Sentences with phrase «staged an exhibition focusing»

Lisa Phillips is the longtime director of the New Museum of Contemporary Art in New York City, and Lars Nittve, the former director of London's Tate Modern, is with the Moderna Museet in Stockholm, where he recently staged an exhibition focusing on Los Angeles artists.

Not exact matches

The West 20th Street gallery is focused on artists» estates, staging museum - quality exhibitions of work by American minimalists like Dan Flavin and Fred Sandback and twentieth - century masters such as Josef Albers and Giorgio Morandi.

The current exhibition of Herrera's work at the Whitney Museum, entitled «Lines of Sight,» with a beautiful accompanying catalogue by Dana Miller, endeavors to rectify the art world's long - term neglect: it focuses on Herrera's work from 1948 - 1978, from her earliest abstracts through the various stages of her artistic evolution.

You, Me, Something Else is an exhibition about sculpture from Glasgow that presents exciting examples of current practice in the city by focusing on ten artists who are all at different stages of international careers.

No prior curatorial experience necessary; the program creates opportunities for individuals at all career stages to organize group exhibitions focused on strong ideas.

The RA's exhibition explores Diebenkorn's practice across four decades, focusing on the three different stages of his career from his initial embrace of abstraction in the early 1950s, his shift to figurative painting in the mid-1950s, and his return to abstraction in the late 1960s.

This exhibition focuses on the permeable membrane between these categories in Noguchi's work, with lightweight and flat - packable furniture, stage sets, sculpture, and Akari Light Sculptures.

By exploring the malleability of museum galleries in response to a temporal element of contemporary art, Soundtracks continues the investigations of two previous exhibitions at SFMOMA, The Art of Participation: 1950 to Now in 2008 — 9 and Stage Presence: Theatricality in Art and Media in 2012, which were organized by Rudolf Frieling and focused on participatory and performative artworks, respectively.

Focusing on the work of Amedeo Modigliani, Tate Modern will stage the most comprehensive exhibition of the artist's work ever held in the UK.

«The «World Stage», Wiley's vast and celebrated body of work, has previously focused on Brazil, China, Israel, Nigeria, Senegal and Sri Lanka, with exhibitions held in museums and galleries in Europe and the USA.

His focus on absence and presence led him to stage Seen / Unseen (2011), an exhibition of past and new work in an undisclosed location never open to the public.

SOLO EXHIBITIONS 2015 The Brooklyn Museum, Brooklyn, NY 2014 Roberts and Tilton, Los Angeles, CA 2013 The World Stage: Jamaica, Stephen Friedman Gallery, London, UK The World Stage: Israel, Boise Art Museum, Boise, ID Kehinde Wiley: Memling, Phoenix Art Museum, Phoenix, AZ The World Stage: Israel, The Contemporary Jewish Museum, San Francisco, CA Stephen Friedman Gallery, London, UK 2012 The World Stage: Israel, The Jewish Museum, New York, NY An Economy of Grace, Sean Kelly Gallery, New York, NY The World Stage: France 1880 - 1960, Galerie Daniel Templon, Paris, France 2011 The World Stage: Israel, Roberts & Tilton, Culver City, CA Selected Works, SCAD Museum of Art, Savannah, GA 2010 The World Stage: India, Rhona Hoffman Gallery, Chicago, IL Legends of Unity World Cup 2010 PUMA, Apparel Design Gallery, Berlin; Topographie de l'Arte, Paris; Deitch Projects, New York; Elms Lesters, London; UCCA, Beijing 2009 The World Stage: Brazil, Roberts & Tilton, Culver City, CA The World Stage: Africa, Lagos - Dakar, Artpace, San Antonio, TX 2008 Down, Deitch Projects, New York, NY The World Stage: Africa, Lagos - Dakar, The Studio Museum in Harlem, New York, NY Focus: Kehinde Wiley, Modern Art Museum of Fort Worth, Fort Worth, TX 2007 Kehinde Wiley, Portland Art Museum, Portland, OR The World Stage: China, John Michael Kohler Arts Center, Milwaukee, WI 2006 Scenic, Rhona Hoffman Gallery, Chicago, IL Columbus, Columbus Museum of Art, Columbus OH Columbus, Roberts & Tilton, Los Angeles, CA 2005 Rumors of War, Deitch Projects, New York, NY White, Conner Contemporary, Washington D.C. Bound - Kehinde Wiley Paintings, Franklin Art Works, Minneapolis, MN 2004 Passing / Posing: The Paintings of Kehinde Wiley, The Brooklyn Museum of Art, Brooklyn, NY Easter Realness, Rhona Hoffman Gallery, Chicago, IL 2003 Faux / Real, Deitch Projects, New York, NY Pictures at an Exhibition, Roberts & Tilton, Los Angeles, CA 2002 Passing / Posing, Rhona Hoffman Gallery, Chicago, IL

In addition to the new exhibition model, the biennial will commission site - specific works that focus on the 1980 Gwangju Uprising, and the Pavilion Project, for which the Palais de Tokyo, the Helsinki International Artist Program, and the Philippine Contemporary Art Network will stage satellite exhibitions at historically significant locations across the city.

As one of the few exhibitions ever to focus exclusively on Paul McCarthy's drawings, White Snow provides rare access to the initial stages of exploration that fuel the work of one of America's most challenging and influential artists.

From the earliest stages of the exhibition's focus, the profound effect photography had on painters and vice versa is epitomised by Turner's naturalism, and correspondingly, his role in inspiring the first photographic, panoramic views.

Ben Turnbull announces his latest US - focused project, The Death of America American History X is Ben Turnbull's latest solo exhibition to be shown in four separate volumes, each stage treading its own unique story of America's past.

The exhibition's focus is to highlight these artists who are beyond the emerging stage and have reached a pivotal moment in their careers where they have been awarded prestigious fellowships, have been written about in major publications, and have participated in selective solo and group shows.

For her solo presentation at the Berlinische Galerie, Monica Bonvicini has produced a site - specific installation to be staged in the museum's large exhibition hall — a move that is a hallmark of her decades - long practice, which often focuses on the institutional viewing space.

We are very grateful to institutions including the Art Gallery of NSW, National Gallery of Australia, National Gallery of Victoria, Art Gallery of South Australia, Benalla Art Gallery, Castlemaine Art Gallery and Tamworth Regional Gallery for their generous loans, as well as to the many private lenders who have agreed to part with their prized possessions to allow this focus exhibition to be staged at Manly, Jackson's spiritual and artistic home.

With a particular focus on the experience of British Muslim women, the exhibition is «an accumulation of several narrative threads drawing together intimate conversations between the artist and her two sisters, ominous animated visions of a metamorphosing body, e-learning training on Prevent and staged, performed gestures.»

In breadth and scope the exhibition represents the current stage of Martin's artistic practice — an exploration of structure, form and medium with a focus on the human figure.

The concert is being staged as part of a special programme of events surrounding IMMA's major new exhibition, Vertical Thoughts: Morton Feldman and the Visual Arts, which focuses on the many connections between Feldman's life and work and that of the many legendary visual artists with whom he was associated, including Mark Rothko, Jackson Pollock, Willem de Kooning and Philip Guston.

The Poor Farm is a not - for - profit exhibition space in rural Waupaca County, Wisconsin; in 2012 - 2013, it is exhibiting Tracking the Thrill, a focused selection of Gretchen Bender's (1951 - 2004) video works, including the re - staging of the video performance Total Recall.

Focusing on Peter Adams» process in developing the paintings of the Fourteen Stations of the Cross for Our Savior Church and USC Caruso Catholic Center, this solo exhibition includes studies, plein air paintings of the Holy Land, staging photographs, re-enactment video segment, recent Resurrection - inspired paintings, and other Christian - themed subjects.

Gabriel Ritter, The DMA's Nancy and Tim Hanley Assistant Curator of Contemporary Art, will lead a conversation focused on representations of the self via digital technology and the Internet with artists Ed Atkins and Jacolby Satterwhite, both of whom are featured in the exhibition Concentrations 59: Mirror Stage — Visualizing the Self After the Internet.

The exhibition focuses on the diorama, which is used to realistically stage events, stories, and habitats

The exhibition opening in October will serve as the first stage of this project, and specifically focus on the public's access to the museum's online digital archives.

Maybe every museum, regardless of focus, should know the box - office thrill of staging a Picasso exhibition.