Sentences with phrase «staged work curated»

Not exact matches

It asks us to think about the elements identified in the curate stage and how they work within our own creations.

Before the performance, visitors are invited to view an accompanying installation of works of art that relate to the play in the Landay Teaching Gallery, jointly - curated by Lily Fernald, the director, Rachel Hawkins, the stage manager, the actors, and the Museum's Student Advisory Board.

Curated by Sharjah Art Foundation President and Director Hoor Al Qasimi, I Am The Single Work Artist is the culmination of the artist's lifelong role as an advocate and pioneer for the development of contemporary art and thought in the United Arab Emirates and in Sharjah, where he first began staging interventions and exhibitions of contemporary art, and exhibited at the first Sharjah Biennial in 1993.

In 2009, after ten years of marketing work at large museums in DC he moved into the realm of curating, staging a variety of solo, duo and small - group shows for the Evolve Urban Arts Project.

Just in time for the College Art Association conference, the Los Angeles pop up gallery, Artists Curated Projects, will stage an exhibition of Hammond's work from February 15th — March 30th.

Damien Hirst first came to public attention in London in 1988 when he conceived and curated Freeze, an exhibition of his own work and that of his friends and fellow Goldsmiths College students, staged in an unused London warehouse.

At the moment, I'm working on two more directly creative projects with Matt and Charles — I'm developing a film script with Matt, and an exhibition with Charles that will be staged inside the fictional Island at the centre of his work, which I will curate and he will realise in pencil drawings.

Curated by Anja Henckel and Nadim Samman, Humeau's solo exhibition loops between the aesthetics of prehistory and occult biology and those of science fiction and the Information Age, producing works across multiple mediums that stage «the crossing of great distances in time and space, transitions between animal and mineral, and encounters between personal desires and natural forces».

As becomes apparent in work from each stage of his career — which is explored in this retrospective curated by the Dallas Museum of Art's Charles Wylie — Struth recovers the word teeming for the vocabulary of art criticism.

2015AMERICANAESOTERICA, Plovdiv, Bulgaria, curated by Aaron Moulton Artist's Proof: Jennifer West, Carnegie Museum of Art, Pittsburgh, PA (curated films from Carnegie collection shown with my work) Staging Los Angeles: Reality, Fantasy, and the Space Between, Gayle and Ed Roski MFA Gallery, USC Roski School of Art and Design, Los Angeles, CA Fellows of Contemporary Art Fellowship Exhibition, FOCA, Los Angeles, CA Edible Planets / Soylent Dialogues, The Pit, Los Angeles, CA

He has travelled extensively to present his work, appeared on numerous festival stages, and given workshops throughout Europe and North America.Keir trained as a composer and saxophonist in the U.S., spent two years on a Fulbright research grant in Krakow, and then moved to The Hague, where he lived for eight years, curating performative audiovisual art and earning a masters degree from the experimental ArtScience Institute.

The work of Uriel Orlow is participating in the exhibition Propositions for a Stage: 24 Frames of a Beautiful Heaven curated by Bridget Crone.

Curated by Norman Rosenthal, who worked with Joseph Beuys on many exhibitions from 1970 onwards, the exhibition brings together pivotal works from various stages of his life, revealing the extent to which Joseph Beuys» ideas were clearly defined from the very beginning of his artistic career.

Curated by Anna Gritz of the South London Gallery, the works brought together include American artist William Leavitt's scenic stage architectures, which are inspired by soap operas and the plays of Alain Robbe - Grillet.

She's had recent work showcased at Club Pro in Los Angeles, as well as in «Stray,» a refreshingly offbeat pop - up exhibition curated by Tiffany Zabludowicz and staged in vacant office space in a Times Square high - rise.

This stunning exhibition, curated by Carlos Basualdo and staged by French contemporary artist Philippe Parreno, traces the impact of word - punning modern master, Marcel Duchamp, on the work of four preeminent and interconnected artists of the 1950s and 1960s.

Curated by Stefano Raimondi, the exhibition staged by GAMeC showcases a series of historical works to offer an intimate yet broad introduction to Johnson's artistic practice, with an aim to enter into a fascinating network of formal and narrative stratifications, suggestions, and personal or historical experiences that shape his work.

mumok is delighted to present Ulrike Müller's first solo show in a museum, as well as a collection presentation curated by the artist together with mumok curator Manuela Ammer that stages a dialogue between works of classical modernism and more recent works.

Jessica Morgan has curated numerous group and solo exhibitions, including Saloua Raouda Choucair, Gabriel Orozco, John Baldessari: Pure Beauty, The World as a Stage, Martin Kippenberger, Time Zones, Common Wealth, and the Turbine Hall Unilever Commissions, working with artists Tino Sehgal, Carsten Höller and Dominique Gonzalez - Foerster, since she joined Tate.

We also programme a number of curated exhibitions including: Jerwood Solo Presentations, Jerwood Staging Series and the Project Space offers commissions to develop work in the social environment of The School House cafe at Jerwood Space.

In addition, he co-curated the DMA exhibitions All the World's a Stage: Celebrating Performance in the Visual Arts (2009), There and Back Again: Selections from the Graham D. Williford Collection of American Art (2005), and Imperial Taste: Chinese Porcelain for the Western Trade (2005); curated Ten for Tea (2007) and Through the Needle's Eye: American Quilts from the Permanent Collection of the Dallas Museum of Art (2004); reinstalled the Museum's American decorative arts holdings, including the creation of galleries dedicated to 19th - century American silver and 20th - century design; and was responsible for numerous major acquisitions, including the Huntingdon Wine Cistern, a pair of Louis Comfort Tiffany «undersea» windows, a rare Gustav Stickley linen chest, Viktor Schreckengost's Jazz Bowl, and a variety of American silver works such as a «Viking» vase for the 1901 Buffalo Exposition, a Tiffany & Co..

In practice, that means we've curated our keynote stage to bring together experts across 7 of the biggest topics right now: IoT, AI, data, security, blockchain, privacy and the future of work.