Sentences with phrase «stages of the film production»

Not exact matches

The productions elsewhere in America, such as Los Angeles, were entirely different, though largely because of the time, there were no real attempts to stage or film the work with a primarily dramatic intention in mind.

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

McDiarmid, who played the evil emperor in the a number of films in the space series, will take to the stage as Powell later this month in a new production called What Shadows.

The concept was to provide a state - of - the - art sound stage and production facility that, combined with New York's generous film tax credits, would draw film producers to town.

The project resulted in the production of Children's and Young People's Manifestos, the staging of several stakeholder events, a six - minute film, Ten Tips for the Insurance Sector on how to better support flood - affected children and young people, and the development of a flood suitcase «toolkit» for use in schools and youth centres.

For National Public Radio and LA Theater Works Alma performed in the radio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the film and play (1979 Los Angeles Drama Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by Valdez.Ms.

He occasionally took a leave of absence from films to accept a stage role; in 1937, he created the part of George in the original Broadway production of Of Mice and Men (1937of absence from films to accept a stage role; in 1937, he created the part of George in the original Broadway production of Of Mice and Men (1937of George in the original Broadway production of Of Mice and Men (1937of Of Mice and Men (1937Of Mice and Men (1937).

While retaining many of the Broadway show's musical numbers, the film enlisted the stage production's Tony - winning composers Marc Shaiman and Scott Wittman to write additional material for the film, though their new songs failed to earn any Oscar nominations.

While playing the lead in a stage production of Romeo and Juliet, he was selected by writer / director Dalton Trumbo to play the blind, deaf, armless, and legless protagonist in the 1971 film version of Trumbo's Johnny Got His Gun.

The musical film version of The Producers is, for better or worse, a faithful record of the stage production, adhering to the same if - it - ain «t - broke - don «t - fix - it philosophy that informed the recent «Rent.»

Since then, he has appeared in numerous film and television projects including BLUE BLOODS, UNDERBELLY, DOLLHOUSE, NYC22, and BANSHEE and also appeared on stage in Roundabout Theatre Company's production of SUICIDE INCORPORATED in New York City.

Biography: Initially, Owen carved out a career in television: in 1988 Owen starred as Gideon Sarn in a BBC television production of Precious Bane and the Channel 4 film Vroom before the 1990s saw him become a regular on stage and television in the UK, notably his lead role in the ITV series Chancer followed by an appearance in the Thames Television production of Lorna Doone.

Diablo lives in Los Angeles with several film and television projects in various stages of production.

Her work in Hartley's films established the blonde, strong - jawed actress as a solid talent with a proclivity for deadpan humor, something she has also exhibited in a variety of film, television, and stage productions including Tom Noonan's What Happened Was..., a darkly humorous date movie that earned Sillas particular praise.A native of Brooklyn, where she was born June 5, 1965, Sillas studied at the acting conservatory at the State University of New York at Purchase.

Keefer had a long career on stage and in film, including the original production of «Death Of A Salesman of «Death Of A Salesman Of A Salesman `.

Director to film series about the making of a stage production — then take the real thing to Broadway

From the very outset Resnais sets up the theatrical artifice of the film with opening scenes of repetition and staged production design.

James Franco and his moustache are soon making an appearance in Gothic drama, The Mad Whale; a film that tells of inmates at a women's mental asylum who stage a theatrical production of Moby Dick.

It garnered seven Academy Award nominations, including Best Picture, Best Director, Best Actor (Walter Huston, recreating his earlier stage role, who should have won the Oscar with his sensitive portrayal against winner Paul Muni for The Story of Louis Pasteur (1936)-RRB-, Best Screenplay, Best Supporting Actress (Maria Ouspenskaya, reprising her role from the earlier stage production, and in her film debut), and Best Sound Recording, and won only one Oscar for Best Art Direction - Interior Decoration.

Jesus Christ Superstar Live in Concert is both stage production and filmed performance of stage production.

Only the third film that the acclaimed actor has made as a director (after 2002's Antwone Fisher and his last, 2007's The Great Debaters), Washington certainly had familiarity with August Wilson's beloved Pulitzer Prize - winning material when he decided to bring it to the big screen; the actor won a Tony Award of his own for starring in the 2010 revival of the production, to go along with the play's Tony for Best Revival (and the many that it won during its first run on stage in 1987).

The film remains in an early stage of production but is expected to once again combine CGI and live action.

Thierry Frémaux, the fest's head honcho, always insists that he and his team have selected the best films made available to them and that any gender imbalance reflects the lack of opportunities available to female filmmakers at the production stage.

He then went on to make a very big and troubled production, Bethune: The Making of a Hero [1990], with Donald Sutherland, which was at that stage the most expensive film produced in Canada, a big portion of which was shot in China.

The films, financed by Roger Corman (who had also produced Hellman's Los Angeles stage production of «Waiting For Godot»), were well received at European film festivals but tossed into legal limbo when its European distributor went bankrupt and ended up being sold directly to American TV.

The San Francisco Film Society (SFFS) and Kenneth Rainin Foundation (KRF) have selected 15 finalists for the latest round of SFFS / KRF Filmmaking Grants; more than $ 300,000 will be awarded to one or more narrative feature film projects at any stage of production.

Over the course of director Terrence Malick's career, it's become abundantly clear that he isn't one for hastily working through any stage of production and delivering a quickly pieced together finished film.

He's been appearing in stage and film productions for two - thirds of his life, making his Broadway debut at 10, but at 32, actor Paul Dano (he of «I've abandoned my child!»

A huge mix of medium to large budget films seem to have got extra production value from using Vancouver for location and stage work, I'm sure they'll be able to do the same for Deadpool.

Ever since then, the project has gone through multiple stages of development, but due to multiple director changes and constant alterations to the script, it was never able to move into production and start filming.

... If you're fortunate enough to have a film that gets released, it's really four stages of filmmaking: You've got your prep, you've got production, you've got your post (production) and you've got the promotion, which is like your last leg of the relay before your film goes out.

Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.

Nothing is set in stone for the DCEU slate right now outside of the three films that have already nabbed release dates and are in various stages of production: Aquaman, Shazam!

We're coming up on the three year anniversary of when Channing Tatum took the stage at Comic - Con to join a group photo of all the stars of the X-Men movies, and production has still yet to begin on a film about the card - throwing Cajun mutant.

The slate will be populated by a combination of projects developed and produced internally at Focus, as well as films acquired during various stages of development and production.

While the 2016 - 2017 season didn't see any new show rise to Hamilton - like popularity — it's hard for any TV show, film or stage production to reach that level of pop culture zeitgeist — there are plenty of standout showcases of what fans have come to know and love about the New York City theater scene.

Ullmann probably could've directed a helluva stage production of Miss Julie but her film version is miscalculated to the point of unpleasantness.

When Australian cinematographer John Seale got word of the Sisyphean development of Mad Max: Fury Road in its early stages, he was just glad that it wasn't his cross to bear, not realizing that he would soon find himself working on one of the most infamously challenging productions in recent film history.

Production for the three episodes of series two of the show was moved around to accommodate Martin Freeman «s Hobbit schedule (he flies back to resume filming on The Hobbit (s) in September when Sherlock wraps), which means that they're in the latter stages of production now, but not close enough to finishing for a fallProduction for the three episodes of series two of the show was moved around to accommodate Martin Freeman «s Hobbit schedule (he flies back to resume filming on The Hobbit (s) in September when Sherlock wraps), which means that they're in the latter stages of production now, but not close enough to finishing for a fallproduction now, but not close enough to finishing for a fall premiere.

SYNOPSIS: Julie Taymor's filming of her stage production of A Midsummer Night's Dream.

The things that are bad about the film — director Douglas's obvious bid for recognition as a serious creative personality — are all traceable to faulty production decisions and a direction willing to settle for easy second - or third - best solutions instead of seeking the most effective means of staging, shooting, and mounting a scene.

The film itself is, for the most part, the National Theatre production (splitting hairs a bit, Olivier called it «not a photographed stage performance... [but] a film of a performance»).

Richard being whisked away to watch Welles perform a radioplay, the actual staging and turmoil of rehearsals, the brilliance of the actual production — these elements allow the film to rise above a mere nostalgia trip.

The sense of place is also palpable in this film; the downstairs and attic floors were entirely constructed on sound stages by production designer Steven Altman, Altman's son, who also supervised the real country house used for the main floors.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

He talked about what it's like to be part of a famous filmmaking family and still earn recognition on his own terms, the difficult process of shooting Kill Your Darlings that gives the movie an extra spark, how he prepared to play Kerouac at this stage in his life, his character's arc on Boardwalk Empire, American Hustle and the unusual way they shot the film, upcoming projects including an Errol Flynn biopic and a production of Strangers on a Train in London, and more.

EXTRAS: The Blu - ray release includes a making - of featurette devoted to the three stages of production, additional featurettes on the cast, visual effects and technology of «Elysium,» and an interactive exploration of the film's art and production design.

After a little break and some food, we eventually made our way back to the stage where the production was getting ready to film the first dance number of Sucker Punch.

In the new film Cold Souls, written and directed by first - timer Sophie Barthes, Giamatti is out front again as «Paul Giamatti,» an intense New York actor tortured by his role in a stage production of Uncle Vanya.

- Creating Troll Magic - Trolls Production Designer Kendal Cronkhite - Shaindlin leads a kid - friendly exploration of her role as production designer on the film before highlighting four key stages of creating the animation with detailed visuals of eProduction Designer Kendal Cronkhite - Shaindlin leads a kid - friendly exploration of her role as production designer on the film before highlighting four key stages of creating the animation with detailed visuals of eproduction designer on the film before highlighting four key stages of creating the animation with detailed visuals of each stage.