Sentences with phrase «standard movie shots»

Not exact matches

For a while, it was a big deal that he gained lots of weight to shoot the movie's later scenes, but this practice has now become standard for any serious actor.

Jackson shot the movie at 48 frames per second compared to the standard 24 frames per second most movies are shot in.

Hill accepted the modest sum (Hollywood's standards, not ours) of $ 60,000 ($ 44,000) to shoot Martin Scorsese's movie because he was so keen for the role.

Similar to «The Royal Tenenbaums» in that the movie is divided into chapters, Anderson goes one step further by filming each timeline in a different aspect ratio, with the 1930s portion of the story appropriately shot in the classic Hollywood standard 1.33:1 ratio.

It implies that it's putting an Internet - age spin on the old standards by explicitly referencing teen - movie landmarks like Sixteen Candles, The Breakfast Club, and Say Anything — and by «explicitly referencing,» I mean it actually splices shots from those movies into the proceedings, a bid for reflexivity that screenwriter Bert V. Royal and director Will Gluck lack the chops to support.

From Mandrake Falls to Manhattan runs 18 minutes and 20 seconds and provides the standard mix of shots from the set, movie clips, and interviews.

Whether you're making a low budget indie film, or the next Avengers movie, it's standard practice to hire all your camera and lighting equipment for the duration of the shoot.

As «Black Panther» continues to set new standards for superhero movies at the box office, have a hero shot taken of you and two of Marvel's other popular characters, Captain America and Spider - Man.

However, when we played both a standard - def video we had shot with the Thrive and an old SD movie of Steve Reeve's Hercules, we noticed no difference with the technology on or off.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.