Sentences with phrase «standard widescreen»

The current crop of consoles is limited to the standard widescreen ratio of 16:9.

The screen is 3.7 inches diagonally and has a high - resolution high - density 800x480 pixel display with a screen Aspect Ratio of 1.67, which is higher than the iPhone's 1.50, but lower than standard widescreen displays, which have an Aspect Ratio of 1.78.

The screen is 3.5 inches diagonally and has a medium - resolution medium - density 480x320 pixel display with a screen Aspect Ratio of 1.50, which is lower than the Nexus One's 1.67, and also lower than standard widescreen displays, which have an Aspect Ratio of 1.78.

The standard widescreen cockpit is completely free - standing.

Obviously, the photos show the highest - spec versions of the upcoming A-Class, but it's still impressive to get features such as the standard widescreen cockpit and Multicontour Seat package in a compact premium hatchback.

The standard widescreen cockpit is completely free - standing, and for the first time there are absolutely no cowls above the instruments.

Not exact matches

For many years, the TV prints of the Robe were struck from the «flat,» standard - ratio version shot simultaneously with the widescreen version.

Still, the 2.40:1 anamorphic widescreen picture is perfectly satisfactory for standard definition, as is the basic but serviceable Dolby Digital 5.1 soundtrack.

The Calling looks fine for standard definition, but the DVD's 2.40:1 anamorphic widescreen transfer is a far cry from the satisfying highs of 1080p.

Both films are presented on DVD in standard definition with a 1.66:1 full frame (original Highways) and an anamorphically enhanced 1.78:1 widescreen aspect ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.

Presented in anamorphically enhanced, standard definition with a 1.78:1 widescreen aspect ratio and a 5.1 stereo track, the film looks and sounds up to standards on DVD.

The film is presented on standard definition DVD with a 1.85:1 widescreen aspect ratio and a 2.0 lossy Dolby Digital Stereo track, both of which are up to standards with expectations of the format.

Now for playback performance starting with Batman, presented in 1080p high definition on Blu - ray disc with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless (48kHz, 24 - bit) mix, the animated film looks and sounds up to standards in HD.

Free To Rock is presented on standard definition DVD with an anamorphically enhanced 1.78:1 widescreen aspect ratio and a lossy Dolby Digital 2.0 Stereo track, the presentation here is fine for DVD and includes archival footage, interviews, and Sutherland's voice pushing the story forward.

Tremors is presented in 1080p high definition Blu - ray with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless mix, the presentation is up to standards and satisfactory.

Echotone is presented on standard definition DVD with an anamorphically enhanced 1.78:1 widescreen aspen ratio and either a lossy 5.1 or 2.0 Stereo tracks in Dolby Digital as an option to choose from.

Presented in standard definition with an anamorphically enhanced widescreen aspect ratio of 1.78:1 and a lossy Dolby Digital 5.1 track, the show has been captured so - so on DVD.

Super Sleuth Christmas Movie is presented in 1.78:1 anamorphic widescreen, slightly wider than the series» and standard TVs» dimensions but not wide enough for the package to avoid designating it «family - friendly widescreen.»

While I no doubt have been spoiled by regular exposure to excellent Blu - ray transfers, the 1.85:1 anamorphic widescreen presentation of Swimming to Cambodia seems a tad disappointing even for a standard definition release of a low - budget 25 - year - old experimental film.

As a 1954 movie, On the Waterfront was made right when the industry was transitioning from the long - standard Academy Ratio to widescreen formats, devised and touted in response to television's widespread popularity.

Receiving a standard Blu - ray transfer, Anchor Bay's home entertainment package arrives in 1.78:1 widescreen, and the title looks and sounds just fine.

The 2.40:1 anamorphic widescreen video isn't the sharpest or most detailed, but that's a low - budget comedy in standard definition from a small studio for you.

Evan Almighty comes to DVD in two different editions, one preserving its 2.35:1 widescreen theatrical aspect ratio and the other chopping it up to conform to «full screen» standards.

As usual, the Blu - ray includes a standard DVD, whose anamorphic widescreen, Dolby Digital 5.1 presentation likewise delights with its impressive delivery of attractive sights and sounds.

The studio's transfers are consistently some of the best out there, so for standard definition, this 2.40:1 anamorphic widescreen presentation looks pretty solid.

As opposed to the frantic handheld camerawork of Shiri, JSA makes full use of its widescreen frame (it was the first Korean film to use Super-35, the Hollywood big - budget standard), to create more deep - focus static compositions.

While the DVD's 1.78:1 anamorphic widescreen presentation doesn't boast the detail of Blu - ray, it's solid for standard definition and suffers from no specific problems.

The standard theatrical trailer and filmographies are included, as are both the widescreen and full - screen editions of the film.

Also presented in standard definition with an anamorphically enhanced 1.78:1 widescreen aspect ratio and a lossy Dolby Digital 5.1 surround mix on the disc as well, the Shadowman presentation is up to par with the format.

Presented in 1080p high definition with a widescreen aspect ratio of 2.39:1 and a English DTS - HD MA (Master Audio) 5.1 lossless track, the film looks and sounds up to standards on Blu - ray.

The film is presented in standard definition with a widescreen aspect ratio and a lossy English Dolby Digital 5.1 track, both of which play fine for the format.

The standard definition presentation is fine for DVD with an anamorphically enhanced 1.85:1 widescreen aspect ratio and a lossy 5.1 mix.

#artoffline is presented on standard definition DVD and an anamorphically enhanced 1.78 X 1 widescreen aspect ratio with a lossy Dolby Digital 2.0 Stereo track, both of which are fine for a documentary such as this but nothing breathtaking.

Presented in standard definition with an anamorphically enhanced widescreen aspect ratio of 1.78:1 and a lossy Dolby Digital 5.1 track, the show looks and sounds fine on the aging format but could have been stronger on HD.

Presented in standard definition with an anamorphically enhanced 1.78:1 widescreen aspect ratio and optional English subtitles, the Riot film features a standard lossy Russian Dolby Digital 2.0 Stereo audio track.

The DVD's 2.35:1 anamorphic widescreen transfer is satisfactory for standard definition.

The DVD's 1.85:1 anamorphic widescreen transfer is certainly agreeable judged by the standards of standard definition.

Whereas the typically black and white hard - boiled detective mysteries of Hollywood's Golden Age had to adhere to production code decency standards, Polanski's movie would employ color, a widescreen aspect ratio, and content that previously had to be merely suggested: profanity, sex, violence, indiscretion, and sordid secrets.

Radio Rebel is presented in the modern television standards of 1.78:1 widescreen picture and Dolby Digital 5.1 sound.

Presented in 1080p high definition with a 1.78:1 widescreen aspect ratio and a 2.0 LPCM Mono track, the film looks and sounds up to Blu - ray standards despite its age and low budget nature.

Seven Psychopaths» 2.40:1 anamorphic widescreen presentation is fine by DVD standards.

On the second disc is a 3D version of the concert, in both widescreen and standard formats.

Presented in 1080p high definition with a widescreen aspect ratio of 2.40:1 and a DTS - HD MA (Master Audio) 5.1 lossless mix, the presentation is up to standards and doesn't have many glaring issues.

Getting the now standard 1.78:1 anamorphic widescreen presentation once reserved for film, «10 Things I Hate About You» looks pretty dapper.

This transfer has clearly been aimed at kids who supposedly hate letterboxing or people with a standard TV screen who can't seem to find out how to stop a widescreen image from going all stretchy on their TV (use the set up key on your DVD remote at stop mode and adjust the image from 16x9 to 4x3 Letterbox if you suffer from this!)

THE DVD Artisan's DVD release of Deep in the Woods is presented in both a 1.33:1 standard transfer and a 2.35:1 anamorphically enhanced widescreen transfer on the same side of a dual - layered platter.

In this 1.85:1 anamorphic widescreen transfer, the element stays clean, but sharpness, detail, and colors are a bit lacking, even for standard definition.

The Sense of an Ending obviously lacks the sharpness and detail you get from Blu - ray, but by DVD standards, the 2.40:1 anamorphic widescreen transfer seems pretty okay.

You certainly miss the extra detail and sharpness that Blu - ray provide, but Learning to Drive's 1.78:1 anamorphic widescreen presentation isn't bad for standard definition.

As well, there is a history lesson on CinemaScope, an audio interview with screenwriter Philip Dunne (recorded in 1969), press materials from the movie's début, a comparison of the widescreen and standard versions of the film and a picture - in - picture mode.