Sentences with phrase «stage this exhibition since»

In this video we have a closer look at the exhibition, and the director of Haus Konstruktiv and curator of the show, Dorothea Strauss, explains why she wanted to stage this exhibition since she became director of the museum eight years ago.

Not exact matches

rst time since 1969, while the Victoria & Albert Museum is staging a blockbuster David Bowie exhibition.

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

In Summer 2017, The Hepworth Wakefield stage the first comprehensive exhibition to explore the enduring influence of India on Hodgkin's work, a place he returned to almost annually, since his first trip to the country in 1964, over 50 years ago.

The students are very nervous at first — this is a VERY public exhibition with thousands of attendees — since many of the students have never been «on stage» like this before, and the content they are expected to share is not trivial.

For the first time since its move to Brussels, Office Baroque will stage an exhibition that runs simultaneously at our downtown and midtown gallery spaces on Bloemenhofplein 5 Place du Jardin aux Fleurs and Ravensteinstraat 44 Rue Ravenstein.

In 2015, a retrospective organised by Andrea Bellini, director of the Centre d'Art Contemporain Genève, was staged at that venue in Geneva, with further exhibitions in Bergen, Rome, and Porto succeeding it as part of a collaborative curatorial project; last year, paintings by Griffa featured in the Venice Biennale for the first time since 1980.

In 2015, he became the first Chinese artist to show with the Fine Art Society, London's oldest commercial gallery on Bond Street, where he has since staged two solo exhibitions.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

Formerly L&M Arts, the Upper East Side Mnuchin Gallery staged several solo exhibitions with the notoriously illusive and selective David Hammons before deciding to present this relatively small yet powerful retrospective — the first of its kind since MoMA PS1 mounted «Rousing the Rubble» in 1990.

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).

The Museum of Modern Art in New York staged its first exhibition devoted to Latin American artists in 1942, and since then, Latin America's role in the development of Modernism has been acknowledged by most cultural institutions — though in many cases not significantly.

An annual exhibition for the final selection of New Contemporaries is staged in a leading UK arts venue; New Contemporaries has exhibited as part of the Liverpool Biennial since its launch in 1999.

Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200 - page volume celebrates the legacy and continuing importance of Lisson.

A prolific curator, Bui has staged over 40 exhibitions since 2000, including New York Magazine's first - ranked exhibit of 2013, Come Together: Surviving Sandy, Year 1.

During the announcement, Lowry and Phelps de Cisneros, who joined the director on stage for a brief discussion of the donation and their collecting practices, both discussed the museum's history of supporting art from Latin America since its founding, including founding director Alfred H. Barr, Jr.'s decision to give the museum's second solo exhibition to Mexican muralist Diego Rivera.

The Guggenheim Museum in New York, which is organized a touring Richard Prince retrospective, also dates the artist's career from 1980 on its Web site: «Since his first solo exhibition, at Artists Space in New York in 1980...» In this, the Guggenheim is following the lead of the Whitney Museum of American Art, which staged the last retrospective of Prince in 1992 and did not include a single early work by the artist, although a few mid-1970s pieces were mentioned in the catalogue.

In 1933, Walker staged an exhibition at the Kansas City Art Institute, called «American Painting Since Whistler.»

Permanently researching, reflecting, experimenting and creating, the trio's first collective exhibition, I Put It There, You Name It, took pace in 2012 at their Dubai gallery, Isabelle van den Eynde, and they have since gone on to stage shows around the world.

With the artists in this exhibition, Museum Morsbroich is setting out on a new stage in a long journey that was proceeded by the foundation of the museum in post-war Germany in 1951, itself a pioneering departure, and that has been accompanied since then by countless art - loving companions.

«We do not systematically recognize vibrant artistic forms that exist right smack dab in Houston (or elsewhere),» she says, «because, since they forego the performance stage or gallery exhibition, folk and traditional arts are almost always «embedded» and «performative,» surrounded by the messy, meaningful stuff of social life.»

Since joining Tate in 2002, Jessica Morgan has curated numerous group and solo exhibitions including John Baldessari (2009) and The World as a Stage (2007), Martin Kippenberger (2006), Time Zones (2004) and Common Wealth (2003).

Since then, we have had the incredible honor of working with a range of different artists - both physically and online - to create solo exhibitions, stage performances, and launch online artworks.

«Ars 11» is the latest edition in a series of large - scale, thematic exhibitions staged by Kiasma and its institutional predecessors since 1961.

After eight years since its founding, Mohsen has staged over 200 exhibitions and has published comprehensive artist books and catalogs.

He has participated in notable group exhibitions including New Photography, The Museum of Modern Art, New York (2005); the 51st Venice Biennale (2005); Staging Action: Performance in Photography Since 1960, The Museum of Modern Art, New York (2011); and the 2012 Sydney Biennale.

In Summer 2017, The Hepworth Wakefield staged Howard Hodgkin: Painting India, the first comprehensive exhibition to explore the enduring influence of India on Hodgkin's work, a place he returned to almost annually, since his first trip to the country in 1964, over 50 years ago.

The 288 - page hardback publication takes readers on a journey that outlines the meteoric rise of the New York - based British artist's career — from smaller scale exhibitions in his home country in 2007 to the significant solo and group exhibitions that have since been staged across the world.

As reported by Kontakt, the Art Collection of Erste Group (whose artists were being presented in the exhibition during which Resistance was staged), «Fellow visitors were puzzled by this intervention, since there was no direct clue as to why certain people were posing this way.

Jessica Morgan has curated numerous group and solo exhibitions, including Saloua Raouda Choucair, Gabriel Orozco, John Baldessari: Pure Beauty, The World as a Stage, Martin Kippenberger, Time Zones, Common Wealth, and the Turbine Hall Unilever Commissions, working with artists Tino Sehgal, Carsten Höller and Dominique Gonzalez - Foerster, since she joined Tate.

Staged continuously every year since 1769, the Academy's annual art show - now known as the Summer Exhibition - attracts up to 10,000 works, selected by Academicians chaired by the President.

This major exhibition is the first time his works have been on display in London, and at Marlborough Fine Art, since 2008, and traces his development toward lyrical abstract compositions in the later stage of his career.

Since his first solo shows in 2009, Rennie has staged seventeen one - person exhibitions of his work in Australia, Indonesia, the United States and France, and participated in numerous group exhibitions worldwide, including Personal Structures, a Venice Biennale 2017 collateral exhibition.

The curator at Dia Art Foundation since 2009, Raymond was responsible for organizing the retrospective of the work of Carl Andre staged at Dia Beacon last year, as well as the exhibition «Thomas Hirschhorn: Gramsci Monument,» 2013, and projects featuring work by artists including Jean - Luc Moulène, Franz Erhard Walther, and Koo Jeong A. Raymond was associate curator at the Walker Art Center from 2004 to 2009.

Victoria Miro's friendship with Aickelin is longstanding and, since the late 1990s, il Capricorno has staged solo exhibitions by gallery artists including Hernan Bas, Verne Dawson, NS Harsha, Chantal Joffe, Wangechi Mutu and Grayson Perry.