Sentences with phrase «standing gallery installation»

Not exact matches

Their art comprises two - dimensional cut - outs and collages; free - standing sculptures; and large - scale installations that engage the architecture of the museum's gallery space.

Hanna Schouwink and John McCracken standing on West 19th Street during the installation of John McCracken, the artist's third gallery solo show and the inaugural exhibition at David Zwirner's new space at 533 West 19th Street, New York, September 2006

© Genevieve Naylor / Courtesy Staley-Wise Gallery, New York; Right, Simone Leigh, elaborate imba yokubikira, or kitchen house, stands locked up while its owners live in diaspora (installation view), 2016 Marcus Garvey Park, New York, NY, August 25, 2016 — July 25, 2017.

Engaging and surreal, walking into what feels like such a private space in one of the most public environments in the art world, this stand has more detail than most artworks — worth a visit of its own, it would be worth the gallery creating this installation around the world.

As one stands between Pyramids of Light (2002/2003), Blue Pacific (1975) and In Search of Moby Dick No. 3, Fata Morgana in Search of Moby Dick (1976), the gallery has a striking similarity to Dan Flavin and James Turrell's light installations at the recent Light Show at the Hayward Ggallery has a striking similarity to Dan Flavin and James Turrell's light installations at the recent Light Show at the Hayward GalleryGallery.

The stand featured dedicated rooms of new work by three of the gallery's prominent female artists: «Infinity Net» paintings and sculptures by Yayoi Kusama; a presentation by the British painter Celia Paul; and an installation of cracked tile paintings by Brazilian artist Adriana Varejão.

They include Peaux de Lapins, chiffons ferrailles à vendre (2006), one of the series of installations that the artist called «Cells», which consists of an arrangement of flesh - coloured materials and significant objects; it will stand at the centre of the glass octagon in an exhibition that fills the pavilion and one floor of the gallery.

In Not Again, she combines her long - standing interest in literature and communication science into a temporary gallery installation.

Alastair Mackie's new and largest installation to date, created in response to the AVA's converted gallery space twenty seven pine trees stand incongruously in mid-transformation creating a pseudo-forest within the stark white space of the gallery.

Where Matthew Ritchie could stand for the hordes of installation artists now crossing media, telling tall tales, and trashing galleries, here he settles for abstract scrawls along the upper ramp.

Lusia Strina stood out because of their concise presentation of their gallery artists, which brought together a range of impressive works, including two important installations by Alexandre da Cunha and by Renata Lucas.»

Stand was a 2012 site - specific installation by Robert Longo (born 1953) which fully utilized the unique architecture of the Capitain Petzel gallery in Berlin.

You're just as likely to see a Middle Eastern installation artist on view in an American gallery's stand as a German painter on show with an Asian exhibitor.

«The Retirement Party» is a show where a work like Carroll Cannons Undefeated is a highlight of the main gallery space — the installation features a football helmet on top of an artificial Christmas tree standing in a kiddie pool filled with bright orange Cheetos.

Another intervention worth mentioning is Surasi Kusolwong's performance and installation, which recreates a street vendor's stand in the gallery.

In 2015, when the Hirshhorn asked him to create a site - specific installation in the museum's third - floor gallery, Bradford proposed creating his own version of a huge, circular painting that stands at the Gettysburg National Military Park.

Originally presented at Greene Naftali Gallery, this major installation work will be updated by the artist for a new site: the former butchery of storied meat purveyor Pat LaFrieda Meats, which stands adjacent to GBE at 601 Washington Street.

Lodestar, Smith's 2010 installation at the Pace Gallery, was an exhibition of free - standing stained glass works painted with life - size figures.

Featuring a real working farm within the gallery, a farm stand in the museum lobby, sculptures used for farming, videos and other installations, as well as multiple satellite projects in the community, Green Acres presents farming as art through a wide variety of approaches.

This possibility was set up early with the wall - wide installation of The 99 %: United We Stand by Jason Myers, 2014 - 17, presented by Long - Sharp Gallery (Indianapolis, IN and New York).

Anchoring these bodies of work are three unique architectural installations: a window from the artist's studio installed in an exterior wall facing the street, replete with a plant - filled windowsill and the radiator supporting it; a dividing wall from the studio with clerestory windows, installed free - standing in the middle of the gallery; and her own work table, relocated from her studio in Berlin and placed at the entrance to the gallery.

Andrea Fraser created a sound installation about Sing Sing prison; Lucy Dodd peppered the gallery with free - standing abstract paintings and organized a festive music series in the space; Michael Heizer showed a monumental projection documenting — at full - scale — one of his earthworks; jazz icon Cecil Taylor exhibited archival documentation and ephemera from his long career, showed video of his piano playing and participated in a star - studded performance program; and filmmaker Steve McQueen screened a video about Paul Robeson's McCarthy - era FBI file.

Featuring a real working farm within the gallery, a farm stand in the museum lobby, sculptures used for farming, videos and other installations, -LSB-...]

Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.

Another popular - but - worth - the - queue exhibition is the Hayward Gallery's Light Show, featuring works by 22 artists, including a stand - out installation by James Turrell.

Piercing lights refer to our surveillance culture and the installation incorporates gargantuan animal sculptures including a 65ft flamingo — a copy of a work by Alexander Calder — and a replica of a spider by Louise Bourgeois that stood outside the gallery last year.

Daniel Keller will explore ecological and technological developments at the stand of Kraupa - Tuskany Zeidler; Marcelle Alix will show a veiled installation of «Opaque» by Pauline Boudry and Renate Lorenz; while Villa Design Group's work at Mathew Gallery will question languages of design, violence, and subjectivity through an installation of 10 doorways that draw upon architectural details from the murder scene of Gianni Versace.

Lydia Yee, chief curator, Whitechapel Gallery: «We're about to open a major solo exhibition of the German photographer Thomas Ruff, in addition to a show by Portuguese artist Leonor Antunes, who has created a large - scale floor installation and a series of suspended and free - standing sculptures.

Another worth - the - queue exhibition is the Hayward Gallery's Light Show, featuring works by 22 artists (with a stand - out installation by James Turrell).

In 2003 his huge inflatable sculptures stood outside Tate Modern, and that same year the Los Angeles - based artist presented an installation, Piccadilly, as the opening show for Hauser and Wirth's new London gallery.

The resulting work transforms painting and sound and creates a moving temporal installation, testing the boundaries between image and sound; Pärt's choral work echoed through the gallery, sung by a choir that stood among us.