Sentences with phrase «standing cultural history»

With a long - standing cultural history and housing a few thousand students, there is a perfect mix of young and old.

Not exact matches

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

For instance, if one believes that Christ is in some sense God incarnate, then there is a sense in which the divine second person of the Trinity stands above history, There is also a sense in which the teachings of Christ might be said to have some trans - cultural character, despite being embedded in very particular cultural forms.

The Mayan World is one of the most fascinating and unexplainable mysteries of the world for its social, cultural, and political history and for its architectural masterpieces that still today stand through the passage of time, and continue to amaze the millions of tourists that visit per year the archeological sites that represent the legacy of the Mayan Civilization.

Instead, it stood in tension with them, bearing witness to a history of cultural self - determination while underscoring the difference between her art's encircled harmony and the contentious, unequal world beyond the frame.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

An interesting comment — «You don't need much knowledge of cultural history and the philosophy of science to understand why the testimony of mediaeval monks written in Latin doesn't stand a chance against statistics.

You don't need much knowledge of cultural history and the philosophy of science to understand why the testimony of mediaeval monks written in Latin doesn't stand a chance against statistics.

It's NAIDOC Week, a time to celebrate the history, culture and achievements of Aboriginal and Torres Strait Islander peoples, and the theme — We all Stand on Sacred Ground: Learn, Respect and Celebrate — highlights Aboriginal and Torres Strait Islander peoples» strong spiritual and cultural connection to land and sea.

I believe this comes from a long - standing history of women's economic dependency on men, and years of cultural programming about the romantic ideal of being financially and emotionally taken care of by a heroic «knight in shining armor.»