Ball of Wax is an All -
Star of an independent film.
Over the past decade, Greta Gerwig has become one of the most vital and vibrant
stars of the independent film scene.
Not exact matches
What began a few years ago as a trickle
of small
independent films shot in and around Kingston has
of late turned into a veritable flood, including big - budget productions with real movie
stars, thanks to a new tax break and efforts by local officials to woo and accommodate the industry.
It reminds me
of the conversation in the
film Clerks about
independent contractors on the Death
Star.
Skinny, bug - eyed Steve Buscemi, the twitchy actor du jour
of American
independent films, makes a striking directorial feature -
film debut with «Trees Lounge,» in which he also
stars as a twitchy, hyperkinetic loser.
In 1997, Posey
starred in no less than five
independent films, including Henry Fool, her third Hartley outing; the temps - in - hell comedy drama Clockwatchers; Linklater's adaptation
of Eric Bogosian's SubUrbia; and The House
of Yes.
After substantial parts in two high - profile box - office disappointments, Terms
of Endearment sequel The Evening
Star (1996) and the Sandra Bullock - Chris O'Donnell historical romance In Love and War (1996), Astin focused on work in more idiosyncratic
independent films.
Of course, being a low - budget independent film with relatively little star power, no high concept, and minimal sizzle, The Intervention was destined to make do with the obscurity of limited theatrical releas
Of course, being a low - budget
independent film with relatively little
star power, no high concept, and minimal sizzle, The Intervention was destined to make do with the obscurity
of limited theatrical releas
of limited theatrical release.
Fernandez felt grateful for the opportunity, but reportedly hated the job itself so much that he hearkened off for the greener pastures
of acting.Fernandez landed his first formal acting assignments as a guest
star on episodes
of the network series Cold Case and Jericho in 2006 and 2007, but truly came into his own as a
star of low - medium budgeted
independent films such as director Marc - Andre Samson's taut thriller Interstate (2006)(as a young man trying desperately to reach his girlfriend in Los Angeles, but waylaid by drugs and the trappings
of an odd motel), and directors Lucky McKee and Trygve Diesen's violent psychological thriller Red (as a disturbed young man who plays the role
of accomplice in killing a senior citizen's dog).
Additional
film credits include TALK TO ME; the 2006 Oscar ® winning Best Picture, CRASH, which Cheadle also produced; HOTEL RWANDA, for which his performance garnered Academy Award ®, Golden Globe ®, Broadcast
Film Critics Award and Screen Actors Guild ® Award nominations for Best Actor; OCEAN»S ELEVEN, OCEAN»S TWELVE, and OCEAN»S THIRTEEN, directed by Steven Soderbergh; Mike Binder's REIGN OVER ME with Adam Sandler; the Academy Award ® winning
film TRAFFIC and OUT
OF SIGHT, both also directed by Soderbergh; Paul Thomas Anderson's critically acclaimed BOOGIE NIGHTS; BULWORTH, SWORDFISH, MISSION TO MARS, John Singleton's ROSEWOOD, for which Cheadle earned an NAACP Image Award nomination; FAMILY MAN, directed by Brett Ratner and
starring Nicolas Cage; COLORS, HAMBURGER HILL, and the
independent features MANIC and THINGS BEHIND THE SUN.
Upcoming roles for Grainger include
films TELL IT TO THE BEES and Anthony Lucero's
independent feature HALO
OF STARS, as well as the limited - series PATRICK MELROSE.
Back in March, news broke that The Russo Brothers (Captain America: The Winter Soldier, Civil War, Avengers: Infinity War) and Drew Pearce (Iron Man 3, Mission: Impossible - Rogue Nation) were working on a Ghostbusters
film independent of the Feig one, that could potentially
star Tatum and Pratt and eventually crossover with the ladies.
Elsewhere, the Gotham
Independent Film Awards named Alejandro González Iñárritu's Birdman best
film ahead
of Boyhood, with Michael Keaton winning best actor for his turn as a faded former
star of superhero movies vying to make a comeback.
INDEPENDENT & FOREIGN
FILMS Bordertown (R for sexuality, nudity, profanity, and violence, including a brutal rape) Jennifer Lopez
stars in this fact - based thriller about an American journalist who goes undercover to investigate the murders
of hundreds
of women near U.S. - owned factories located in a Mexican town just across the border.
The fact that it is a female - driven
independent comedy that
stars several talented and underrated actresses leads me to believe that this may be one
of the most popular and best - reviewed
films to come out
of SXSW this year.
INDEPENDENT & FOREIGN
FILMS Apart (R for violence, profanity and bloody images) Romance thriller about a couple
of star - crossed lovers (Olesya Rulin and Josh Danziger) who share a psychological disorder which proves fatal for their friends the deeper they fall in love.
The
independent film, directed by Lenny Abrahamson and
starring Michael Fassbender and Domhnall Gleeson, was shortlisted for Online Campaign
of the Year and Trailer
of the Year.
The comedian and writer - director -
star of the new
film «Sleepwalk With Me» will host the 22nd annual Gotham
Independent Film Awards Nov. 26 in NYC.
Like «Lone
Star,» «Limbo» and other
films from the iconic
independent writer - director, this one transports you into the soul
of its community through smaller pieces
of the whole.
He has also completed work on BEYOND, a thriller from director Josef Rusnak also
starring Jon Voight; THE GREY, a thriller directed by Joe Carnahan with Liam Neeson; and TRADE
OF INNOCENTS, an
independent film written and directed by Christopher Bessette, in which he
stars opposite Mira Sorvino.
INDEPENDENT & FOREIGN
FILMS Good (Unrated) Viggo Mortensen
stars in this adaptation
of the C.P. Taylor play, set in Germany during the rise
of Nazism, chronicling the plight
of a previously decent college professor who finds himself increasingly compromised after his novel advocating euthanasia is employed as propaganda to advance the government's evil agenda.
INDEPENDENT & FOREIGN
FILMS 1911 (Unrated) Jackie Chan directed and
stars in this historical drama recounting the overthrow
of the Qing Dynasty which led to the founding
of the Republic
of China.
She made her screen debut in the slasher
film Urban Legends: Bloody Mary (2005), went on to have a supporting role in the
independent coming -
of - age drama Tanner Hall (2009), and has since
starred in the horror remake A Nightmare on Elm Street (2010), the biographical drama The Social Network (2010), the thriller remake The Girl with the Dragon Tattoo (2011), and the romantic drama Carol (2015).
She also
starred opposite Cameron Diaz and Christina Applegate in The Sweetest Thing and in two
independent films that garnered her much critical acclaim: Dana Lustig's Kill Me Later and Todd Solondz's controversial Storytelling, and one
of her most recognized roles, Liz Sherman in Hellboy (2004) and its successful sequel released in 2008, Hellboy II: The Golden Army based on the popular comic.
INDEPENDENT & FOREIGN
FILMS Afghan
Star (Unrated) Post-liberation concert flick chronicles the nationally - televised competition entered into by thousands
of aspiring, Afghani pop
stars including several women willing to risk incurring the wrath
of the Taliban by appearing unveiled on their country's equivalent
of American Idol.
The best part
of Galaxy Quest, playing the guy playing the ethnic guy in a «
Star Trek» - like cult television series, Shalhoub also stole the show as fast - talking lawyer Freddy Riedenschneider in his reunion with the Coen Brothers, The Man Who Wasn't There; demonstrated uncommon intelligence and sensitivity in the still - underseen Big Night; and made his feature -
film debut behind the camera with wife Brooke Adams in the
independent Made - Up, now trickling into video stores.
I was reflecting upon this recently — and in particular an interview with the director
of an American
independent film, with major
stars, that released last year — and it struck me doubly disheartening because it's (generally) not like these people are complete idiots.
Written, directed by and
starring Lena Dunham, and costarring her real - life mother and sister, Tiny Furniture is a loose - limbed and pleasantly idiosyncratic
independent film that takes an amusing look at romantic humiliation and twentysomething dawdling, when deep - seated ambivalence is so frequently mistaken for a lack
of ambition or intelligence by adults who've forgotten the choppy waters
of post-adolescence.
Working with some
of Hollywood's greatest filmmakers in both
independent and studio
films, Gyllenhaal
starred in Ang Lee's classic «Brokeback Mountain,» for which he received an Oscar ® nomination and won a BAFTA for Best Supporting Actor; Bong Joon - ho's «Okja;» David Ayer's «End
of Watch;» Antoine Fuqua's boxing drama «Southpaw;» Dennis Villeneuve's highly acclaimed
films «Prisoners» and «Enemy;» Richard Kelly's cult hit «Donnie Darko;» David Fincher's «Zodiac;» Sam Mendes» «Jarhead;» Nicole Holofcener's «Lovely and Amazing;» Ed Zwick's «Love and Other Drugs,» for which he received a Golden Globe nomination, and Tom Ford's «Nocturnal Animals,» for which he earned a BAFTA nomination.
Alcon, one
of the longest - running
independent film finance and production companies in the world, has financed and produced, and / or co - financed / produced 33
films to date, including the recent critically acclaimed
film Blade Runner 2049 from Academy Award - nominated director Denis Villeneuve and
starring Ryan Gosling and Harrison Ford; the Academy Award - nominated Best Picture The Blind Side, which earned Sandra Bullock a Best Actress Oscar; The Book
of Eli,
starring Denzel Washington and Gary Oldman; Insomnia,
starring Al Pacino, Robin Williams, and Hilary Swank and directed by Chris Nolan; The Sisterhood
of the Traveling Pants; P.S. I Love You,
starring Hilary Swank; the critically acclaimed dramatic thriller Prisoners, directed by Denis Villeneuve and
starring Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo, Terrance Howard and Paul Dano; and the family hit Dolphin Tale
starring Morgan Freeman, Harry Connick Jr., Ashley Judd and Kris Kristofferson.
Although the gritty indie aesthetic
of «Diary» was a direct reaction to his experiences on «Land» — a studio effort
starring Dennis Hopper, Asia Argento and Simon Baker and the most expensive
film in the series — Romero always has bounced back and forth between mainstream acceptance (a few studio - funded pictures and various fruitless Hollywood production deals) and the scrappier terrain
of independent financing and distribution.
Tonight, plenty
of big names and
stars in
independent film gathered together for the Gotham Independent Film Awards i
independent film gathered together for the Gotham
Independent Film Awards i
Independent Film Awards in New York.
Before she was
starring in world - shattering big - screen epics like «Avengers: Age
of Ultron» and «Captain America: Civil War,» Elizabeth Olsen made her mark in
independent films like «Martha Marcy May Marlene» and «Kill Your Darlings.»
John Michael McDonagh wrote and directed The Guard,
starring Brendan Gleeson and Don Cheadle, which was released in 2011 and became the highest grossing Irish
independent film of all time at the Irish box office.
Having
starred in
independent films like Hannah Takes the Stairs, The House
of the Devil, and Greenberg, Gerwig was branded as a hipster and as a «manic pixie dream girl.»
In a year packed with mega studio hits —
Star Wars: The Force Awakens, Mad Max, Jurassic World and Spectre, to name a few — British
independent films managed to hold their own and bring in millions
of pounds.
THE KIDS ARE ALL RIGHT By Gary Murray
Starring Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska and Josh Hutcherson Written by Lisa Cholodenko and Stuart Blumberg Directed by Lisa Cholodenko Running time 106 min MPAA Rating R Lisa Cholodenko created both High Art and Laurel Canyon, both
films that carry a heavy
independent street cred and were praised by many critics when the end
of the year came around.
He wrote, directed and
starred in the
film, which tells the story
of a chef who tackles his own
independent food truck after being unhappy with his more traditional restaurant job.
But the key member
of the so - called «mumblecore»
independent film movement reached a new level last year, when his romantic comedy Drinking Buddies was a modest hit, especially on V.O.D. Working with established
stars like Anna Kendrick, Olivia Wilde, and Jake Johnson, Swanberg made his work available to a bigger audience than ever — which puts more attention on the two new
films he had showing for audiences in January alone.
«Between strong reviews and a publicity blitz by the
film's
stars Richard Gere, Susan Sarandon and Nate Parker, we managed one
of the strongest
independent openings
of the year for either a conventional or day - and - date release,» Roadside Attractions» Howard Cohen told Indiewire.
Wechsler's other producing credits are a distinctive and award - winning mix
of independent and studio films including «The Road,» a Venice Film Festival Golden Lion selection; «The Time Traveler's Wife,» «We Own the Night,» a Cannes Film Festival Palme d'Or selection; «The Fountain,» a Venice Film Festival Golden Lion selection; «North Country,» for which Charlize Theron and Frances McDormand earned Oscar and Golden Globe Award nominations; «Requiem for a Dream,» which earned an Independent Spirit Award Best Picture nomination and an Oscar nomination for star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board of Review; «Eve's Bayou,» an Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of Fi
independent and studio
films including «The Road,» a Venice Film Festival Golden Lion selection; «The Time Traveler's Wife,» «We Own the Night,» a Cannes Film Festival Palme d'Or selection; «The Fountain,» a Venice Film Festival Golden Lion selection; «North Country,» for which Charlize Theron and Frances McDormand earned Oscar and Golden Globe Award nominations; «Requiem for a Dream,» which earned an
Independent Spirit Award Best Picture nomination and an Oscar nomination for star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board of Review; «Eve's Bayou,» an Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of Fi
Independent Spirit Award Best Picture nomination and an Oscar nomination for
star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board
of Review; «Eve's Bayou,» an
Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of Fi
Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society
of Film Critics.
As an actor, Mark has
starred in some
of the most critically lauded
independent films of the last decade.
The
independent film stars Pattinson as Constantine «Connie» Nikas who is trying to evade authorities and get his brother out
of jail after a bank robbery goes wrong.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One
of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage
of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto
Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories
of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure
of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review
of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The
Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review
of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight
of hand — «Eyes
of Others» at the Gallery
of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery
of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review
of Lost Collection
of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a
film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Writer / director /
star Lena Dunham is being called one
of the most exciting new voices in American
independent cinema and critics are hailing her
film as «irresistibly funny», «unnervingly honest», and «near perfection».
Gallo
starred in such
independent films as «The Legend
of Kaspar Hauser» (2012), «Essential Killing» (2010) and «Tetro» (2009).