The plot, you see, is the bulk -
standard revenge story of our hero going after the man who killed his family, and overcoming seemingly unsurpassable obstacles in order to do so.
Not exact matches
You may recognize him from the villainous Blue Jones in «Sucker Punch»,
Standard in «Drive» with Ryan Gosling, Orestes in «Agora», Joseph in «The Nativity
Story», Cicil in «
Revenge for Jolly!»
With his crowd - funded 2014 indie sleeper, Blue Ruin, writer - director Jeremy Saulnier crafted a
revenge story that didn't romanticize vengeance, highlighted by several messy showdowns between believable characters — real - seeming people, not
standard - issue movie killers.
Perhaps the weakest element of Into the Sun proves to be the
story itself, with a very
standard tale of feuding gangs and the typical
revenge subplot you've come to expect from a Seagal vehicle.
I'm not going to spoil any of the
story or the details around what leads them there, but let's just say it's the
standard House of the Dead fare; there are guns, motives of
revenge and mutants galore, all wrapped up with grindhouse styling.