This is clear in works like Scalar (1971), with its planes of chipboard and paper
stained with crude oil, and in the carbon - paper drawings installed on both the wall and the floor, a series on view here in depth for the first time in forty years.
During a period when Rockburne was completing a body of process - based works made from chipboard
stained with crude oil, her own assistant was Carroll Dunham, whose early paintings employed different types of veneer as support that, in their material investigations, harken back to this period.
Not exact matches
The paintings (made by spraying, soaking and
staining huge swaths of sheer cotton
with the artist's proprietary diet cola formula) make direct use of the caramel - colored gold that is one of America's greatest symbols of youth and freedom as well as its premier health risk — an exported analogue to
crude oil.