The naked bronze man created by British sculptor Antony Gormley defies gravity as
it stands on the museum wall, leaning 45 degrees towards the viewer.
Not exact matches
As happy as Murray was to be among the few female artists whose work was regularly shown at the
museum — and as proud as she was in 2005 to be one of the handful honored with a retrospective there — her Artist's Choice pointedly proclaimed her refusal to be a
stand - in for all the women present in the institution's database yet unaccounted for
on its
walls.
At the
museum,
on the
wall near where Still's painting once
stood, Still summed up his philosophy of art: «I never wanted color to be color, texture to be texture, images to become images.
I can never remember if white is supposed to be the color of life or death, but
standing inside Marilyn Minter's cavernous bright white studio,
walls close to bare due to the fact that much of Minter's recent work is
on exhibit now at Salon 94 and much of Minter's entire oeuvre is included in her major career retrospective, which opens today at the Brooklyn
Museum, feels not unlike being in a womb.