Sentences with phrase «standard of review issues»

In British Columbia, standard of review issues are regulated by the Administrative Tribunals Act: correctness review is provided for in respect of some questions (including procedural ones); deferential review in respect of others (including exercises of discretion).

I can't resist passing on the postscript to Norman Siebrasse's excellent post on standard of review issues raised in a recent (and interesting) patent case at the Federal Court:

I can't resist passing on the postscript to Norman Siebrasse's excellent post on standard of review issues raised in a recent (and interesting) patent case at the Federal Court: Finally, on a personal note, Dunsmuir was the clerk of the court in Fredericton, New Brunswick (the full name of the case is Dunsmuir v New Brunswick), and my wife and I were married in 2004 at the Fredericton City Hall, by David Dunsmuir, about a year before he was removed from office.

Compounding the fact that Mr. Petrie did not care about the standard of review issue, was advice I sought from Hon. Justice Gerard V. La Forest.

However, there is a more pressing matter; one that undermines the practical significance of the standard of review issue.

Not exact matches

After careful review and consideration of the comments, the Department is issuing this final rule that will (1) extend the applicability date of the Fiduciary Rule, the BIC Exemption, and the Principal Transactions Exemption for 60 days until June 9, 2017, and (2) require that fiduciaries relying on these exemptions for covered transactions adhere only to the «best interest» standard and the other Impartial Conduct Standards of these PTEs during a transition period from June 9, 2017, through January 1, 2018.

The review will consider issues such as the age range of the intended population, product definition, the role of such products in the diet and the need for such a Standard.

We have: • normalized the domestic yield curve • issued the country's maiden 15 - year bond in April 2017 • improved external balances, driven by higher export earnings and lower imports • improved gross international reserves to US$ 7.2 billion, equivalent to 4.1 months of imports cover • improved primarybalanceto0.3 percent surplus in September 2017 against a deficit of 1.6 percent in September 2016 • received positive sovereign rating reviews from international ratings Agencies: Fitch, B / stable; Standard & Poor, B - / positive • successfully completed the 4th IMF / ECF program review, and • achieved positive developments in the oil & gas sector — favorable ITLOS ruling, and Sankofa producing 1st oil three months ahead of schedule.

The utility previously issued a statement in response to the PSC probe: «Post-storm reviews are a standard part of our emergency procedures, and we'd be happy to share whatever information is requested by the Public Service Commission.»

On Thursday, D.E.C. officials said that a review of 19,000 public comments submitted on the proposal raised significant issues that met the standard to rescind the project's earlier negative declaration determination.

The Planning Board conducted a review of the project and on September 10 issued a «negative declaration» under State Environmental Quality Review Act (SEQRA) review, meaning that the Planning Board found that there would be no significant adverse environmental impacts from the project, and issued a «preliminary» site plan approval of the project subject to Zoning Board of Appeals (ZBA) review of «performance standards.&review of the project and on September 10 issued a «negative declaration» under State Environmental Quality Review Act (SEQRA) review, meaning that the Planning Board found that there would be no significant adverse environmental impacts from the project, and issued a «preliminary» site plan approval of the project subject to Zoning Board of Appeals (ZBA) review of «performance standards.&Review Act (SEQRA) review, meaning that the Planning Board found that there would be no significant adverse environmental impacts from the project, and issued a «preliminary» site plan approval of the project subject to Zoning Board of Appeals (ZBA) review of «performance standards.&review, meaning that the Planning Board found that there would be no significant adverse environmental impacts from the project, and issued a «preliminary» site plan approval of the project subject to Zoning Board of Appeals (ZBA) review of «performance standards.&review of «performance standards.»

Inhofe also accused the Obama administration of prematurely issuing vehicle fuel economy standards for political reasons, and asked Pruitt if he would review them.

They are all registered with relevant professional bodies and are bound by standard codes of ethics covering issues such as confidentiality, continual professional development and regular reviews of professional aptitude.

And though Hacker and Dreifus, a former Queens College political science professor (and frequent contributor to the New York Review of Books) and a veteran science reporter and editor, respectively, turn in what appears to be a useful essay about the challenges ahead for the CCSS, Peter Cunningham, a former assistant secretary of education, says that Hacker and Dreifus themselves «contribute greatly to the confusion and misinformation surrounding the issue of learning standards.»

Subsequent to NAGB's rejection of expert advice on the standard - setting, a number of institutions that were asked by Congress or the U.S. Department of Education to review this standard - setting process issued blistering critiques.

«To address the issue of college and career ready assessments, the Department has undertaken the most extensive review and overhaul of academic standards in Indiana's history.

In spring 2009, a committee of ASCD members began a yearlong review of the issue of education standards in general and the Common Core State Standards in particular.

The Local Wellness Committee will update or modify this LWP based on the results of HOPE COMMUNITY PUBLIC CHARTER SCHOOL's annual self - assessment, the USDA triennial administrative review, and on other variables, including if / when HOPE COMMUNITY PUBLIC CHARTER SCHOOL's health priorities change; the community's health needs change; the wellness goals are met; new health science arises, new technology emerges; and new federal or state guidance / standards are issued.

I also should note that researchers in this study clearly conducted this study with similar a priori conclusions in mind (i.e., that the Common Core should be saved / promoted); hence, future peer review of this piece may be out of the question as the bias evident in the sets of findings would certainly be a «methodological issue,» again, likely preventing a peer - reviewed publication (see, for example, the a priori conclusion that «[this] study highlights an important advantage of having a common set of standards and assessments across multiple states,» in the abstract (p. 3).

In each of its review of the drafts of the Common Core Standards, NCTE took issue with the content of the standards, took issue with the very way that reading and writing is taught with the Common Core Standards.

Kyouzai kenkyuu involves an investigation of the intended learning trajectory related to the topic, from prior to later grades, through a review of the standards and curriculum, and research into teaching and learning issues such as typical misunderstandings around the topic.

In addition, Mr. Fleming has co-authored numerous peer - reviewed journal articles and participated substantially in the development of national and international standards and policy documents pertaining to transportation - related issues.

In the regulations issued pursuant to subparagraph (A), the Secretary shall establish the elements of the consumer protections standards review, including basic management controls.

The comics are available on Madefire's iOS app and on Deviantart and most are priced at $ 1.99 per episode (as I noted when I reviewed Madefire's My Little Pony motion comic, the episodes are half of a standard comic issue).

One of the advantages of Electric is that their standard policies are a year long - your rate is locked in for twelve months in contrast to other insurers who issue six - month long policies with an eye towards reviewing your policy for rate increases more frequently.

In the July 2017 issue of Best's Review, Standard Insurance Company was recognized for maintaining an «A» rating or higher from A.M. Best Company since 1928.

OTHER SOURCES OF INFORMATION In addition to the above, please review other information about the breed (standards, temperament, health issues, traits, etc.) at:

The second issue raised in prior reviews was the level of recline, I asked BA online services to conform the level of recline up front, the responses moved between evasive and not knowing, I can confirm that this row in the plane G - XLEB does have the standard level of recline as other seats so for at least that plane the level of recline is not an issue.

In our review of the PC remaster, we pointed out that the game feels a tad antiquated by today's standards, and it seems unlikely that particular issue will be addressed with the Xbox port.

One half of the multiplayer content is the usual assortment of deathmatch and competitive modes which seemed standard for most FPS titles and sadly, I was only able to take part in a couple of matches in the days leading up to review (without bots, players are forced to wait for 6 players to join up, something I suspect won't be an issue whatsoever after launch).

2008Griffin, Jonathan, Second Life, Frieze, p.120 - 123, 2008 Another End, Vilma Gold, Exhibitions Pick of the Week, Guardian Guide, 5 July, 2008 Thatcher, Jennifer, Greenland Street, Art Review, December, 2008 Cohen, Louise, A Wise Old Bird, The Times Newspaper, 20 October, 2008 Sumpter, Helen, Going Underground, Timeout, London, 11 - 17 July, 2008 Brian Griffith's Liverpool Debut, Art World, November, 2008 Morton, Tom, Bring His Tariff, A Bulletin, A foundation, Issue Two, Autumn, 2008 Life Is a Laugh, Uk Recent Projects, Public Art Review, Issue 37, 2008 Harris, Ed, One Way of Dealing With Tube Delays, Evening Standard, 12 July, 2008 Mind the Gap, And the Panda, Metro, 13 July, 2008 Paws for a Laugh, Metro, 17 July, 2008 Giant Panda Head in Tube Station, BBC News, 13 July, 2008 Day in Pictures, BBC News, 12 July, 2008 Brian Griffiths, Avantgarde Magazine, May, 2008

, Art Review, September Maloney, Martin, Maloney's Magnificent Seven, Art Review, April Sumpter, Helen, Sophie Von Hellermann, Evening Standard, Hot Tickets Searle, Adrian, Heat Of the Moment, The Guardian, 10th July 2001 Hubbard, Sue, The Critics: Visual art Pick Of the Galleries — Sophie von Hellermann, The Independent on Sunday, issue 21st October 2001 Knofel, Ulrike, Jung, blond, bose, Der Speigel, issue 10th December 2001

6, 1 August, pp. 44 - 45 Johnson, Ken, Linger, The New York Times, 28 June, p. E34 Johnson, Ken, Jim Hodges, The New York Times, 31 May, p. E39 Demarest, Marty, Subterranean Sounds, The Inlander Online Horodner, Stuart, Jim Hodges, Bomb Magazine, Issue No. 79, Spring, pp. 100-101 2001 Mahoney, Robert, Jim Hodges, Time Out New York, 9 August, Issue 307 Levin, Kim, Short List, Village Voice, 7 August Smith, Roberta, Quick as a Shutter, Group Shows Shatter Conventional Wisdom, The New York Times, 6 July Schmerler, Sarah, James Graham and Sons, through August 3, Time Out New York, 19 - 26 July, Issue 304 2000 Musgrave, David, Natural Dependency, Art Monthly, November - December, p. 232 Benjamin, Marina, One sensation after another, Evening Standard, London, 5 November, p. 62 Rugoff, Ralph, Beauty bites back, Harper's Bazaar, October, pp. 234 - 235 LaBelle, Charles, Review, Frieze, September - October, pp. 119 - 120 The New Yorker, Museum of Modern Art, 11 September, p. 18 Moreno, Gean, Interview: Jim Hodges, New Art Examiner, June, p. 13 - 15 Baker, Kenneth, San Francisco Chronicle, 22 April, p. E1 & E10 Jowitt, Deborah, Amour, Sex, and All That Jazz, The Village Voice, 29 February, pp. 61 - 62 Keats, Jonathon, Letters to a young Artist, San Francisco Magazine, February, pp. 56 - 57

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TowReview, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TowReview, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TowReview of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Towreview: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TowReview of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TowReview of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TowReview, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

62 / October 2012 «Petrit Halilaj's new project for Kunsthalle St. Gallen», Michele Robecchi, Kunstbulletin, 7-8/2012 «Future Greats», Giovanni Carmine, Art Review, issue 57, March 2012 2011 «Die Zeit zurückdrehen», Dorothea Nikolussi - Salzer, Der Standard, October 2011 «Eine Himmelsscheibe, die die Zeit zurückdreht», Ivona Jelcic, Tiroler Tageszeitung, October 2011 Ingeborg Wiensowski, Loch der Erinnerung, Spiegel Online, July 25, 2011 «Ernste Tiere» im Bonner Kunstverein, General Anzeiger Bonn, July 15, 22011 «Art Basel», Quinn Latimer, Art Agenda, June 17, 2011 «Petrit Halilaj — Zeitschrift zuschnitt 42» Stefan Tasch, Obendrauf, June 2011 «Petrit Halilaj, by Johan Lundh, Metropolis M, no. 3 June / July 2011 «Petrit Halilaj — Brand New», Laura Cherubini, Flash Art International, March - April 2011 2010 «Best of 2010», Christine Macel, Artforum, December 2010 «Where Is Petrit's Real House?»

«Future Greats», December 2005 «Twelve Footnotes for Ian Monroe», Tom Morton, Show Catalog, Haunch of Venison, Zurich Art Review, «The Walls Came Down» Jay Merrick, July 2005 «Ian Monroe's Architecture», Barry Schwabsky, Show Catalog «They Built Upon It», Haunch of Venison, London 2004 Modern Painters, «All in the Best Bad Taste» Sally O'reilly, Dec 2004 - Jan 2005 2003 Art Monthly, «Anyway», Bruce Haines, May 2004, number 276 Contemporary, «The Queen Mum Show» Jamie Lau, issue 53/54 The Times, «New Blood at RA Summer Show Gets Old Blood Boiling» Dalya Alberge, May 29 The Royal Academy of Arts Magazine, «Summer Exhibition» Sebastian Smee, Summer 2003, number 79 Arena, «The Boom», Tom Morton, July, number 136 The Spectator, «Formidable Power», Andrew Lambirth, May 17 Art Review, «Saatchi's New Sensation», Meredith Etherinton - Smith, May Evening Standard, Metro Life, «The Saatchi Effect» Hephzibah Anderson, April 18 The Observer, «Space Traveller», Alison Roberts, April 20 Telegraph Magazine, «Adventures in Saatchiland», Colin Gleadell, March 29 2002 The Sunday Times, «Saatchi's Rival to the Tate Takes Shape» Richard Brooks, September 8 Time Out London.

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&rReview, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&rreview, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&raissue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&raIssue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&rReview, April 2001 Magnus Brooke, «Death to the Fascist Insect».

2001 B. Schwabsky, Review, Artforum, New York, February M. Coomer, «Rachel Howard», Review, Time Out, no. 1633, December L. Buck, «Choice of Contemporary Galleries» The Art Newspaper, November C. Knight, «Torben Giehler, Yeardley Leonard and Rachel Howard», LA Times R. Aidin, «The Art Issue», Evening Standard Magazine B. Schwabsky, «Painting: a minor art?»

Creighton also points out that journalists who care deeply about accurate science reporting will already have some sort of standard review built into their process that should bring these kinds of issues to light before publication.

The study, which was featured in the August 9, 2010 issue of Nature magazine and later published in the peer - reviewed journal Environmental Science and Technology, raises serious doubts about the industry's contention that there is no need for tighter water - quality standards to keep mountaintop removal from contaminating drinking water relied on by communities downstream of the mines.

This highlights the larger issue of standards in the peer review process.

Finally, we comment on several policy issues arising from this controversy: the lack of consistent requirements for disclosure of data and methods in paleoclimate journals, and the need to recognize the limitations of journal peer review as a quality control standard when scientific studies are used for public policy.

With use of standard wording, one has the ability to refer to past judgments to get clear interpretations of the text issued and reviewed by judges.

The Court of Appeal began its analysis by determining that because the resolution of issues raised involved the legal effect of undisputed facts, the appropriate standard of review was correctness.

The Court of Appeal noted that the question at issue was statutory interpretation, which is a question of law and attracts a standard of correctness on review.

The court stated by way of introduction that, «the issue of the standard of review applicable to orders of both judges and prothonotaries has been one of the most contentious issues before our Court and before all courts of appeal, including before the Supreme Court of Canada, in the last 10 to 15 years.»

The accessibility standards in the AODA are also proactive in nature, requiring training prior to any incidents, the development of appropriate policies with reviews, and modifying the workplace to prevent issues before they emerge.

The Supreme Court of Canada has been feverishly productive in the field of administrative law since the Fall of 2011, rendering decisions on standard of review (questions of law, jurisdictional error and labour arbitrators), the right to reasons, issue estoppel, attempts to pre-empt the administrative decision - making process, and review of municipal by - laws.

In this short piece, I will first review Justice Stratas» contribution on the issue of standard of review in light of the Court's holding in Dunsmuir.

Finally, I will attempt to outline a path forward on the issue of standard of review, again relying on Justice Stratas's apt suggestions.