modern Sonic's stages, or at least in the 3D segments, is the sheer amount of multiple pathways there are, no matter how convoluted they may seem.There are also stages where both the avatar and Modern Sonic run along side each other, which opens up the multiple pathways even more, and instead of switching a character out, each of their moves is assigned to a specific button, making them act as one character, which take some getting used to due to the visual appearance of both characters appearing on screen, but is definitely optimal.There's also some level designs with certain gimmicks: at one point you're playing pinball in the middle of a bright forest with classic Sonic, and in that same forest, you'll be playing pinball with some enemies down a water slide with the avatar, were the control starts to get kind of out of hand, while Modern Sonic will face a boss that combines the level design from Lost World with this game's boost mechanics, which was probably the intention for the departure in the 2013 game.

It takes on the form of a shadow puppet play — the action takes place on the stage, with the silhouettes of little children on the bottom of the screen, and all of the characters are represented as black cutouts.

Performances on view included a recreation of Bag Piece (1964), with a live performer stretching and squirming on a small stage in a black bag, and a screening of Cut Piece (1964), where Ono sat still, solemnly, as audience members took scissors to her outfit.

Through a dizzying array of vividly coloured screens, experimental compositions, large - scale banners, a tiered stage and an accompanying audio narrative, these works come together to take visitors on an emotional and sensory journey through the exhibition.

Mike Kelley replaces front - page photos with wilder and woolier ones from high - school yearbooks, Thomas Hirschhorn draws out adolescence by staging a debutante ball with mannequins dressed in images from the news, and Kelly Walker takes detachment personally by screening a brick wall onto the page.

Alongside a set of screens streaming online content seeking the next art market trend, and animations playing on obsolete LED monitors encased in concrete, Lund's three illuminated digital paintings took center stage.