Sentences with phrase «stage paint process»

Advanced 6 - stage paint process with double clear coat and chip - resistant paint in critical areas

Nissan developed a 6 - stage paint process with double clear coat and chip - resistant paint for use in critical areas of the GT - R chassis.

Renault even highlights its four - stage paint process — including anti-corrosion, sealing, painting and a stage where the paint is cleaned by emu feathers — as an example of the brand's focus on quality.

Not exact matches

New paint colors will be available, including a blaze metallic orange applied using a 4 - stage process.

: w / Radius Arms Shock Absorber Diameter - Front (mm): 32 Shock Absorber Diameter - Rear (mm): 35 Stabilizer Bar Diameter - Front (in): 0.79 Stabilizer Bar Diameter - Rear (in): 0.59 Steering Type: Pwr Rack & Pinion Steering Ratio -LRB-: 1), Overall: 19.0 Lock to Lock Turns (Steering): 3.2 Turning Diameter - Curb to Curb (ft): 36.7 Turning Diameter - Wall to Wall (ft): 39.4 Brake Type: Power Brake ABS System: 4 - Wheel Disc - Front (Yes or): Yes Disc - Rear (Yes or): Yes Front Brake Rotor Diam x Thickness (in): 11.4 x 0.94 Rear Brake Rotor Diam x Thickness (in): 11.3 x 0.39 + EXTERIOR 2 - tone paint (2000) Raised roof line (2000) Roof rails w / crossbars Protective rear bumper step pad Front / rear body - color bumpers Body - color lower body - side cladding Aerodynamic body - color body - side ground effects molding Front / rear splash guards Automatic - off multi-reflector halogen headlights Multi-reflector halogen fog lights w / stone shields Daytime running lights Dual body - color fold away pwr mirrors Variable intermittent windshield wipers Fixed intermittent rear window wiper / washer Front Tire Size: 225 / 60HR16 Rear Tire Size: 225 / 60HR16 Spare Tire Size: Compact Front Wheel Size (in): 16 x 6.5 Rear Wheel Size (in): 16 x 6.5 Front Wheel Material: Aluminum Rear Wheel Material: Aluminum Wheelbase (in): 104.3 Length, Overall (in): 187.4 Width, Max w / o mirrors (in): 68.7 Height, Overall (in): 63.3 Track Width, Front (in): 57.9 Track Width, Rear (in): 57.7 Min Ground Clearance (in): 7.3 Rear Door Opening Height (in): 30.2 Rear Door Opening Width (in): 43.3 Cargo Area Length @ Floor to Seat 1 (in): 74.9 Cargo Area Length @ Floor to Seat 2 (in): 43.5 Cargo Area Width @ Beltline (in): 47.2 Cargo Box Width @ Wheelhousings (in): 42.3 Cargo Box (Area) Height (in): 33.2 Liftover Height (in): 25.2 Cargo Volume to Seat 1 (ft3): 68.6 Cargo Volume to Seat 2 (ft3): 34.3 + INTERIOR Reclining front bucket seats w / height adjustable head restraints 6 - way pwr driver seat Driver seat height adjustment (2000) Driver seat adjustable lumbar support Moquette cloth seat trim 60/40 split fold down rear bench seat Rear seat headrests on all seating positions Front / rear carpeted floor mats Tilt adjustable steering column Instrumentation - inc: digital dual - mode trip odometer, ambient temp gauge Tell - tale door ajar graphic display (2000) Pwr windows w / driver - side one - touch down feature Pwr door locks Remote keyless entry Cruise control Air conditioning Rear seat heat ducts Rear window defroster w / timer Electronic AM / FM stereo w / cassette - inc: (4) speakers, clock, weatherband Front 12 - volt pwr outlet & ashtray Woodgrain patterned dash 2 front / 2 rear cupholders Dual illuminated visor vanity mirrors Overhead console - inc: sunglass holder Lighting - inc: overhead map, glove box, cargo area, trunk Front seatback net pockets Cargo area 12 - volt pwr outlet Cargo area hooks Cargo area / trunk multibox storage tray Rubber cargo tray / mat Cargo area security cover Passenger Capacity: 5 Passenger Volume (ft3): 95.9 Total Cooling System Capacity (qts): 6.5 Front Head Room (in): 38.5 Front Leg Room (in): 43.3 Front Shoulder Room (in): 53.9 Front Hip Room (in): 51.3 Second Head Room (in): 37.2 Second Leg Room (in): 34.3 Second Shoulder Room (in): 53.6 Second Hip Room (in): 51.9 + SAFETY 4 - wheel anti-lock braking system (ABS) Driver & front passenger airbags (SRS) w / passenger dual stage deployment 3 - point seatbelts on all seating positions Height adjustable shoulder belts on front seating positions Child safety rear door locks Uniform child safety seat anchorage system Energy - absorbing collapsible steering column Front / rear 5 - mph impact - absorbing bumpers Side - impact door beams Daytime running lights + EPA Fuel Economy & Specification EPA Fuel Economy Est - City (MPG): 22 EPA Fuel Economy Est - Hwy (MPG): 27 Spare Wheel Size (in): - TBD - Spare Wheel Material: - TBD - Fuel Tank Capacity, Approx (gal): 16.9 Additional Photos Buyer Resources Contact Ebay Sales Department: for more information Toll - Free: [phone] Request More Info Vehicle Condition Service History 113,287 Miles No Known Mechanical Problems Options & Features Ext / Int Color GRAYwith Interior Luxury Features Air ConditioningClimate Control SystemCruise ControlWood Trim Power Equipment Power Driver's SeatPower MirrorsPower SteeringPower Windows Safety Features All Wheel DriveChild Proof Door LocksDriver's Air BagFog LightsKeyless EntryPassenger Air BagRear Defogger Interior Carpeted Floor MatsClockCup HoldersOverhead ConsoleVanity Mirrors Exterior Body Side MoldingsOff Road TiresRear WipersRoof Rack Audio / Video AM / FMCassette Financing Information Contact us today for more information, or fill out our Online Credit Application to begin the pre-approval process today.

AUDIO SYSTEM FEATURE; BOSE CENTERPOINT SURROUND SOUND PREMIUM 11 - SPEAKER SYSTEM; SOUND - STAGE SIGNAL PROCESSING, Leather Seats, AUDIO SYSTEM; BUICK INTELLILINK RADIO WITH NAVIGATION, Navigation System, WHEELS; 18» (45.7 CM) STERLING SILVER PAINTED ALUMINUM, Keyless Start, Bluetooth Connection, ALTERNATOR; 150 AMPS, AXLE; 2.77 FINAL DRIVE RATIO, BATTERY; 70AH; MAINTENANCE FREE WITH RUNDOWN PROTECTION; HEAVY -

Super Silver special metallic paint, with 8 - stage process, including three clearcoats and hand - polishing to achieve a lustrous, liquid effect

An optional liquid - effect finish employs a hand - polished 8 - stage process with product - specific Super Silver metallic paint and three layers of clearcoat.

I'll be honest with you it is a long stage that is quite daunting, but if I do it now then I can relax and enjoy the rest of the painting process!

Going back to how you [Gooding] describe the earlier work, there was in fact a self - conscious desire to block off or direct the viewer's process of looking at it or looking into it, and this later evolved into a later stage in which there was actually an invitation to «look in», but in which at all times the viewer was encouraged to be aware that the painting was made out of real things, real physical layers, rather than illusions.»

The exhibition includes a selection of Wiley's World Stage paintings, begun in 2006, in which he takes his street casting process to other countries, widening the scope of his collaboration.

However, because both paintings come from the same original concept, which is a two - stage process of «painting the paint with paint,» the two paintings become inseparable consequently.

Influences converged, passion and intellect were engaged, and seminal moments occurred to help shape the process: in 1962 when Irving Blum (who had taken over Kienholtz's position at the gallery) gave Andy Warhol his first solo gallery exhibition ever at Ferus (the Campbell's Soup Can Paintings); in 1963, when Hopps moved to the Pasadena Art Museum and presented the first retrospective of Marcel Duchamp in the US; in 1966 with Ed Kienholtz's epochal retrospective at the LA County Museum; and in the decade from the late fifties to the late sixties when Ed Moses, Billy Al Bengston, and Ed Ruscha among a handful of others were on center stage.

In this painting, she stages a quintessential northeastern ritual: bringing in buckets of maple sap to process into maple syrup.

While one sees the evidence of earlier stages peeking through some of his paintings, Burckhardt's process is conveyed with an air of confident direction and effortlessness.

This exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, «Alberto Burri: The Trauma of Painting» (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri's art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements — Neo-Dada, Process Art, Arte Povera and more.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

And she convinced her mother to become her first model, producing erotically charged images that became the basis for her early paintings, In fact, much of her process comes from performance, and photographing performances that she stages.

After he paints and re-paints his images, Olivier photographs each stage of the process as stop - motion animation until an original no longer exists.

Beginning with the number «0» and working through the sequence to the point where the painting of number «9» completes the painting, this process allows Johns to build up the painting through a series of progressive and pre-determined stages.

This filtering technique is also evident in Grosse's recent canvas works, where stencils are placed over areas of the canvas at various stages of the painting process, resulting in chromatic layers that record her thoughts and actions.

Neil Gall (born 1967, UK): Neil Gall's paintings are the final stages of a layered working process: from modelling to assemblage, photography and painting.

These marks summon the qualities of slip (clay suspended in water) that is used to make ceramics, linking the painting to sculptural processes, and to the indeterminate stage before clay is fired.

The photographs are staged in the artist's studio and incorporate the remains and evidence of the process of making ceramics, often against a painted backdrop that creates a fictitious depth and architectural space.

Margaret Lee's installations of artistic arrangements, as well as her painted photographs of sinks and drains, stage a process of styled refinement.

Reproduced in stunning colorplates the paintings are shown alongside revealing images of the works in various stages of development, which provide an exciting insight into Hockney's painterly process.

At center stage are the several artists who were part of the Postminimal or Process Art movement whose particular achievement was to translate the idioms of Abstract Expressionist painting into a sculptural form.

Caitlin Lonegan takes 50 years of Process art to the limit, making smoky, metallic - looking, gestural paintings that seem to be in the end - stages of decay.

«People stand before a painting and see the end result of the process but not the many stages created, destroyed then re-created,» said Jacobs.

Each work begins with a process of drawing and in the finished painting one senses the vestiges of figures and forms that were born in this early stage, but whose integrity was quickly subsumed within the final scheme of the work.

Surrounding the five sculptures are five photorealist style paintings that depict various stages of the fabrication process of Monk's bunny sculptures from the clay moulds to welding of steel.

In the 1970s and 80s, painters liked revealing their process by leaving earlier stages of the paintings visible through the thin washes of paint.

Alex Katz Seeing Drawing, Making, [34] published in 2008, describes Katz's multiple - stage process of first producing charcoal drawings, small oil studies, and large cartoons for placing the image on the canvas and the final painting of the canvas.

Focusing on Peter Adams» process in developing the paintings of the Fourteen Stations of the Cross for Our Savior Church and USC Caruso Catholic Center, this solo exhibition includes studies, plein air paintings of the Holy Land, staging photographs, re-enactment video segment, recent Resurrection - inspired paintings, and other Christian - themed subjects.

In addition to the sculptures, Monk has produced a series of photorealist paintings that record various stages in the fabrication process of the stainless steel works, from the production of a cast in clay to the welding and polishing of the metal structure.

Lee's installations of artistic arrangements, as well as her painted photographs of sinks and drains, stage a process of styled refinement.

Painting, especially much better than words, allows oneself to express the various stages of thought, including the deeper levels, the underground stages of the mental process.

Ho's carefully staged, posed and styled photos are digitally processed, then painted.

About Blog On March 31st 2005, Peter Jacobs created a 9 by 12 inch collage using that day's local newspaper, and have continued that process without interruption every day since.They are paintings with paper, theatrical stages of abstracted color and rhythms, layers that imbue surreal narratives, symbolism hidden in humor, the irony of culture, and pure visual perception.

Check out her post to read about every stage of the process: planning, sketching, building, painting, buying, DIY - ing, and accessorizing!

Full - color photographs accompany each stage of the process, with step - by - step instructions that encourage readers to use every imaginable material — paint, pebbles, sand, plastics, ceramics, glass, cement, mirrors, and tiles — to give grace to a garden or panache to a patio.

Since I didn't paint everything all at once and because of the process I used to paint each door, I lost track a couple of times of which cabinet doors were in what stage.