Not exact matches
Rug, Urban Outfitters Office Chair, All Modern Leather and Metal Arm Chair, All Modern Wall Sconces, All Modern Peace Sign
Sculpture, All Modern Desk, IKEA Fjalkinge Shelves, IKEA Clothing Rack, IKEA Black Planter, IKEA
Floor Mirror, IKEA Striped Storage Boxes, IKEA Gold Bowl, Homegoods Necklace
Stand / Form, Homegoods Mirroried Jewelry Box, Homegoods Beaded Jewelry Box, Anthropologie Gold Pineapple, Anthropologie Square Mirror, Thrifted 3 - Tiered Metal Cart, Target Wood File Boxes, Target Acrylic File Trays, Target Desk Calendar, Target Magazine Holder, Target Wood and White Frame, Target Wood and Black Frame, Target Bamboo Boxes, Target Black Frames, Target Eckhart Tolle Print, Meghann Miniello Hug More Often Print, Beau Champing Yoga Class Print, Sara Combs Bay Surfers Print, Sara Combs Classic Print, SS Print Shop Clip Boards, Office Depot Globe, World Market Agate Druzy Stone, World Market Cement and White Planter, Dig Gardens
GUEST BEDROOMS: - Two king - sized bedrooms housed in
stand - alone pavilions - Featuring king four - poster beds, cream coloured walls, wooden
floors and soaring roofs - Front terrace lit by colonial - style bell - jar lanterns and furnished with antique daybed leading from glass sliding doors onto the bedroom - Spacious dressing rooms - Wall - mounted LCD satellite TV, DVD player and iPod dock - Air - conditioned and fan - cooled - Air - conditioned ensuite bathroom with
sculptured terrazzo bathtub, double washbasins, glass doors leading to alfresco area with outdoor rain shower in a private walled courtyard - Additional single bed can be configured upon request
Brixton artist Lesley Hilling brings a series of
floor standing and wall
sculptures made from salvaged wood and found objects to Knight Webb Gallery.
Among Crampton's most vivid conceptions are Louise Nevelson
standing with three of her
sculptures, seeming to be part of the one she is
standing behind, and looking like a stern, aged priestess in her heavy makeup, turban, and
floor - length mink coat;... Alexander Calder, a small, inconsequential figure lost in the incredible, mad mess of wires, ropes, strings, tools, and debris that fills his studio...»
Installed on Level 1 of Le Corbusier's 1963 Carpenter Center and intervening in the Busch - Reisinger Museum's room 1510 on the first
floor of the Harvard Art Museums, the exhibition Shahryar Nashat: Skins and
Stand - ins features a combination of video,
sculpture, architectural interventions, and commissions that create a cohesive environment where the sensibilities and physicality of spectators become formally implicated in the artist's inquiries.
For example his
sculpture GP06 (2013)
stands on the
floor, smoked glass rises up out of foundations made from breeze blocks.
conceived in 1919 and considered the first abstract
sculpture made in the German - speaking world,
stands alone in its own space on the third
floor
Rudolf Belling's bronze Dreiklang (Triad), conceived in 1919 and considered the first abstract
sculpture made in the German - speaking world,
stands alone in its own space on the third
floor.
The walls and the
floor of the gallery are covered with dazzling patterns that create the stage for the painted
sculptures that
stand, lean and hang throughout the space.
This organic decomposition that inevitably results in a stain on the
floor, ties in with Galuzin's long
standing engagement with bodily processes through installations, paintings and
sculpture.
Hayes has conceived an installation for the Museum lobby that includes a fifteen - foot - long, wall - mounted horizontal
sculpture for the west wall, and a free -
standing, egg - shaped,
floor - to - ceiling structure nearby.
One of the highlights of the season, they cleverly re-contextualised the work for an FIAC audience, turning the
stand into a mirror - like infinity lounge and inviting people to sit and observe reflections of themselves and others — and of course the colourful flashing light
sculpture which took prime position in the centre, hanging from above and almost touching the
floor.
The centerpiece of the exhibition is Beth Lipman's monumental
sculpture, Bride (2010), a ten - foot, five - tiered dessert
stand featuring handmade glass objects that rise, overflow, and then spill on the
floor.
JOSEPH BEUYS: BACKREST FOR A FINE - LIMBED PERSON OF THE 20TH CENTURY AD, 1972 - 1982, AND EARLY DRAWINGS: Located in the Chapel Gallery on the first
floor of Ely House, this exhibition brings together a series of early drawings alongside an important
sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long -
standing relationship to the artist's oeuvre.
A pair of huge marble
sculptures by Bourgeois
stand upon a structurally reenforced
floor.
This little - known series of black FRP
sculptures contrasts the natural and the man - made, ranging from rough, clod - like forms that lie low on the
floor to highly polished, geometric shapes that
stand tall like totems.
We are thrilled that Betty Woodman has selected two ceramic
floor standing sculptures to be installed in proximity to Sol LeWitt's magnificent Wall Drawing # 701.
«In New York, art has become a luxury object, almost about fashion, and we try to get away from that,» Servais said,
standing beside Papadopoulos's sprawling
sculpture installed in the bottom
floor of The Loft.
The
stands that shone out across the main section tended to focus on just on one or two artists (painting, drawing and
sculpture by Gary Hume RA at Sprüth Magers), or, more inventively, brought together lots of artists under one particular curatorial treatment (a playful recreation of an artist's atelier at Hauser & Wirth's
stand, whose
floors and walls were filled with everything from Louise Bourgeois to Phyllida Barlow RA).
The first
floor is dedicated to Gabriel Orozco's new stone
sculptures that
stand in the modernist tradition of European
sculpture such as Hans Arp, Constantin Brancusi, and Barbara Hepworth and at the same time express the engagement with indigenous cultures.
This idea has culminated in Lot Ball, Fisk's largest
sculpture to date, which
stands alone,
floor - to - ceiling, in the biggest, most dramatic room of the gallery.
In a juxtaposition worthy of the most penetrating and scholarly curated exhibition, but in fact thrown up by the invisible hand of the market, one can
stand in an aisle at the Park Avenue Armory this weekend and see Cheim and Read's tastefully sparse installation of three stack paintings by Ron Gorchov, an idiom that tests painting's boundary with
sculpture, out of one eye and a Barry Le Va
floor piece at David Nolan out of the other.
On the first
floor of the gallery, Antunes will present
sculptures made of polycarbonate and brass in the form of combined and free -
standing panels, which have been shaped prior to their assembly, during the fabrication process.
Lydia Yee, chief curator, Whitechapel Gallery: «We're about to open a major solo exhibition of the German photographer Thomas Ruff, in addition to a show by Portuguese artist Leonor Antunes, who has created a large - scale
floor installation and a series of suspended and free -
standing sculptures.
Pandhal's work, in the ground
floor foyer and upstairs ballroom, includes wall - painted and free -
standing sculptures in a cartoon style.
Iconic metal
floor - pieces and free -
standing sculptures are paired with complementary works by peers like Agnes Martin — a woman!
His funerary motif: gravestones, shrouds, arrangements and plots in many cases are analogues for
standing sculpture, textile work, panel painting and
floor sculpture.