Sentences with phrase «stage by a dancer»

Firstly ITV was forced into audio silence to stop our ears from being subjected to Kanye West's rude lyrics and then Madonna was accidentally pulled off the stage by a dancer after she failed to get her cape off in time.

Not exact matches

Singh finally takes the stage after dark, backed up by a crew of dancers wearing T - shirts that read «TUH RAW TO.»

The 36 - year - old performer was joined on stage near Palm Springs, Calif. by dozens of musicians and dancers as well as her sister Solange Knowles, former Destiny's Child bandmates, Michelle Williams and Kelly Rowland, and her husband Jay - Z.

In a scene straight out of HBO's Silicon Valley, Barnard, then SolarCity's chief revenue officer, burst onto the stage in front of Lyndon, Peter, and 1,300 employees (Musk would arrive later) at Hakkasan nightclub, rapping over Nicki Minaj and Drake's hit «Truffle Butter» while surrounded by provocatively dressed dancers.

It boasts of fully nude and topless dances, adding: «We have multiple VIP booths for your comfort and enjoyment that can be pre-booked in advance, along with continuous stage shows all evening performed by our beautiful dancers.»

As he features in a stage play dubbed «the ladder», organized by the National Theater and the Nyansapo Productions, as part of celebrations to climax the National Theater Festival, at the National Theatre auditorium in Accra, comedian and actor, who also doubles as a musician and a dancer, Bismark Nii Odoi, once again caught the eyes of his fans, with his amazing natural prowess in comedy, making it uncomfortable without bursting into laughter, seeing him display in every second in every scene.

We giggled when a low - energy dancer had to be carried off stage by others in a pithy nod at the photoelectric effect.

Kim Jun - su or simply, junsu, also known by the stage name Xia is a South Korean singer - songwriter, dancer, and stage actor.

[holding up devil horns in appreciation]-RRB- as Iron Man flies about town in his superhero Iron Man suit, only to land on a stage in front of an adoring audience, surrounded by his own Iron Man go - go dancers.

Some scenes are wordless and staged by cast members and professional dancers in elaborate dance format that leaves some actors frozen in motion while a spotlight is focused on Anna and her lover.

Indeed, as evidenced by the numerous backstage moments throughout the film, the visuals are a further enhancement from the aforementioned film: soft makeup, rich colours, lens flares from incandescent bulbs, and softened stage spotlights given the same actor's perspective, along with waves of colorfully attired panicky dancers, ascending or descending staircases for the next act.

There are other movies seen in various stages of production on the Capitol lot, none completely convincing as period pastiche, some funny as send - ups of bad filmmaking: a musical starring an Esther Williams type named DeeAnna Moran (Scarlett Johansson), who refers to her mermaid costume as a «fish ass;» Merrily We Dance, directed by ascot - wearing priss Laurence Laurentz (Ralph Fiennes); bits of Doyle's singing cowboy movies and the latest from Gene Kelly-esque dancer - athlete Burt Gurney (Channing Tatum, showing off a surprisingly passable singing voice).

One often watched the dancers perform on a floor only separated from an audience by the few inches of a simple stage or the taped lines on the floor itself.

Tino Sehgal creates what he calls «staged situations» — ephemeral, often interactive scenarios played out by a variety of collaborators, including dancers, academics, children, museum guards, and others.

Collaborating with Eshkol's students as well as a newer generation of dancers, Lockhart staged and filmed performances of Eshkol's choreography in a minimal, gallery - like setting punctuated only by Eshkol's remarkable wall carpets, rotated from dance to dance like elements in a stage set.

Consumed by her own anxiety and stage fright, the dancer becomes acutely aware of the audience — people who are bored or who are staring right back at her — until their gaze almost consumes her.

As part of Frieze Projects, the non-profit arm of the fair curated by Nicola Lees, artist Nick Mauss choreographed dancers from Northern Ballet, who performed in leotards on an elevated stage in a corner of the fair.

Arranged and staged by Andrea Weber, another former MCDC member, there are elements of the Events that even I can recognize — each dancer's body has a unique presence, something that Merce always aimed to work with, but not necessarily dictate.

; an ambitious new durational work by Goshka Macuga that includes two motorised tables, artist - made costumes and two dancers performing an original choreography by Mbulelo Ndabeni on the moving tables; and an actor reading Mark Wallinger's surreal and humorous text inspired by iconic American artist Bruce Nauman and the vivid experience of stage fright.

Directed by Michael John Garcés, Joseph is joined on stage by Gates, dancer / actor Traci Tolmaire, and musician Tommy Shepherd.

This new version of Dying on Stage, featured dancer Jean Capeille in a choreography by Panayiotou.

On leaving Garage, one can still be part of do it Moscow by participating in events such as the «planetary dance» procession staged at the Krymskaya Embankment based on instructions by renowned choreographer and dancer Anna Halprin, or by responding to the challenging task set by Japanese artist Shimabuku to «make an animal smile» or one can dance with a large piece of chalk at the Park of Arts «Muzeon», as instructed by American artist Joan Jonas.

Leading contemporary artist Philippe Parreno has devised a dynamic experiential staging of the exhibition inspired by the choreography of Cunningham and music of Cage, featuring two Yamaha Disklavier pianos playing live Cage scores, while the «ghost» of the dancers can be heard pounding the floor.

Laurie Simmons stages photographs and films with paper dolls, finger puppets, ventriloquist dummies and costumed dancers as «living objects,» animating a dollhouse world suffused with nostalgia and colored by an adult's memories, longings, and regrets.

Cozette's fears manifest in a series of awkward dances, each accompanied by a boorish audience member — played by a mix of retired Paris Opera Ballet dancers and dance teachers — who are magically transported from their seat to the stage.

With all six dancers in Cunningham's troupe cast as soloists, they would cover the whole stage at once; as in an «allover» painting by Jackson Pollock (1912 - 56) or Willem de Kooning (1904 - 97).

A generous hint of his direction could be seen in the 2012 Biennial (then hailed by New York Times critic Roberta Smith as «one of the best Whitney Biennials in recent memory»), which included such unforgettable moments as Werner Herzog's presentation of drawings by Hercules Segers intermixed with filmed performances by the Dutch avant - garde cellist and composer Ernst Reijseger; Dawn Kasper's performative residency in a ramshackle studio of her own creation on the museum's third floor; and the transformation of the entire fourth floor into a long stage for dance, most memorably Michelson's highly concentrated, multipart «Devotion Study # 1 — The American Dancer.»

On stage will dance in which the dancers of Ballet Bundes Jugend, the German National Youth Ballet founded and directed by John Neumeier, two large screens offer the movie.

Hand - cut steel placards, paper animation, filmed dancers and actors, sculptural props and painted / animated backdrops all congregate on Mr. Kentridge's visual stage and yet are resolutely held together by the grisaille hues the artist favors.

Sandel will be joined by poet Elizabeth Alexander; actors Danny Burstein (Fiddler on the Roof); Brandon Victor Dixon (Hamilton); John Lithgow (The Crown); dancer, actor and recent Kennedy Center Honoree Carmen de Lavallade; immigration activist and Pulitzer Prize winning journalist Jose Antonio Vargas, and others, who will set the stage with thought - provoking readings and performances.

This lecture - performance takes as its starting point the 1991 staging of La Bayadère by Rudolf Nureyev, at which point the dancer's health was in precipitous decline.

Simmons stages photographs and films with paper dolls, finger puppets, ventriloquist dummies, and costumed dancers as «living objects,» animating a dollhouse world suffused with nostalgia and colored by an adult's memories, longings, and regrets.

Founded by Brazilian dancer and feminist Dora Vivacqua — better known under her stage name Luz del Fuego -, the island Ilha do Sol has become known as the nucleus for the nudist movement since 1954 until her death in 1967.

Milonguero style differs from the «showier» and more gymnastic styles of ballroom tango, stage tango and tango nuevo by focusing on the connection between two dancers.