Sentences with phrase «stare at those character»

The graphics are fine for the most part, but more than once I've caught myself staring at a character in the game and thought to myself, this character looks more like a mannequin than a human.

If you choose to play the game solo, you'll find that the AI companions, while usually content to simply stand around and stare at the character you're controlling, at least never feel like a hindrance.

With insane fatalities and X-ray moves, not to mention the blood and gore that the series has built itself on, I never really found myself staring at my character too much.

Not exact matches

He stared blankly at the Fort Worth morning Star - Telegram, which had the starting lineups for the Texas - OU game, and said, half to his sons and half to the western world, «They outweigh us, but we got too much character.»

Although Deadpool 2 repeats the first movie's jokes about the character being a scrappy castoff not good enough for Marvel's higher - profile franchises — at one point, Wade opens the wrong door in Charles Xavier's manor and finds the better - known characters staring back at him in confused irritation — this one has the budget and the clout to allow him to associate with a higher class of co-star.

There's a scene in Only God Forgives where Ryan Gosling's character stares at his hands for what feels like an age.

Harry Potter and the Deathly Hallows: Part 1 features everything from an indestructible necklace that induces teenage angst, to the clichéd argument in which one of the characters runs away in tears and the other (in this case, Harry) is left staring blankly at the ground, contemplating his fate.

It's the quieter moments that really add up; her character blankly stares at a humming ceiling fan or spending time alone at The Grove.

After some fun banter with the entire panel — Hemsworth joked about the new sex - change of his character being his chance at an Oscar, Elizabeth Olsen says she's been practicing staring at pencils for months willing them to move, and Robert Downey Jr. asks that she soon release him from the spell she cast on hims as «it burns» — we finally get a trailer for Avengers: Age of Ultron.

As Thanos smiles and stares out over a sunrise, at peace with his devastating decision to commit mass slaughter in order to prevent the galaxy's resources from being used up via overpopulation, it's difficult not to wonder how Marvel would resurrect some of these characters, not to mention have them battle back against the despotic conqueror.

And during The Disaster Artist premiere, the real - life Wiseau and Sestero sat together watching the scene depicting The Room premiere, which featured their characters staring up at themselves on the big screen.

A character stares out at us while a film concludes, and seems to be silently ask us: When will this all end?

The supporting characters, who would normally give Howard a hand, here simply hang around, stare at each other, throw fits, walk away and change their minds; none of them have any focus.

Staring the director of one of my all time favourite films (Jeff Who Lives at Home), Mark Duplass plays the husband to Elizabeth Moss's character Sophie, both of which are trying to recreate their magical first night together due to the drudgery of their current unhappy marital state.

Scott's film, with a script by David Scarpa based on John Pearson's book, positions itself somewhere between thriller and character study, relaying the mechanics of the kidnap and negotiation, and doing a repulsed stare - down at Getty, trying to see what could possibly make him this way.

Every scene is an exercise in drawn - out affectation, with the characters» silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges — all set to meaningful piano twinkles and drum beats — so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie.

Two other instances allude to Rear Window — a character using a lamp to blind attackers and a shot that stares directly at an apartment window across the way.

With two incredibly unlikable lead characters (the worse being Darry, thanks to Long's feature - length impersonation of Freddie Prinze Jr.'s mouth - agape stare), one is left to hope for at least some decent scares, but outside of the opening sequence, there aren't any.

The first images and poster from July's big budget Tarzan film The Legend of Tarzan are here and while they're trying to sell a new era of the classic character, it's hard to not just stare at Alexander Skarsgård's abs.

For Audi to release a rear - wheel drive sports car would be somewhat out of character, and yet here we are staring at the Audi R8 RWS — that's «Rear Wheel Series».

With this handy research guide, no longer will you need to search for ways to murder your characters, or stare at a blank screen while you mull over the character development of your antagonist.

Characters are constantly looking, peering, glancing, and staring at things.

The character designs are all great, the aliens reminded me slightly of the alien designs in the 1980s American Marvel Comic Strikeforce: Morituri, which may be pretty cool for some long time American comic book readers over here in the States, and his landscapes of the city are pretty wild to just stare at, too.

It's a bunch of bullcrap really, because one character requires you to stare at her, one requires you not to move and the other requires you to run out of his sight when he appears, but sometimes he'll appear at the same time as the one where you're not allowed to move, and so you're screwed if that happens.

The other characters movements can be a bit stiff at times and if you stand in their path they just stare at you till you move, which was a little annoying.

Having several characters in a casting phase at the same time is incredibly dramatic, leaving you to stare at the little red zone, hoping beyond hope that you worked everything our correctly, otherwise a world of pain awaits.

Simply stand in these areas and your avatar will automatically blend in, merrily chatting to other characters or munching a pork pie while staring at a painting.

This then launches you into the second part of the gameplay, where you decide what to do on a turn with your character, and their two «friendly» demons (who, by the way, are totally not tonguing their lips in delight while staring at your jugular behind your back, don't trouble yourself with that knowledge, it is fine).

With that said, while playing Swords and Sorcery, you will be staring at same colored walls for hours on end, and view character portraits that do not scale properly depending on the menu you open resulting in a loss of image quality.

There was more than one character I met in the game where I thought, «what exactly is that thing I'm staring at?»

The latest Tomb Raider takes the idea of having the character look at items, ala Grim Fandango, but then completely flips the idea around by having Lara stare at anything that seems cool.

The «play» button will go grey and players will only be able to stare longingly at the history of their character.

It's also free, unlike (most 0f) Super Mario Run, so there's really no reason not to — and no reason not to expect your entire family to spend Thanksgiving staring at their phones, customizing their characters, and running their own campsites.

At first glance, the regional purview of Made in L.A. 2012 — on view this past summer at the Hammer Museum and LAXART as well as the Los Angeles Municipal Art Gallery at Barnsdall Art Park — might easily have suggested collective SoCal navel - gazing comparable to the scene at the end of each of the SNL skits, when the characters come together to stare into a mirror in a surrealistic act of group narcissisAt first glance, the regional purview of Made in L.A. 2012 — on view this past summer at the Hammer Museum and LAXART as well as the Los Angeles Municipal Art Gallery at Barnsdall Art Park — might easily have suggested collective SoCal navel - gazing comparable to the scene at the end of each of the SNL skits, when the characters come together to stare into a mirror in a surrealistic act of group narcissisat the Hammer Museum and LAXART as well as the Los Angeles Municipal Art Gallery at Barnsdall Art Park — might easily have suggested collective SoCal navel - gazing comparable to the scene at the end of each of the SNL skits, when the characters come together to stare into a mirror in a surrealistic act of group narcissisat Barnsdall Art Park — might easily have suggested collective SoCal navel - gazing comparable to the scene at the end of each of the SNL skits, when the characters come together to stare into a mirror in a surrealistic act of group narcissisat the end of each of the SNL skits, when the characters come together to stare into a mirror in a surrealistic act of group narcissism.

Well, me neither because Bitmoji Deluxe conveniently lets you stare at a selfie of yourself while creating your new character.