This great variety, not only in form but also in style — he moved easily from photograms to de Chirico — esque dreamscapes to painterly abstraction — has made Schawinsky difficult to place in
standard histories of the Bauhaus, if not in art history more generally.
Even so, anti-women prejudice kept Krasner outside of
standard histories for many years - see feminist art for more on this subject.
The island nation's
standard history textbook presents a dark picture of American motives: «The Filipinos, who expected the Americans to champion their freedom, instead were betrayed and reluctantly fell into the hands of American imperialists.»
This used to be
standard history for the «greatest generation,» with pride that immigrants built this country and that America provided refuge.
Stoll's account diverges from
the standard history of environmentalism exemplified by books such as Benjamin Kline's First Along the River.
Instead of making
this a standard history film where we learn about Churchill womb to tomb, Director Joe Wright does not linger on the past, or the characters that surround the man, but more on the rooms and time that this larger than life character worked in.
Had we done
a standard history unit and a standard electricity unit, I doubt we would have had a discussion like this.
The Common Core State Standards for English Language Arts & Literacy in History / Social Studies, Science, and Technical Subjects («the Standards») are the culmination of an extended, broad - based effort to fulfill the charge issued by the states to create the next generation of K — 12 standards i
Winkfield was writing about the New York School's domination of
the standard histories of American art, and the other (often eccentric) artists who all but disappear beneath its shadow.
Beyond this, it's good to remember that art historians have also discriminated:
The standard History of Art by Horst Janson, the tome used in university art history surveys for so many years, didn't include female artists until the mid-1980s.
It says as much with the exhibition title, which recalls
the standard history of abstraction as formalism, as well as the need to make room for women.
Loren spoke briefly to Rubenstein in his latest Kalm Report segment, and to paraphrase, he mentions that many artists in the show are obviously very well known, very successful, but are left out
the standard histories by many curators and art historians.
There are many reasons for Seliger's marginalization within
the standard history of Abstract Expressionism, the most obvious being scale.