Sentences with phrase «stages a group exhibition»

The AT THIS STAGE group exhibition at Los Angeles» Château Shatto opens June 10 and is running to August 12.

Victoria Miro stages a group exhibition by artists concerned with socio - political issues of their day, who question the status quo and the power structures found within societies, and who take the language of protest as a means to explore its potency.

Not exact matches

In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage «EVERYTHING AT ONCE», an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety - ridden age of ceaseless communication.

There, he staged solo exhibitions and participated in group shows at such noteworthy nonprofit venues as Artists Space, Exit Art, and Judson Memorial Church.

September 27th - October 27th During the post war years the British Council promoted a group of British sculptors on the prestigious stage of the Venice Biennale and at subsequent touring exhibitions across Europe, North and South America.

This April, Goodman Gallery Cape is proud to present a group exhibition staged in three parts that aims to explore some of the themes introduced by the night, as well as to re-imagine gallery space, stripped of its daytime persona.

He has staged over 80 solo exhibitions and over 250 group exhibitions worldwide to date, and in 2012 Tate Modern presented his retrospective exhibition.

Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.

Selected group exhibitions include those staged at Philadelphia's Moore College Gallery, Glasgow's Mitchell Library, the Flag Art Foundation in New York, the Albright Knox Art Gallery in Buffalo, New York, Städel Museum in Frankfurt, Tate Britain, Tel Aviv Museum, and both the Drawing Center and the Museum of Modern Art in New York.

The group are staging a major exhibition in London this spring that will raise money for the homelessness charity Crisis.

Selected group exhibitions include those staged at the Carnegie Museum of Art in Pittsburgh, the Museum of Contemporary Art in Chicago, the Museum of Modern Art in Sao Paulo, the Aldrich Contemporary Art Museum, the Solomon R. Guggenheim Museum in New York, the National Museum of Contemporary Art in Athens, and the New Museum in New York.

No prior curatorial experience necessary; the program creates opportunities for individuals at all career stages to organize group exhibitions focused on strong ideas.

The exhibition centres on a group of sculptures designed as a stage set for Constellations 2012, a play by British writer Nick Payne which explores the notion that everything you can imagine is simultaneously happening in a parallel universe.

Selected group exhibitions have been staged at the MIT List Visual Arts Center in Cambridge, the Museum of Contemporary Art in Oslo, the Museum of Contemporary Art in Chicago, and the Venice Biennale.

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Playful, interactive exhibition of knitted sculpture, psychedelic video, sly photography, crisp audio works by American, Canadian, Italian artists Staging the coldest season as a playground for imagination, The Warehouse Gallery presents Embracing Winter, a group exhibition featuring knitted sculpture, psychedelic video, interactive displays, sly photography, and crisp audio and book works by American, Canadian and Italian artists.

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).

The group staged provocative exhibitions, art events, and publications, sometimes involving blunt sexual content.

In celebration of the 50th anniversary of the Lisson Gallery, the gallery is partnering with The Vinyl Factory to stage an ambitious group exhibition called «EVERYTHING AT ONCE `, inspired by a quote by John Cage in 1966 «Nowadays everything happens at once and our souls are conveniently electronic (omniattentive).»

; one of the most comprehensive group exhibition of contemporary German Art yet staged in Ireland.

For «OUVERTURE», her first exhibition with Galerie Buchholz, Anne Imhof has presented a number of paintings and sculptural works and staged a eponymously titled performance: a group of actors marched through the gallery as if it were a catwalk; a girl hung out on a window bench shaving her belly, others sat along the walls drinking soft drinks, lounging on mattresses in the backroom, or spat out what looked like pips on the floor.

Together they have participated in many important group and solo exhibitions including the largest retrospective of any artist to be staged at Tate Modern (2007).

Group museum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site Gallery, UK.

From 7 — 24 June, as part of MOVE festival, Hassabi will present STAGING: Solo # 2 at Centre Georges Pompidou, Paris, France, and her work will be included in the group exhibition «Talismans» at Foundation Calouste Gulbenkian, Paris, until 1 July.

Selected group exhibitions include those staged at the New Museum in New York, the FLAG Art Foundation in New York, Kelvingrove Art Gallery and Museum in Glasgow, the Atlanta Center for Contemporary Art, and the Drawing Center in New York.

Hayward Gallery has gained an international reputation for staging major solo shows by both emerging and established artists and dynamic group exhibitions in its 48 year history.

In his current exhibition, a group of freestanding rooms take the center stage.

Recent exhibitions include White ppl think I'm radical, a two - person presentation with Hamishi Farah at Arcadia Missa and, At this stage, a group exhibition at Château Shatto.

«Tate Modern stages the most comprehensive Modigliani exhibition ever held in the UK, bringing together a dazzling range of his iconic portraits, sculptures and the largest ever group of nudes to be shown in this country.

Wang Guangle (b. 1976, Songxi, Fujian province) trained at the Central Academy of Fine Arts, Beijing, where he graduated in 2000 and was awarded first prize in the annual academy contest for his thesis piece, 3 to 5 p.m. Regarded as a leader among China's younger generation of painters, he is a member of N12, a group of twelve graduates of the Central Academy of Fine Arts who began staging exhibitions together in 2003.

It seeks to nurture and support artists at the early stages of their career, and is committed to showing emerging artists alongside established names in group and solo exhibitions.

Presenting an intriguing mix of real and imaginary images the exhibition doesn't try to present a collective portrait of adolescence, but rather brings together the work of various internationally known photography artists dealing with a variety of related issues revolving around the three central themes of youths as a social group, adolescence as a particularly tormented stage, and the self - presentation emblematic of the digital image and Internet culture.

Until April 2, 2018, the Tate Modern stages MODIGLIANI, a comprehensive exhibition bringing together a wide range of his iconic portraits, sculptures and a group of nudes.

I am also in the early stages of organising a show with a group of fellow artists, so always looking out for exciting and unusual possible exhibition spaces.

Stemming from the concept of algorithmic citizenship introduced by artist James Bridle's Citizen Ex project, this group exhibition gives center stage to the work of artists from countries as varied as Ghana, Kuwait, China, Lebanon, Austria and South Africa, all the while reflecting the influence of US - based «computerized processes» over information, aspirations and concerns.

As an emerging artist, she has experienced a lot of group exhibitions and three - time solo exhibitions on international stages.

This autumn, Tate Modern will stage the most comprehensive Modigliani exhibition ever held in the UK, bringing together a dazzling range of his iconic portraits, sculptures and the largest ever group of nudes to be shown in this country.

Last spring, there was a large group exhibition, titled «+ Follow,» staged at the Museum of Contemporary Art Shanghai, that revealed the sheer diversity of styles among the artists.

The line between reality and fantasy is explored in multiple ways in this group exhibition, which divides the images included into three categories: appropriation, staging and digital manipulation.

Artists: Hans - Christian Lotz, Vivian Suter, Henry Deposit, Brian Khek, Mathis Collins, Lin May Saeed Exhibition title: Blocking Curated by: Jesse Stecklow Venue: Martos Gallery, Los Angeles, US Date: July 23 — August 22, 2015 Photography: images copyright and courtesy of the artists and Martos Gallery, Los Angeles Martos Gallery Los Angeles is pleased to present Blocking, a group exhibition concerned with the stage as a physical and conceptual device for the continued circulation of objects, materialExhibition title: Blocking Curated by: Jesse Stecklow Venue: Martos Gallery, Los Angeles, US Date: July 23 — August 22, 2015 Photography: images copyright and courtesy of the artists and Martos Gallery, Los Angeles Martos Gallery Los Angeles is pleased to present Blocking, a group exhibition concerned with the stage as a physical and conceptual device for the continued circulation of objects, materialexhibition concerned with the stage as a physical and conceptual device for the continued circulation of objects, material and data.

Recent group exhibitions include: The Accursed Share at Artspeak in Vancouver (2016); Performing Franklin Furnace at Participant Inc. and Pratt Manhattan Gallery in New York (2015); and Martha Wilson «Staging the Self» at University of Utah Fine Arts Museum, Nichols Art Gallery at the Pitzer College of Art in Los Angeles, and the Institute of Visual Arts at the University of Wisconsin (2013).

Selected group exhibitions include those staged at The Museum of Modern Art in New York, the Museum of Contemporary Art Chicago, The Museum of Modern Art in Warsaw, Poland, the Rose Art Museum in Waltham, MA, and the Royal Academy of Arts in London.

The exhibition also featured a group of photographs that contain the kernel of much of her later work: jigsawlike hangings of work by other artists staged against candy - colored backdrops.

The SCAD exhibitions department presents «Room In My Head: Staging Psychological Spaces,» a group exhibition featuring contemporary photographers whose constructed or manipulated interiors present varied states of mind.

This interdisciplinary group exhibition will investigate this flutter and the staging of sound in a visual arts context.

The institution typically stages four to six exhibitions per year across its three floors, ranging from thematic group exhibitions and solo presentations by emergent and established artists from around the globe to long - term commissions in situ and interventions in public space.

Lauren Godfrey is a London - based artist whose recent exhibitions include Entrée, Stage left, a solo show at Kingsgate Workshops, and group show Longing for Leisure at Open Space Gallery, Baltimore, USA.

Recent group exhibitions include The World As A Stage (2007), Tate Modern, London, and ICA Boston (2008); Gasoline Rainbows (2007), Contemporary Art Gallery, Vancouver (2007); Classified Materials (2005), Vancouver Art Gallery; and Intertidal: Vancouver Art & Artists (2005), MuHKA, Antwerp.

Recent group exhibitions in New York have been staged at Trestle and Life on Mars galleries.