Sentences with phrase «staging exhibitions such»

Taking up her post in 2010 after a long and successful tenure as curator of the Henry Moore Institute in Leeds, Curtis embarked on the formidable task of overseeing the # 45 million redevelopment and rehang of the entire gallery while at the same time staging exhibitions such as Picasso and Modern British Art, Pre-Raphaelites, and LS Lowry.

Two Russian oligarchs have founded collections dedicated to Socialist Realist art and have staged exhibitions such as «Soviet Art.

Not exact matches

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

There, he staged solo exhibitions and participated in group shows at such noteworthy nonprofit venues as Artists Space, Exit Art, and Judson Memorial Church.

The West 20th Street gallery is focused on artists» estates, staging museum - quality exhibitions of work by American minimalists like Dan Flavin and Fred Sandback and twentieth - century masters such as Josef Albers and Giorgio Morandi.

Through works critiquing the theatricality and spectacle of their day, the exhibition also explores how some artists of the 1960s and 1970s, such as Gilbert & George, Elaine Sturtevant, and Martin Kippenberger, have treated the studio as both a stage and creator of persona.

As is evident throughout his ambitious MASS MoCA exhibition, Da Corte has long been interested in sets and stages — be it a television set, music video, opera or cartoon, or more invisible kinds of stages and special effects, such as the cardboard shelf holding a stack of AXE body wash in the corner store.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that these younger artists were taking peripheral aspects of that practice and bringing them to the fore to create a new kind of representation that resonated with the media - obsessed age that privileged the processes of quotation, excerption, framing and staging.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).

The exhibition allowed her to «reimport» abstraction into France with greater success, so that, in 1955, she was able to stage Le Mouvement, a defining exhibition which displayed for the first time her artists, including Vasarely, alongside established masters such as Alexander Calder and Marcel Duchamp.

We hope to stage at least one such exhibition every year.»

Specializing in modern and contemporary art, Kukje is very often the first venue presenting prominent artists in Korea, and major exhibitions have been staged to introduce leading international artists such as Anthony Caro, Ugo Rondinone, Alexander Calder, Louise Bourgeois, Donald Judd, Anish Kapoor, Bill Viola, Roni Horn, Candida Höfer, Julian Opie, Paul McCarthy, Jenny Holzer, and Jean - Michel Othoniel.

Displaying over 280 prints from the Condé Nast archive and international collections by key photographers such as Cecil Beaton, Tim Walker and Mario Testino, this exhibition will tell the remarkable story of one of the most influential fashion magazines in the world, and highlight its central role on the cultural stage.

JL: How important do you find the staging and presentation of artworks, such as in this current exhibition at Galerie Thaddaeus Ropac?

The exhibition presents a rare opportunity to view works from several important stages in the artist's life, including iconic works such as embroideries, ballpoint pen drawings and further works on paper.

By 1998, Ryden was standing center stage at Pasadena's Mendenhall Gallery for his first solo exhibition, «The Meat Show,» which featured such works as the two pictured here, The Birth of Venus and The Pumpkin President.

Schnabel was invited to participate in the Venice Biennale as early as the 1980s, and museums such as the Whitechapel Art Gallery, the Centre Pompidou, the Whitney Museum and the San Francisco Museum of Modern Art staged solo exhibitions of his work.

Apart from the accolades and prizes bestowed upon such artists as Kara Walker, Trenton Doyle Hancock, Jessica Stockholder, Kerry James Marshall, and Cai Guo - Qiang, the multitude of exhibitions featuring Art21 artists reflect the pinnacle stages in many of their careers.

Melissa Messina curated solo exhibitions for such artists as Nick Cave, Whitfield Lovell, Rafael Lozano - Hemmer and Shinique Smith, and the photography exhibition Room In My Head: Staging Psychological Spaces, among others as the former Senior Curator at the Savannah College of Art and Design.

During his 31 years as the exhibitions secretary at London's Royal Academy, Sir Norman Rosenthal staged groundbreaking exhibitions of art including the legendary show, «A New Spirit in Painting» (1981), which brought artists such as Joseph Beuys, Gerhard Richter and Georg Baselitz to broader recognition.

In their highly political staged exhibitions, the collaborative examined such issues as consumerism, democracy, and the relationship of artist, art object, and viewer.

Artists such as Damien Hirst, Antony Gormley and Jake and Dinos Chapman have customised AK47 assault rifles for the AKA Peace exhibition being staged at London's ICA to highlight a global ceasefire movement.

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that the younger artists were taking peripheral aspects of that practice — the underplayed beauty and desire, the latent anxiety, fetishism and romanticism — and bringing these traits to the fore to create a new kind of representation that resonated with the media - obsessed, post-Vietnam age that privileged the processes of quotation, excerption, framing and staging.

In 2013, Davis staged an exhibition in which he re-created important works of blue - chip art by figures such as Jeff Koons to display in the storefront space.

The exhibition Francis Bacon: Invisible Rooms will be grouped in themes such as portraiture and existentialism, crucifixion, the stage and arena and invisible rooms, which gives the show its title.

In addition, temporary exhibitions of modern and contemporary art - such as the seminal exhibition of feminist art, «Elles» (2009 - 2011)- are regularly staged on a third floor of the Centre.

The exhibition shows his desire and ambition to establish a modern theatrical and choreographic art through his manifesto - work, the «Triadic Ballet», but also through the Bauhaus performances and dances, or his staging of works by important composers, such as Igor Stravinsky or Arnold Schönberg.

The series has also been documented in a number of volumes such as «World Stage: Africa, Lagos - Dakar,» «World Stage: Israel,» and «World Stage: Brazil,» published to coincide with Wiley's exhibitions.

The stage - like setting of the exhibition affects such theatricality.

He has had numerous retrospective exhibitions such as a touring show at four venues (1980 - 1981) including the Whitney Museum of American Art, New York; a show that travelled in Germany and France which was staged at Lenbachhaus, Munich (1994); an exhibition at MoMA, New York (1998 - 1999) that then travelled to four venues, closing at the Hayward Gallery, London (1999); «Chuck Close Prints: Process and Collaboration», the Metropolitan Museum of Art, New York (2004); the exhibition «Chuck Close: Self Portraits 1967 - 2005», Walker Art Center, Minneapolis (2005) was also presented at SF MOMA (2006), High Museum, Atlanta (2006) and Albright - Knox Art Gallery, Buffalo, NY (2006); «Chuck Close: A Couple of Ways of Doing Something», Art Gallery of Ontario, Toronto (2007), Tacoma Art Museum, Washington and Pontificia Universidad Católica de Chile, Santiago (2008), Louisiana Art and Science Museum, Baton Rouge, Louisiana; Palmer Museum of Art, Penn State University Park, Austin Museum of Art Austin, Texas (2009), Ball State University Museum of Art, Muncie, Indiana: Joseloff Gallery, University of Hartford, West Hartford, Connecticut (2010) and Arkansas Art Center, Little Rock, Arkansas (2011); «Chuck Close: Seven Portraits Group», State Hermitage Museum, St. Petersburg (2008).

He also staged a series of ICA Off - Site exhibitions in Birmingham, London and Hong Kong, and reactivated the Institute's unique history through a series of displays dedicated to landmark exhibitions, such as the Francis Bacon exhibition held in 1955, and Cybernetic Serendipity also held at the ICA in 1968.

Exhibitions by the artist have also been staged at venues throughout the United States, such as New York's New Museum and the San Jose Museum of Art in California.

Whether he is placing multimillion - dollar bids at auction for publishing magnate S.I. Newhouse or record industry mogul David Geffen; brokering a $ 40 - million deal to buy 50 Abstract Expressionist and Pop art works given to Richard Weisman by his parents, the late Los Angeles collectors Frederick and Marcia Weisman; joining forces in a joint gallery operation with Leo Castelli, the dean of New York contemporary art dealers; staging museum - quality historical exhibitions; luring hot artists such as Salle, Philip Taaffe and Chris Burden to his stable or simply hiring staff, Gagosian is in the news.

Commenting on the exhibition Sarah Glennie, Director, IMMA said; «IMMA is delighted to be staging such an ambitious and far - reaching exhibition at the core of our 2017 programme.

Installed in the middle of the Yokohama Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by installations such as Miwa Yanagi's mobile stage truck, which provided a site for gravity - defying pole dancing performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's small, black - and - white photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage Museum through a single image accompanied by a voice track.

The Museum will continue its highly praised inHarlem initiative of presenting exhibitions, artists» projects, and programs throughout the neighborhood in collaboration with partners such as the New York City Department of Parks & Recreation, Marcus Garvey Park Alliance, Historic Harlem Parks Coalition, New York Public Library, Maysles Documentary Cinema, AFROPUNK, Harlem Stage, The Laundromat Project, New East Harlem Merchants Association, Barnard College, and other cultural institutions.

And however difficult it is to stage a successful temporary exhibition, it is infinitely harder to hang a stable collection in such a way that the pictures themselves tell the story the museum wants to tell without overreliance on captions, wall labels or guide books.

Over the last 25 years, the Culver City gallery has staged more than 200 exhibitions of photography featuring work by masters such as Helen Levitt and Sally Mann.

Such values continue to be expressed and Lazinc has set precedence in setting the stage for a variety of innovational exhibitions, including JR's global Inside Out initiative and 3D's major retrospective of Massive Attack visual history.

AGWA also stages regular annual art exhibitions, such as the «Tom Malone Prize» for contemporary glass and the «Indigenous Art Awards» for artists from the Northern Territory and Western Australia, as well as an annual exhibition entitled «Year 12 Perspectives», featuring works from Western Australian Art and Design students, in a variety of media.

As such, the exhibition serves as an exploration into a familiar thematic repertoire that has recurs throughout the artist's works and stage productions.

In addition, he co-curated the DMA exhibitions All the World's a Stage: Celebrating Performance in the Visual Arts (2009), There and Back Again: Selections from the Graham D. Williford Collection of American Art (2005), and Imperial Taste: Chinese Porcelain for the Western Trade (2005); curated Ten for Tea (2007) and Through the Needle's Eye: American Quilts from the Permanent Collection of the Dallas Museum of Art (2004); reinstalled the Museum's American decorative arts holdings, including the creation of galleries dedicated to 19th - century American silver and 20th - century design; and was responsible for numerous major acquisitions, including the Huntingdon Wine Cistern, a pair of Louis Comfort Tiffany «undersea» windows, a rare Gustav Stickley linen chest, Viktor Schreckengost's Jazz Bowl, and a variety of American silver works such as a «Viking» vase for the 1901 Buffalo Exposition, a Tiffany & Co..

You can get a head start, however, by getting valuable free advice from the industry experts who speak at reputable real estate events, such as the recent SpringFest event staged by Informa Exhibitions in Toronto.