Tom Hooper's adaptation of the hit
stage musical cast her as the tragic Fantine, who loses her job as a seamstress and comes to a bad end by the city gates.
Not exact matches
Years ago, when my wife and I saw Tim Rice and Andrew Lloyd - Webber's rock
musical Jesus Christ Superstar on a London
stage, the
cast came down...
Years ago, when my wife and I saw Tim Rice and Andrew Lloyd - Webber's rock
musical Jesus Christ Superstar on a London
stage, the
cast came down and talked with the audience during the intermission.
Scene Study, Monologues
Musical Theatre Dance,
Musical Theatre Voice On Camera Technique, Costumes and
Stage Make Up Directing, Movement for Actors ScreenwritingSongwriting, Film Editing Dreamboards, Empowering the Actor
Casting Workshops, The Business of Show Business Comedy & Improv, Stunts,
Stage Combat
I once asked my high school drama teacher if I could buy some of the ultra-thick
stage makeup from her... she looked at me a little strange, since I wasn't even on the
cast of the current
musical and was working backstage / tech.
When adapting a beloved
stage musical — especially one that had girls the world over wearing out their cassette tapes of the original
cast recording — filmmakers are faced with a puzzling choice.
But by the grace of God, or maybe a great
cast and lots and lots of expert
staging, a great
musical became a great TV production.
Adapting hit
stage musicals for film is always a risky business, with far more getting it wrong than right (witness Evita, The Phantom of the Opera, Rent, Nine, etc.), so give Mackintosh (the producer here), director Tom Hooper (The King's Speech) and the
cast full credit for commitment to the cause.
Backstage Disney offers a look at the adaptation of the movie into a Broadway
Musical (Mary Poppins: From Page to
Stage), a peek at the Broadway
cast performing a song and dance routine (Step In Time) and a MP3 version of Step In Time (featuring Ashley Brown and Gavin Lee, stars of the Broadway production).
Cast: John Travolta, Olivia Newton - John, Stockard Channing, Jeff Conaway, Didi Conn, Dinah Manoff, Jamie Donnelly, Barry Pearl, Michael Tucci, Kelly Ward, Eve Arden, Lorenzo Lamas, Sid Caesar, Annette Charles, Susan Buckner, Alice Ghostley, Dody Goodman, Sha - Na - Na, Fannie Flagg, Eddie Deezen, Ellen Travolta Director: Randal Kleiser Screenplay: Allan Carr (from the screenplay by Bronte Woodard, which was adapted from the
stage musical by Jim Jacobs and Warren Casey) Review published March 26, 2005
In Bran Nue Dae, Perkins went west to Perth and north to the remote Kimberleys to work closely with a large ensemble
cast on the much - anticipated film of a much - loved
stage musical — seen by 200,000 people when it toured the country in 1990 and 1993.
Over 5 million copies have been sold worldwide, far outperforming the original London
cast recording of the
stage musical.
Featuring a fantastic score of 17 all - new songs, Shrek The
Musical was filmed on
stage to capture the magic of a Broadway performance and stars an amazing celebrated
cast including Brian d'Arcy James (Shrek), Sutton Foster (Fiona), Daniel Breaker (Donkey), Christopher Sieber (Lord Farquaad), and John Tartaglia (Pinocchio).
But like much of the rest of the «Annie»
cast, she had little previous experience as a singer and dancer and said she had not seen the
stage musical or any of its many TV or film remakes.
The all - star
cast will be taking the
stage to sing songs from the
musical with a live orchestra as the film plays on screen.
Beyond those Disney benchmarks, though, there is some irony in the
casting of Menzel, who won a Tony award for originating the role of Elphaba in the
stage musical Wicked.
Cast and crew filmographies finish off the set, although some details regarding the novel's popularity and evolution through
stage, film and
musical versions would have improved an otherwise well - produced release.
For the coming
stage musical version, producers have
cast another British...
A classic Neil Simon
musical showcases a large
cast of North Central College students.The North Central Theatre Department is
staging «Sweet Charity» Nov. 9 - 12.
The 27 - year - old actor and Alexa Davies will join newcomer Lily James on the
cast of the sequel — a follow up to the 2008 adaptation of the
stage musical based on ABBA songs.
While a few of the songs are tuneful enough and the supporting
cast features a raft of
musical theater veterans including Alexander, James (The Book of Mormon) and Cheyenne Jackson (Damn Yankees, Finian's Rainbow), the
musical numbers are
staged with an awkwardness not seen on the big screen since the likes of the 1974 film fiasco Mame.
Daniel Huttlestone and Lilla Crawford, the two
stage musical performers in the
cast, are fantastic additions; Huttlestone's new, younger interpretation of Jack is a smart change to the character, making him naive rather than «simple.»
Tilda Swinton, Bill Hader, and Brie Larson will join the
cast of Judd Apatow's Trainwreck, a vehicle for breakout stand - up comic Amy Schumer, who wrote the script... Roman Polanski is planning a
stage musical version of The Fearless Vampire Killers... No pointless remake this week, but stay tuned...
Cameron Mackintosh, producer of the
stage musical and this feature explained, «I could never have imagined that we would end up with the dream director Tom Hooper, and the dream
cast of Hugh Jackman and Russell Crowe as the two great protagonists Jean Valjean and Javert.
INTO THE WOODS: An ultra-talented
cast of Hollywood actors who can REALLY SING bring Stephen Sondheim's haunting masterpiece of a
stage musical to life on the big screen.
Singer / actress Kristin Chenoweth is clinging to a dream she'll be invited to join the
cast of the
stage musical adaptation of her cancelled Tv series...
The
cast of the
musical has still to be confirmed, but members of the original
cast have previously suggested they'd be happy to return for a movie sequel and have also been linked to the much - discussed
stage production.
«Pretty Woman» The
Musical has
cast its leads, but no other names have been attached to the
stage production coming to Broadway in fall of 2018.
Using theory, philosophers, current affairs and pop cultural figures as alibis to help her write, and
casts of arguing characters to help her perform, Spooner produces plotless novellas, disjunctive theatre plays, looping monologues and
musical arrangements to
stage the movement and behaviour of speech.
Rather than striving to
stage this opera, Burdis creates works that are born from this factory for producing the opera — which include an unusual
cast of characters; dancers; singers; countryside and urban landscapes; architecture;
musical instruments; a car mechanics; and a car engine — and depict various themes reflecting on contemporary Britain.
Using theory, philosophers, pop music, current affairs and corporate rhetoric as alibis to write, and
casts of arguing characters to help her perform, Spooner produces plotless novellas, disjunctive scripts, looping monologues and
musical arrangements to
stage the automation of speech, outsourced subjectivity, mutated human resources and the short - circuiting of language as it transforms into labour.