Sentences with phrase «standard paint colour»

The only standard paint colour is red, with white coming in at # 300 and metallic colours costing # 500.

A new palette of nine standard paint colours has been selected for the Coupé, including Darkest Tungsten, Anthracite and New Sable.

We stock wooden table lamps and a classic floor lamp that can be painted or stained in any of our standard paint colours and finishes.

Not exact matches

The 435i bucks the notion of BMWs having standard specifications meaner than a Dickensian aunt: amongst other things you get as standard are heated front seats, parking sensors, a 6.5 in colour screen, xenon headlights, DAB radio and metallic paint.

If you still want to go over and above the standard trim, Ferrari will be more than happy to accommodate, with multiple seat, colour, material and paint options all available.

The striking looks continue with the orange and black paint job on the standard car and the devilish black and red colours of the Laguna Seca.

SOLD YEAR: 2012 DRIVE SIDE: Right MILEAGE: 21783 TRANSMISSION: 6 - speed Manual POWER: 510 bhp ENGINE SIZE: 6.0 litre V12 EXTERIOR COLOUR: Quantum Silver INTERIOR COLOUR: Obsidian Black ACCELERATION: 4.1 s (0 - 60 mph) MAX SPEED: 190 mph Standard Features • Alarm and immobiliser with volumetric and tilt sensors • Aluminium, magnesium alloy, composite and steel body • Auto dimming interior rear view mirror • Auxilliary audio input including integrated Apple iPod ® connector • Bluetooth ® telephone preparation • Carbon fibre door pulls • Cruise control • Dual stage driver and passenger front airbags • Dynamic stability control (DSC) with Track mode • Electronic brakeforce distribution (EBD) • Emergency brake assist (EBA) • Heated rear screen • HID projector headlamps (dipped beam) • LED rear lamps • Memory seats and exterior mirrors • Powerfold exterior heated mirrors • Rear parking sensors • Satellite navigation system • Traction Control (TC) • Trip computer • Tyre pressure monitoring system • Ventilated, carbon ceramic disc brakes with ABS Optional Extras • 19» 10 - spoke alloy graphite painted wheels with a diamond turned finish • 700 W Aston Martin Premium audio system with Dolby ® Pro Log

Going above and beyond the standard options list, Collection includes exclusive paint and upholstery colours, material finishes and craft elements.

European inquiries call +49 (0) 2041/777 -230 Standard Equipment: Painting: Obsidian black - metallic Upholstery: BRABUS Mastik - leather interior - colour: mondial black, tuck: enjoy...

The car was available in a single standard colour, named «Blue Victory», though the car's paint could be customized upon request.

22» 5 spoke directional alloy Wheels - Painted, Rear seat entertainment, Digital TV tuner and digital radio, Electrically retractable towbar, Hands free power tailgate, All terrain specification pack - Bentayga, City specification pack - Bentayga, Touring specification pack - Bentayga, Veneer specification for 5/7 seat pack - Bentayga, Blackline Styling Package, Body coloured lower bodywork - Non standard paint range, Union flag exterior badge, 3 spoke dual tone hide trimmed heated steering wheel, Comfort rear outer headrests, Contrast stitching on steering wheel, Front seat comfort specification, Sunshine specification pack - Bentayga, Warning triangle and first aid kit, Contrast stitching, Dark stained burr walnut veneer

Alloy Wheels, CD Player, Immobiliser, Front fog lights, Power Steering, Power Fold Mirrors, Single CD Player, Sports Seats, Remote Central Locking, Piano Black Veneer, Heated Door Mirrors, High Spec Alarm, Front Parking Sensors, Traction Control, Leather Interior, Metallic paint, Full Service History, Central Locking, Automatic Transmission, ABS Brakes, Air Conditioning, Bluetooth car kit, Trip Computer, Body Coloured Bumpers, Remote Audio Controls, Auto Headlights and Wipers, Twin Airbags, Multiple Airbags, Satellite Navigation, Multi CD Player, Heated Seats, Electric Windows, Cruise Control, Alarm Fitted, Adjustable Steering Column, Garage Door Opener, Drivers Airbag,, This Stunning And Rare DBS Coupe Is finished in Quantum Silver Metallic with Obsidian Black Leather This DBS comes with a Host of standard and Optional Extras Don't miss out on owning This Rare Car

As with the F - PACE, there is no low - range gearing, a full - size alloy spare wheel (which reduces the class - leading boot capacity to 558 litres) costs $ 1020, metallic paint costs $ 1780 extra and there are three premium metallic paints ($ 3550); the only standard solid paint colours are white and black.

With the Turbo exterior package (fitted as standard on the Macan Turbo Exclusive Performance Edition), the Macan hits the road equipped with exclusive 21 - inch 911 Turbo Design wheels — highly polished on the outside, painted in black (high - gloss) on the inside — including wheel centres with full - colour Porsche Crest.

The standard exterior specification includes 18 - inch alloys (optional 19s and 20s), front and rear park sensors, a rear view camera, powered tailgate, dual exhausts, and brake callipers available in red, yellow, or black, with 11 exterior paint colours available.

There are a total of 14 paint finishes on offer — four standard and 10 metallic colour options Read more here.

Supersports customers will also have a choice of the 17 «standard» paint colours.

Electric engine and trunk lid release, Multi function display, On board computer, Variable PAS, 4 speakers, Porsche CDR - 24 CD / radio, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending split rear spoiler, Body colour bumpers, Body colour electric / heated door mirrors, Chrome plated stainless steel tailpipes, Coming home function, Door entry guards in stainless steel, Dual tailpipe, Electric windows one touch open / close, Front fog light / position light, Green tinted heat insulating glass, Heated washer nozzles, High level LED brake light, Solid paint, Windscreen with grey top tint, Alcantara handbrake / gearshift, Alcantara roof lining, Alcantara steering wheel rim, gear lever and handbrake grip, Coat hook integrated into back seat, Continuously variable dimming interior light, Cup holders, Door entry guards with Cayman S logo, Electrically adjustable backrest, Floor mats in interior colour, Footwell illumination, Front door storage bins, Height / reach adjust steering wheel, Integrated head restraints, Interior orientation lighting, ISOFIX child seat preparation + airbag deactivation, Leather finish on door handles, Leather interior in standard colour, Lockable glovebox, Luggage retainer on engine cover, Porsche crest embossed in headrests, Sports look pedals with rubber insert / stainless steel frame, Storage compartments in front section of centre console, Storage pockets in backrests of front seats, Sunvisors with illuminated vanity mirrors, Interior design package (in matching exterior paint colour)- Cayman, 3 point automatic seatbelts, ABS+ABD, ASR, Driver / Front Passenger airbags, Motor Slip Regulation - Engine Drag Torque Control, Passive occupant restraint system, POSIP for driver and passenger, Red painted brake calipers, Seatbelt pretensioners with load limiters, Side (thorax) airbags, Alarm system with interior protection, Remote control central locking, Transponder engine immobiliser, Porsche Active Suspension Management, Porsche stability management (PSM), Black instrument dials, Numbered plaque on glovebox lid, Rear centre console painted black, 19» Turbo alloy wheels, Sealing compound and compressor kit

Other features include cruise control as standard, while a bronze paint colour, leather trim and all - round parking cameras are available on the higher level Tekna package.

With a raft of features that set it apart from the standard version, including an exclusive «Nude» paint colour and Alcantara upholstery, it's a stunning way to top the Mii range.

A host of exterior paint finishes are available for the Coupé, eight in all, these being Chilli Red, Pepper White, Spice Orange, Midnight Black, British Racing Green II, Eclipse Grey, Lightning Blue and White Silver, while the roof is painted as standard in a contrasting colour, with a choice of Jet Black or Pure Silver to pick from.

All upholstery versions are also available for the optional sports seats, and there are currently three standard and five metallic exterior paint colours.

Speaking of the roof, it's painted in a contrasting colour as standard; a new take on Sport Stripes is among the additions available as an option.

Ten standard exterior colours are available - for the R8 V10 plus there is an additional Camouflage Green matt paint finish available.

Key specification changes for the Fabia are as follows: — Two paint colours deleted — Moon White & Sprint Yellow, — Reversing camera and umbrella under front passenger seat now standard for all variants, — Reverse parking sensors deleted for all variants, now part of an option pack, — 81TSI standard equipment slightly downgraded to match spec of 61TSI, (steel wheels in lieu of 15 - inch alloys, cruise control and front centre armrest with storage compartment now deleted), — Adaptive cruise (new) is now available as part of an option pack, — Minor interior trim changes.

With a focus on luxury and refinement, it gets a unique «Amethyst» paint colour option, two - tone Nappa leather trim, unique 19 - inch wheels, a 13 - speaker BOSE stereo, a panoramic sunroof, LED headlights and a hands - free parking system all as standard, along with heated and ventilated front seats, heated and cooled cupholders, an automatic powered tailgate, «One - Touch» easy folding rear seats and Renault's 8.7 - inch R - LINK2 infotainment system with Apple CarPlay and Android Auto as standard.

Optionally the coupé — and this is new too — can also be ordered with the legendary «Talladega» design 18 or 19 inch alloy wheel which was previously reserved for the Scirocco R. Moreover, five of the 13 available colours are new to the line - up: these are the three standard paints «Pure White», «Flash Red» and «Urano Grey» as well as the metallic colours «Ultra Violet» and «Pyramid Gold».

All Focus RS500 vehicles will be painted in a standard Panther Black metallic colour, before being shipped to a dedicated 3M facility near Frankfurt, Germany, where a special foil film will be applied to the bodywork to create the matt black effect.

Changes to the Continental GT for 2015 include a new front bumper with a smaller radiator shell, redesigned fenders with a new vent with a metallic «B» adornment, new bright chrome fender badges for the V8 S and W12 models, redesigned boot lid, reshaped and widened rear bumper with full - width brightware, a new rear diffuser design for V8 S and GT Speed, new 20 and 21 - inch wheels (new 20 - inch 6 tri-spoke wheel for GT V8 and GT W12 with painted finish for V8 and bright machined for W12, 21 - inch seven - twin - spoke wheel in Graphite grey with bright machined spokes for Mulliner Driving Specification models, addition of 21 - inch five - spoke directional sports wheel for V8 S and GT Speed), three new body colours choices (Marlin (a rich metallic blue), Camel (a soft golden tone) and Jetstream (a light, bright metallic blue), new straight - fluting pattern for 4 seats with Mulliner Driving Specification (standard on GT Speed) includes a tightened «small - diamond» pattern on seat upholstery, redesigned driver controls, optional sports - orientated steering wheel, larger gear - shift paddles incorporating tactile knurled metal embellishers, new dials and graphics at driver's instrument panel, interior illuminated by LEDs, centre console with a new black gear lever surround, a new hidden storage compartment between rear seats capable of accommodating and charging electronic devices including iPads, optional semi-aniline hide for the seat cushions and backrests in the GT W12 and GT Speed, 2 new leather colours choices (Shortbread, Camel), new Alcantara headlining option (colour matched to all 17 of the available interior hide colours) for the GT V8 S, GT W12 and Speed coupe; optional on - board WiFi, increased engine power to 590 PS (434 kW; 582 hp) and 720 N ⋅ m (531 lb ⋅ ft) for the GT W12, 6 - cylinder deactivation for the GT W12.

* New look to G line - up for Europe * Automatic transmission now standard across the range * New paint colours and wheel designs * Fewer models and options, just as much standard equipment

BLACK, FULL SERVICE HISTORY, NO HIDDEN ADMIN FEES, COMPETITIVE FINANCE RATES, PART EXCHANGE WELCOME, Upgrades - SATELLITE NAVIGATION, REVERSE CAMERA, MULTIBEAM LED HEADLIGHTS, ELECTRIC SUNROOF, CRUISE CONTROL, BLUETOOTH, FULL LEATHER, HEATED SEATS, DAB RADIO, AUTO START - STOP, AUTO LIGHTS & WIPERS, FRONT & REAR PARKING SENSORS, ELECTRIC MEMORY SEATS, PADDLESHIFT, POWER FOLDING MIRRORS, 1 owner, Full service history, Black Full leather interior, Standard Features - COMAND Online System, Hard Disk Drive Navigation with 3D Map Display, Live Traffic Information and European Map Data Updates, Active Park Assist with Parktronic, THERMATIC - Automatic Climate Control Two Zone, ECO Start / Stop Function, Cruise Control with Speedtronic Variable Speed Limiter, Linguatronic Voice Control, DAB Digital Radio Tuner, Heated Front Seats, Tyre Pressure Monitoring System, Heated Windscreen Wash, Rain - Sensing Windscreen Wipers, Tinted Glass All Round - Green, Hold Function with Hill - Start Assist, Upholstery - Black Leather, Alarm System, Electric Windows (4)- One - Touch Opening and Closing Including Obstruction Sensors, Front Seats - Partial Electric Height and Back Adjustment, Radio Single CD / DVD, Emergency Call System and Access to Internet, Integrated WLAN Hotspot for Onboard Access of WLAN - Enabled Devices, 19in AMG Alloy Wheels - Multi-Spoke Design Painted in Titanium Grey, Bluetooth Interface for Hands - Free Telephony, Instrument Cluster with Chrome Ringed Dials Includes Single 4.3 - inch TFT Multi-function Colour Display.

Continental GT and GT Speed customers have a choice of 16 «standard» paint colours and 17 premium grade leather hide colours, including two new exterior paint colours (Cumbrian Green and Granite) and two new interior leather hide colours (Newmarket Tan and Cumbrian Green).

o Three new standard exterior paint colours (Havana, White Sand and Onyx) along with four unique duo - tone paint combinations (Havana, Dark Sapphire, Onyx and Midnight Emerald) for the first time on the Continental family

Only four paint colours are on offer — down from eight on the standard 370Z and none of them are new — including Eau Rouge red, Diamond black, Shiro White and Brilliant Silver, which is an extra-cost premium hue.

Combine this with traditional and state - of - the - art paint and colour match facilities and there is no job for any Aston Martin model that can't be undertaken to the exacting standards expected of the historic home of Aston Martin.

The Clio Renault Sport 197 F1 Team R27 offers the same comprehensive standard equipment list as the Clio Renault Sport 197, but in addition to climate - control air conditioning, cruise control (with speed - limiter) and ESP, the Limited Edition adds Cup Chassis signature 17» charcoal coloured alloy wheels, red painted brake calipers, Renault Sport Recaro Seats, a numbered plaque and F1 Team decals.

A range of seventeen standard exterior paint colours includes Dark Cashmere, a sophisticated and contemporary addition to the Bentley palette.

And why on earth are they using that RSL club standard issue metallic beige paint as the hero colour?

Eden Prestige and Performance are Pleased to present to the market this Mercedes CLS63 AMG Auto finished in Diamond White with Black Passion Leather interior, Upgrades - AMG Performance Package Plus, AMG Interior Carbon - Fibre Trim Package, Driving Assistance Package, Electric Glass Sunroof, Dynamic Multi-Colour Seat Package, Metallic Paint - Diamond White, Comfort - Ventilated Seats, Harman / Kardon LOGIC 7 Surround Sound System, AMG Illuminated Door Sill Panels, Remote Boot Closing, Reversing Camera, Standard Features - Hard Disk Drive (HDD) Navigation with 3D Map Display and TMC, Start / Stop System, DAB Digital Radio Tuner, Front Seats - Heated, Linguatronic Voice Control for Navigation, Luxury Automatic Climate Control - Includes Digital Display and Three - Zone Control, Parktronic with Active Park Assist, Speedtronic Cruise Control, 19in AMG Alloy Wheels (4)- 5 - Triple - Spoke Design Painted in Titanium Grey with High - Sheen Finish (Front 255/35 Tyres and Rear 285/30 Tyres) and Locking Wheel Bolts, Alarm System, Bluetooth Interface for Hands - Free Telephony, Drivers and Front Passenger Seats - Electrically Adjustable with Memory, Electric Windows (4), Metallic Paint, Radio, Single CD MP3 Compatibility, 7in Colour Display, SD Memory Card Slot, USB, Aux - in Socket, Rain - Sensing Wipers, Tinted Glass All Round, Tyre Pressure Loss Warning System, Upholstery - AMG Passion Leather.

Select from a portfolio of our most popular exterior colours with over a hundred standard and special paint options — featuring 11 different varieties of black alone.

Metallic paint (all colours but white) still costs $ 400 extra and standard equipment continues to comprise seven airbags (including a driver's knee airbag), electronic stability / traction control, a trip computer, «eco indicator» and six - speaker audio with USB, AUX and iPod inputs.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Ecolour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» EColour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» EColour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Fantasy Villa Time, 2015, printed image, plywood, wood, paint, felt tips, Chinese piano, radio alarm clock set to UK time and playing classical music, paper copies, pink wardrobe, rainbow stickers, coloured cardboard, cushions, plastic cup, fixture and 60W standard bulb in red or green, polycarbonate sheeting, sweat shirt, plant, fixings, 214 x 200 x 87 cm, 84 1/4 x 78 3/4 x 34 1/4 ins

Each work consists of one colour of oil paint applied according to the range of sizes available in one standard pack of household brushes.

Each work consists of one colour of acrylic paint applied according to the range of sizes available in one standard pack of household brushes.

Each painting is one of eight standard sizes, as small as a sheet of A4 paper or as large as 3.5 square meters, and uses one of three background colours: dark grey, blue, or sometimes red.

A series of paintings in a variety of sizes and colours, on standard supports, using latex paint, installed in a reasonable manner and whose reinstallation and maintenance (re-painting) is at the discretion of the end user.

This print is based on a painting from the artist's Clips series in which she has used the motifs of standard office stationary, in particular, the simple paper clip, to make abstract and complex images using a bold palette of colours.

Choose your paint colour Made from tough MDF it can be painted in any one of our standard colours; an understated shade or bolder tone to complement the rest of the room.

This is available as standard in ivory paint or a range of Farrow and Ball colours (at a surcharge).