Sentences with phrase «stain technique in»

Following her invention of the breakthrough soak - stain technique in 1952, why do you think she revisited Abstract Expressionism in the late 1950s, having moved in a different direction?

Not exact matches

I've since nailed down my technique for keeping the poo in the toilet and my diapers are stain free because of it.

Another staining technique called comparative genome hybridisation (CGH), which labels all chromosomes, has previously been used to analyse abnormalities in the polar body — a chromosome - containing sac expelled from the egg shortly after fertilisation.

Embryos are currently selected on the basis of appearance, while some 3 - day - old embryos are also screened using pre-implantation genetic diagnosis (PGD), in which a cell is removed from the embryo and the chromosomes examined by staining them using a technique called fluorescence - in - situ - hybridisation (FISH).

In a series of experiments that founded the modern field of neuroscience, Cajal mastered the intricacies of Golgi's staining technique and established the basic anatomy of the neuron and its part in the nervous systeIn a series of experiments that founded the modern field of neuroscience, Cajal mastered the intricacies of Golgi's staining technique and established the basic anatomy of the neuron and its part in the nervous systein the nervous system.

Last summer, researchers demonstrated that non-invasive imaging combined with a staining technique enables the fast comparison and study of earthworm species and other animals in unprecedented detail.

The molecule flagged TB microbes in the samples after a couple of hours, and it revealed similar amounts of bacteria as the standard staining technique — without the hassle of post-dye chemical washing.

When he was 30, Golgi invented a technique for staining cells that allowed him to view neurons in fine detail.

In an important step toward endoscopic diagnosis of cancer, researchers have developed a handheld fiber optic probe that can be used to perform multiple nonlinear imaging techniques without the need for tissue staining.

«We hope that, one day, multimodal endoscopic imaging techniques could help doctors make quick decisions during surgery, without the need for taking biopsies, using staining treatments or performing complex histopathological procedures,» said Jürgen Popp, from Leibniz Institute of Photonic Technology in Jena, Germany and the paper's lead author.

Until now, one of the only ways of screening eggs or embryos for aneuploidy was to use a technique called fluorescence in - situ hybridisation (FISH), in which specific chromosomes are stained with small pieces of fluorescent DNA to...

New techniques combining various staining methods with electron and light microscopy make it possible to investigate in detail the connections among nerve cells and the circuitry of the brain

In a series of steps combining 7T MRI, computational analysis and painstaking laboratory staining techniques, the scientists probed slabs of tissue taken from several places within the brains of each of five Alzheimer's and five control brain specimens.

Sections from all cases were subjected to stain with haematoxylin and eosin (H&E) for histopathological examination and immunohistochemical technique for Cyclin D1 in addition using flow cytometric technique to perform cell cycle analysis.

In the second webinar, you will learn how to apply basic concepts of flow cytometry to topics such as cell proliferation, dead cell exclusion, and intracellular staining techniques for transcription factors and phospho - proteins.

Also, keep in mind that if you pick up a piece you'd like to paint using this technique, and it's already stained or painted, you can skip this step entirely and simply apply a top coat of chalk paint.

Specialty techniques As either a stand - alone or combined with natural, painted or stained finishes, speciality finishes have grown in variety and popularity over the years.

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

The combination of unprimed canvas, synthetic paint mediums and techniques such as staining made it possible for them to paint in new ways, sometimes without a brush, to achieve the desired effects.

Ms. Frankenthaler more or less stumbled on her stain technique, she said, first using it in creating «Mountains and Sea» (1952).

Miró pioneered the technique of staining; creating blurry, multi-colored cloudy backgrounds in thinned oil paint throughout the 1920s and 1930s; on top of which he added his calligraphy, characters and abundant lexicon of words, and imagery.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

Many different artists employed staining as the technique of choice to use in making their paintings.

The theme of landscape, flatness, the technique of staining, bands, calligraphy and articulate use of color have been streams of consistent interest in this continuing series of my work.

It also was one of the first stain pictures, one of the first large field pictures in which the stain technique was used, perhaps the first one.

She assimilates some of their space, staining techniques, and brushiness, but by 1941 an overworked, rote muddiness sets in and doesn't go away until the early»60s.

Brooks frequently used stain as a technique in his paintings from the late 1940s.

He begins by outlining the composition with gold stained glass paint in a technique similar to ancient Asian cloisonné.

In these paintings he used the soak - stain technique, initially developed by Helen Frankenthaler.

At 18 he was apprenticed to a stained glass artisan and learned techniques in glass restoration, no doubt a booming business amid the wreckage of post-war Germany.

Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy.

Done by staining diluted acrylic paint onto raw, unsized canvas — a technique Mr. Noland learned from Helen Frankenthaler — they consist of concentric circles in a variety of colors centered on a square canvas.

The technique used in this series, controlled pours and stains on unprimed canvas, became a vital breakthrough for the artist.

Then, while the soak - stain technique isn't abandoned, it becomes more material, more Ab - Ex in feeling.

Extending the post-painterly abstract techniques of pouring and staining, Saccoccio creates skeins of crisscrossing drip lines, often adding pure dry pigment to the wet paint, imbuing them with colors not normally seen in daily life.

Rendered in his signature stain technique, much of Maslansky's work takes source images from Red Light Lacuna (2011 --RRB-, his found archive of compromising selfies and cringe - worthy esoterica, which he shares through social networking websites.

Brooks regularly used stain as a technique in his paintings from the late 1940s.

Eventually, she switched to acrylic paint, but Frankenthaler's sensuous and painterly staining technique led Morris Louis to adapt her process in what would become known as «Color Field» painting, and declare that Frankenthaler was the «bridge from Pollock to what was possible.»

The «one - shot painting» stain technique of color field was the innovation of Helen Frankenthaler, first accomplished in «Mountains and Sea,» made in 1952, when she was 24 and unknown.

On the level of technique, Pollock's revolution led then to the color field painters who, years later, adopted staining and pooling methods clearly evident in the work of Morris Louis and Helen Frankenthaler.

Early in her career she developed the stain painting technique, which became a catalyst for a generation of color field painters.

This development of the soak - stain technique solidified her place in the New York art world, leading fellow artist Morris Louis to proclaim that Frankenthaler was, «the bridge between Pollock and what's possible.»

The critic Robert Hughes has pointed out that David Hockney's The First Marriage (A Marriage of Styles I), in Tate Britain, cheekily adapts Noland's concentric circles to serve as the bride's breasts, her earrings, and the sun in the Egyptian sky under which she is being married (as it happens, Hockney knew Noland and also borrowed the technique of staining acrylic into raw cotton duck).

Peter Schjeldahl writes in the October 9th, 2017 issue of The New Yorker, «The happiest surprise in Trigger is a trend in painting that takes inspiration from ideas of indeterminate sexuality for revived formal invention... Christina Quarles... rhymes ambiguous imagery of gyrating bodies with dynamics of disparate pictorial techniques... The wholes and parts of bodies in Quarles's cheerfully orgiastic pictures entangle in alternating styles of line, stroke, stain, and smear... called to mind early nineteen - forties Arshile Gorky and Willem de Kooning, who fractured Picassoesque figuration on the way to physically engaging abstraction... Quarles playing that process in reverse, adapting abstract aesthetics to carnal representation.

He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of soaking turpentine - thinned oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made with thinned black enamel paint).

His overall images of nuns, bums, sailfish, and soldiers never seem as important as the jigsaw - puzzle or stained - glass - window configurations of pure color, built - up areas of silhouetted figures, airbrushed faces, and other techniques that send the eye racing around his surfaces, trying to take it all in.

Each group in the exhibition achieves this through their own distinct technique: the Abstract Classicists of Los Angeles worked in oil; the Washington Color School stained acrylic into their unprimed canvases; and the New York Op artists built up their acrylic on primed canvases.

During this period, she developed her influential «soak - stain» technique, in which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor.

Frankenthaler's innovative «soak - stain'technique was influential in the development of the later Colour Field painters such as Morris Louis.

As she recalled of this technique, «I did a whole series of pictures... that I reversed; in other words they stained through and then I worked on them again from the other side.»