Uncertainty over the proton's size, spin and life span could have physicists rethinking
standard notions about matter and the universe, Emily Conover reported in «The proton puzzle» (SN: 4/29/17, p. 22).
PROTON PUZZLES Hidden secrets of the humble particle could have physicists rethinking
some standard notions about matter and the universe.
Not exact matches
Certainly, there's truth to the
notion that Cambridge Analytica's ad - targeting capabilities were
standard fare — read more
about that idea
Now there is nothing self - contradictory
about the
notion of a particularistic application of a universal
standard.
Some experiments were considered quirky by 19th century
standards, but the work provided data supporting Darwin's
notions about trait variability in a population and how natural selection drives changes in populations over time.
When asked
about the
notion of common national education
standards without mentioning the Common Core, support was at 68 percent.
Retaining an explicit emphasis in the new
standards on including «opportunities for students to study relationships among science, technology, and society» (Hicks et al., 2014, Table 1) would open the door to consideration of a set of issues that every future teacher ought to be thinking
about, for example, the power relationships enacted online as manifest through sexism, racism, anti-Semitism, and homophobia; the quality of the discourse and information that circulates there and the effects of rumor on reputation;
notions of public and private in a digital age; cyber bullying and suicide; copyright and plagiarism; ethics and professional responsibilities related to social media; and a host of other topics and questions that a critical media literacy approach could raise regarding technology and citizenship education.
He discusses Pop Art's place in art history; his initial feelings
about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings
about English awareness of America; a discussion of his use of words as images; a discussion of the
Standard Station as an American icon; a discussion of the
notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings
about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings
about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings
about the future direction of his work.
We need to advance a sensible, purposive, rational, pragmatic, non-moralised question
about allocation of responsibility, incentives and relationships which are quite oblivious to any
standard notion of «employment».