Russian artists such as Kazimir Malevich, El Lissitzky, and especially Alexander Rodchenko emerge as much more influential and interesting in this storyline than they do in
standard modern art histories, in which they're often more mourned as political victims than celebrated as art theorists.
A Professor at the University of Virginia (1938 - 50), and chief
art critic for the influential New York Times newspaper (1958 - 74), Canaday also wrote several influential books on the history of art, notably Mainstreams of Modern Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yea
art critic for the influential New York Times newspaper (1958 - 74), Canaday also wrote several influential books on the
history of
art, notably Mainstreams of Modern Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yea
art, notably Mainstreams of
Modern Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yea
Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a
standard text in
art schools for many yea
art schools for many years.
The first major survey of contemporary Guatemalan
art in the United States — and as much a political and social
history as an
art history — it is just one of more than 70 deeply researched exhibitions of Latin American and Latinx
art at Southern California institutions comprising the Getty Foundation's Pacific
Standard Time: LA / LA, a four - month - long program that aims at nothing less than «flipping the
history of
modern and contemporary
art, beginning with the Latino perspective,» as Getty Foundation deputy director Joan Weinstein put it.