Sentences with phrase «stained glass window at»

The perfectly distilled visual language that is infused into his monumental stained glass window at the Tate St. Ives did not come easy to Heron.

That has 195 panels each with a 5 × 5 block of colours in a towering space which conjures an impact comparable to Richter's stained glass window at Cologne Cathedral (also 2007), which has 11,500 squares of glass in 72 different colours.

She continues: «The justification for the literal iconoclasm in Catholic churches could hardly have been more clearly expressed by Cromwell's Roundheads after they had systematically beheaded every image in the Lady Chapel of Ely Cathedral or smashed all the stained glass windows at Canterbury, although Cromwell's soldiers were undoubtedly responsible for destroying far fewer sacred images than the liturgical «experts» who imposed their views of renewal on the Catholic churches across America.»

The stained glass windows at Christ's Cathedral, London are by Morris & Co, and were designed by Burne - Jones.

Not exact matches

The stained - glass chancel windows at St. Paul's Chapel on the Columbia campus form a triptych in which the Apostle Paul is shown preaching to a small crowd on the Areopagus.

I drive past multi-million dollar church properties filled with throngs of wealthy people (as compared to the peoples of this world, today) sitting on cushy chairs or pews, gazing out stained glass windows, and then arrive at my destination — the haunts of the homeless, many of whom have all they own in a backpack or in a shopping cart.

Legislation is proposed to ban lead use in consumer goods, and the Environmental Protection Agency is taking a close look at stained glass windows.

Around 1915 a local artist, Thomas O'Shaughnessy, who had studied Celtic decorative arts in Dublin and learned the art of stained glass at the Art Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of Kells.

Say «Good Shepherd» to most Christians, at least in this country, and chances are we see the stained glass window that I saw as a child.

Entering St Joseph's in Yorkville for the first time, I found it a pleasure to look around — to view the exquisite stained - glass windows in the sanctuary and to peer upward at the less outstanding but still worthy ceiling murals of scenes from the lives of Jesus and Mary.

As a matter of fact, he had not said anything of the kind, but evidently the word «resurrection» conjured up in the minds of the men the stained glass windows in their parish churches back at home, where, in flagrant contradiction to St. Paul (1 Cor 15:36: «Thou fool»), the resurrection of the dead is depicted in ordinary human and terrestrial categories.

That's why as Christians we adorn our sanctuaries with stained glass windows and devote so much time and energy (or at least we should) to reading and studying the Bible.

A window depicting the Deposition and Entombment of Christ by the greatest stained - glass designer of the sixteenth century, Guillaume de Marcillat is stunning: It once hung between Pontormo's frescoes of the Angel Gabriel and Virgin Annunciate in Santa Felicita in Florence, where the grieving Mary of the window, directly above the altar, looked across at her younger, joyful counterpart of the Annunciation.

And when at some point the Frozen Few glance around and note that the pews are alarmingly empty, those deemed worthy to minister to them might convince them to break just one precious stained glass window and look out and see the kingdom coming.

Shattered fragments of stained glass windows destroyed at the end of the English Civil War from Christ Church Cathedral in suspiciously royalist Oxford have been stuck back together like a religious history rendered via illuminated crazy paving.

This abstract - looking stained - glass window is not a window at all, but a film of organic crystals.

Nature's stained - glass windows are buried in Antarctic ice: Polarizing filters reveal the orientation of crystal grains in thin sections of ice pulled up at the West Antarctic Ice Sheet Divide.

«Wouldn't it be interesting if we could create stained - glass windows that changed colors at the flip of a switch?»

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At US$ 12,000 (S$ 16,500) a pop, this doggy house comes equipped with comfy upholstered beds, faux fur throws and plush pillows, interior lighting, curtains with jewelled tie backs and a sweetheart stained - glass window.

Queen Elizabeth II dined at The Ivy — a 1917 restaurant that enjoyed a recent renovation that preserved its stained - glass windows and oak paneling — for that first time last year, Hanson says.

At the opposite end of the pedestrianised Rue du Gros Horloge — named after the big clock which spans the street — lies the flamboyant Cathedral with its stained glass windows and Renaissance tombs.

The stained glass window's feature of the California Poppy hints at the whimsy inside.

During our free time in the city centre we stopped off at Caru» cu Bere, a cavernous restaurant with a church - like interior of dark wood and stained glass windows.

Located in the 5th arrondissement, just a short walk away from the Pantheon, St Etienne du Mont boasts amazing architecture both on the outside and inside, with intricate stonework, arches, staircases, artwork and stained glass windows which are found at the far end.

Marvel at the soaring carved interiors and stained - glass windows of Cologne's iconic Gothic cathedral, and sample the local beers.

The staff at the inn prepares a delicious breakfast each morning which is served in the McCaffrey Morning Room surrounded by original stained - glass windows.

Fine details such as dark oak paneling, and hardwood floors along with the stately library, grand master staircase, and stained glass windows were lovingly preserved during the renovation and now provide great pleasure to the guests of the Mansion at Maple Heights bed and breakfast.

Kalbadevi Temple, Jakhu Temple, Hanuman Temple or stop for a while at the beautiful stained - glass - windows of Christ Church, which was built in the 1850's.

You'll head towards the city to marvel at the world's largest themed stained glass windows, depicting the story of creation, in St. Monica's Cathedral.

The canvases glow like stained glass windows,, or at least can when approached from the right angles.

Mark Barrow and Sarah Parke The sun sets disturbingly early this time of year in New York, so arrive early to catch the rays streaming through Mark Barrow and Sarah Parke's digitized stained glass windows, installed at the booth of gallerist Elizabeth Dee, who cofounded Independent in 2010.

Moving on to 1954 and the low - keyed eighth painting in the series (now in the Museum of Modern Art, New York)-- greys, blues, muffled yellows on a surface just over six feet high by three and a half feet wide, a motor metropolis of tightly curving ramps with headlight beams spreading like stains suggest a vision, slightly smudged, as if seen through the thick glass window of a skyscraper; at any rate remote from the scene of automotive nightmare.

Of note are the stained glass windows she crafted for the church at Varennes - Jarcy in France.

At a Christie's New York auction in 2015, Hofmann's Auxerre (1960), inspired by the expansive stained glass windows of the Cathédrale Saint Etienne in France, achieved a world auction record for the artist at $ 6,325,00At a Christie's New York auction in 2015, Hofmann's Auxerre (1960), inspired by the expansive stained glass windows of the Cathédrale Saint Etienne in France, achieved a world auction record for the artist at $ 6,325,00at $ 6,325,000.

The funeral will take place on June 12 at Timotheus Kirken, Valby, Copenhagen where there is a stained - glass window designed by Geertsen.

It's taken 24 years and $ 18.5 million, but this weekend the Museum at Eldridge Street will unveil the conclusion of its restoration of the Eldridge Street Synagogue: a central stained - glass window co-designed by artist Kiki Smith and architect Deborah Gans.

A two - part exhibition also opened at the Getty Center in Los Angeles, and he is designing a stained - glass window for Westminster Abbey.

He currently studies the art of stained glass at the workshop of the world - renowned master glassmaker, JM Bonet, and has participated in the restoration, conservation and construction of the stained glass windows of the Sagrada Familia cathedral.

The expansive faux stained glass window and beaded sculptures he presented at the 2017 Whitney Biennial were among the exhibition's most acclaimed works.

Mr. Wiley has also ventured into sculpture, and his coming show at the Brooklyn Museum will include six stained - glass windows as well as a few bronze heads that can put you in mind of the portrait busts of Jean - Antoine Houdon, who flourished during the French Enlightenment.

Among the works featured in the exhibition are Noelle Mason's window installation of Mag - lites spelling the word SILENCE in Braille, and an illuminated stained glass that projects a surveillance image of 9/11/2001 hijackers passing through security at the Portland airport.

We must, she says, have a cocktail at the Centre for Contemporary Arts, followed by Arbroath smokies at Cafe Gandolfi, which boasts stained glass windows by John Clark and furniture by Tim Stead.

At Conner Rosenkranz, the two stained - glass windows by Robert Winthrop Chanler that flank a Beauford Delaney abstraction once graced the studio of Gertrude Vanderbilt Whitney, founder of the Whitney Museum.

He also designed a set of stained glass windows for the abbey church at Conques (1994).

Butler quickly orchestrated a commission for stained - glass windows at St. Stephen's Episcopal Church in Montrose, by New York artist Jennifer Bartlett, which was unveiled in 1995.

With their clear, saturated colors of red, white, yellow, brown and black, the 39 works on view through June 28 at both galleries (including Blood and Piss Piss Piss) resemble the best of post-Pop pranksterism as well as stained - glass windows from a profane and playful church of the life spirit.

At its east end, like the stained glass window of a cathedral, is a giant vertical screen.

Since his first solo exhibition 50 years ago, Mangold's work has been the subject of numerous one artist and retrospective exhibitions throughout the United States and abroad, including Robert Mangold at the Guggenheim Museum, New York (1971); Robert Mangold: Paintings 1971 — 1984, organized by the Akron Art Museum with subsequent venues in New York, Texas and California (1984 — 86); Robert Mangold: The Oberlin Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (2011).

When I came across a project you had done at PS1 where you made stained glass windows, it occurred to me that your paintings might be composed similarly, with color - borders in mind.