Sentences with phrase «standards like hot»

Enjoy Central American favorites like rice and beans, Mexican classics like escabeche, British standards like hot cross buns, spicy Caribbean dishes, unique Garifuna foods such as cassava bread, and, of course, lots and lots of delicious seafood.

Not exact matches

If you hold yourself to the standard of making a product that is so good people spontaneously recommend it to their friends, and you have an easy - to - understand business model where you make more than you spend on each user, and it gets better not worse as you get bigger, you may not look like some of hottest companies of today, but you'll look a lot like Google and Facebook.
Hot sauce (like Tobasco) is made with hot peppers, vinegar, and a few standard spicHot sauce (like Tobasco) is made with hot peppers, vinegar, and a few standard spichot peppers, vinegar, and a few standard spices.
Fresh California Avocados add a pleasing new dimension to menu standards like fried appetizers, soups, hot sandwiches, pizzas, pastas, stir - fries and sauces
The only thing I like to do more than eat when traveling for the Hot 10 list is drink (responsibly and with pretty high standards, of course).
Cormier cooks with soul, and his love of the South is just as evident in the standards as it is in his more chef - y numbers, like a «Surf & Turf» combo of sloppy braised beef and fried gulf oysters drizzled with fiery horseradish sauce, or the «HOT HOT,» a seriously spicy riff on Nashville - style fried chicken, offset with green - onion buttermilk «ranch.»
Second, children have no clue that the branded foods being served in the cafeteria are somehow «better» than the standard formulation of those foods, so they continue to receive the implicit message that items like Baked Flamin» Hot Cheetos (whole - grain rich or otherwise) and Domino's pizza (ditto) are acceptable, daily lunch fare.
the complete junk sold on cafeteria a la carte lines that passes for «healthy» (even under the new IOM standards) like Baked Flaming Hot Cheetos and Rice Krispie Treats.
You'll find everything from hot pink to purple in addition to standard colors like gray and army green.
When it's been hot the pincurls have been ditched in favour of buns, I've had little mental effort left to figure out how to tie together an outfit when my standard cropped cardigans haven't been required, and honestly some days I haven't felt like putting in any effort at all.
It has essentially EVERYTHING your standard / substandard Mutant Reviewers from Hell reader would ever desire in a film: Michael Cera, the hot / fun «it» girls from various cult (non --RRB- smashes of recent years, a thoroughly modern perspective towards diversity and human acceptance of differences, video game - inspired fight scenes, an uplifting and resonate (which is to say»80s film - like) romance, and a rockin» soundtrack.
Just a few weeks ago, The Grade ran a column about the potential spread of disinformation in education journalism that's already been documented on hot - button issues like the Common Core academic standards.
On the face of it, this Denver Post article by Yesenia Robles looks like pretty standard reporting of political campaign contributions for the currently hot Denver Public Schools board election.
Hot tech like Apple Carplay and Android Auto come as standard, and Kia promises class - competitive space for rear passengers.
In these days of RS500 Foci, the 35 doesn't feel like a fireball, but where the standard car felt just a little lacklustre for a modern hot hatch, the 35 feels more on the current pace.
It's much like a standard Focus interior, with very little that defines it as a hot hatch.
If there's a weak spot to be found, it's in the standard Pirelli P Zero tires, which weren't ideal for continuous track abuse, returning far more understeer than I would have liked when they became too hot.
Though acceleration is strong, the way power delivery peaks through the mid-range ensures the Polo GTI feels like a standard hatch with poke rather than an out - and - out hot hatch.
Like others in the S vernacular, it's a warmed over version of the standard car, rather than a hyper - hot RS.
Like the Civic, the Golf GTI has been around basically forever, and pretty much sets the standard as far as hot hatches are concerned.
Standard AMG designates, like the engine configuration lettering on the fenders, make it obvious to status - seekers that this is a hotted - up Mercedes, but the AMG - branded exhaust tips and brake calipers are more subtle communicators of the muscle that lurks beneath the surface.
Other tech features like remote vehicle start (handy if it gets cold or hot) are standard on LTZ and High Country, and optional on LT trim.
Hot off the press from a comprehensive update, the latest model raises the bar for standard performance features like line - lock, with even more options on the menu to give it more teeth.
The network of Centurion Lounges is one of the best in the country, as each has standard fare like restaurant - quality hot food, specialty cocktails, and decent work space.
The decor includes standard eco-fare as well as delightful surprises like a repurposed birdcage that found new life as a swivel chair and the hot tub that was created from old - fashioned milk jugs.
Green status is the standard Starbucks status level and comes with perks like free birthday rewards, free refills on hot or iced brewed coffee, special email offers, etc..
All rooms and suites can be set up in twin or doubled and are equipped with standard amenities like individually controlled air conditioning, a satellite TV, an IDD telephone, a mini bar, and fully equipped bathroom with hairdryer, and hot and cold running water.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
No, you are wrong, RSS is consistent with models only if we look at global trends, but RSS trend for tropical «hot - spot» is out of 2 standard deviations limit of the model mean, just like UAH and all «uncorrected» radiosonde data sets.
It seems likely that other heatmaps will also prove inadequate to represent the extremely hot temperatures which are becoming much more common, so instead of everyone using their own colours like pink or purple, why not come up with a standard colour to represent the new, more common, extreme.
So to make an idealized continent like Africa I just took a standard CLM input file and replaced the area approximately over North Africa with the zonal average values of West Africa (where the Sahara is the hottest).
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