The pacing, the use of sound design, and the thematic content all raise this film above
your standard horror thriller.
Not exact matches
Since the 1979
thriller served as the blueprint for the modern
horror film, Laurie is long - held by aficionados to be the gold
standard, as final girls go.
The music is superb, the Simon Boswell piano theme is well suited and also suits for the
horror genre, I don't really find this as a
standard black comedy
thriller, it is something like it is ripped off from Coen Brother's Blood Simple, with more of less funny dialogue but I find this a perfect
thriller and quite known for its time and still is today because of Channel 4 which is now a popular channel with many sub-channels.
With so many teen
thrillers taking the route of bad, sensationalist
horror, it's nice to see a
standard suspense vehicle come out once in a while, with better characterizations and fright earned through putting characters in potential jeopardy, rather than just cheap jump - scares and shrill music.
The last half of the film falls back on
standard horror and
thriller cliches but most modern
thrillers do the same.
What follows is, on paper,
standard horror -
thriller stuff: our heroes trapped in a confined space with all sorts of evil - human and canine.
Known more for sexually charged films like Lolita and Indecent Proposal, director Adrian Lyne's psychological
horror film doesn't quite play out like a traditional
horror film, nor does it play like a
standard psychological
thriller either.
Compared purely to others in its genre, this is a
standard horror -
thriller, better than some, but not nearly good enough to garner crossover appeal to anyone who doesn't regularly dine on fast - food chiller fare.